Chop Suey may have become an anthem for morons over the years, but there's still something striking about this track that always manages to draw you in. I really like the structure of the song. In a departure from convention we have the majority of the intensity found in the verses, and it's only in the chorus when we slow down for the introspective parts. Its popularity can be summed up with its almost a billion views on YouTube, which is certainly an impressive feat for an alternative track.
#349: The Clash - Rock the Casbah
It's hardly the hardcore punk attitude that made the Clash household names, but it's certainly one of their best ever tracks. It's catchy and entertaining whilst still having that hardcore edge to separate it from conventional 80s pop. The lyrics are not to be taken seriously, although that doesn't stop the armed forces for repeatedly playing it in the Middle East. Amazingly we have a punk song you might actually want to have a dance over.
#348: Iron Maiden - Run to the Hills
If you were expecting a deep and emotional take on the plight of Native Americans then you obviously haven't met Iron Maiden. 'Run to the Hills' is just one big energy release, punctuated by Bruce Dickinson's screaming vocals. The lyrics do actually deal with both sides of the conflict, although really the sentiment is clearly anti-war throughout. This track helped spearhead a new age of British heavy metal, which gives it a rather mixed reception from the general public.
#347: George Michael - Careless Whisper
Scoff at this ranking all you want, but I absolutely love it. From the blissful opening saxophone we're catapulted into a world of cheese and sensuality. George Michael sounds like a sex machine, with even straight men like myself fantasising over his emotional heartbreak. For 80s commercial pop this is about as sophisticated as it gets.
#346: Cat Stevens - Wild World
I'm not sure fantasising over lost relationships and claiming to view these sexual partners as children is the most romantic thing I've ever heard, and should probably be reported to the police, but there is a lot of sentimental value found in this one. Wild World is a fantastic acoustic track, really hammering home themes of heartbreak and loneliness. Jimmy Cliff's version is also worth a listen if you ask me, whilst Jonathan King's version certainly isn't.
#345: The Sugarhill Gang - Rapper's Delight
So here it is, the birth of hip hop as a commercially successful genre. They still hadn't worked out how to untangle the shackles of disco, but that does at least give the track a playful flavour. The lyrics are all over the place, yet such a joy to follow along with whilst simultaneously introducing themes of boastfulness and sexuality that would become integral in rap music.
#344: Steely Dan - Do It Again
How a band manages to pull off a full dramatic plot and a lengthy guitar solo into a five-minute song I will never know. Steely Dan have produced a record that doesn't really sound like anything else. Here we have a work of art more than the folk-rock music the band were noted for. It's really well paced as well, yet despite its complex progression still retains a rich atmosphere throughout.
#343: T. Rex - Hot Love
Not only was Marc Bolan a flamboyant frontman, but as proved here he had a sensual side as well. His voice in this is so crisp and laid back, and whilst the song may be repetitive it certainly isn't without positive energy. It's of no surprise that this track topped the British charts for a whole six weeks at a time when glam rock was at its peak. Probably not the best idea to proudly reveal your lover isn't very old however, especially when you're a rock star from the 70s.
#342: The Shadows - Apache
If you only know this one from Will Smith's dancing then shame on you. The original is a fine guitar instrumental that like its title suggests gives off themes of rural Southern America and the West Coast. I'm amazed that this track was never a success across the pond because it does what American bands were doing at the time a million times better. It's incredible that such a solid electric guitar track existed in the early 60s, becoming one of the most influential pieces of the period. #341: Roberta Flack - Killing Me Softly with His Song
A classic soul track with a lot of substance hidden within. The vocals are the star of the show here, and whilst they might sound isolated on the surface, a closer inspection will reveal a far more layered production. Roberta may not have written this well-constructed piece, but it fits her style like a glove. A special mention has to be given to The Fugees, who produced a great and unique cover version themselves.
#340: Cheap Trick - Surrender
An anthem for the youth gone wild that unfortunately was never really popular enough to send them totally wild. The lyrics take jabs at overprotective parents, with ideas of freedom and teenage rebellion at the fore. Then you arrive at the chorus, which is just pop-rock perfection, instantly getting lodged in your skull. Interestingly in France the title is translated into 'La Marseillaise'. The more you know.
#339: Led Zeppelin - Communication Breakdown
Who else was producing rock music as intense and pure as this in 1969? Even punk bands were struggling to get to these levels of ferocity a full decade later. The fast-paced riff has become legendary in the world of rock, but really every single member of the band has to be credited for some of the most energy intense performances imaginable. I assume this song live would be an absolute spectacle.
#338: Frank Sinatra - My Way
I hardly call making a career out of the rather obsolete art form of crooning doing things your way, but there's no denying Sinatra is both an icon and an enigma. I'm not sure the instrumentation and the vocals sync up particularly well, but that doesn't matter when you have this legendary voice at your disposal. My Way has since become Sinatra's signature track, and in my opinion there's not a better single to sum up a global icon. It's become so popular in the Philippines that people are actually being murdered when it's inevitably performed again on karaoke night. True story.
#337: Elvis Presley - Heartbreak Hotel
The song that made Elvis an instant rock legend. Not only was this one of the first rock-based tracks to make it into the mainstream, but it also became the inspiration for many aspiring rock acts. Presley's voice is at its most characterful here, poetically bumbling out the lyrics like a man on the wrong end of a sticky breakup. The echo just amplifies the voice, instantly painting a picture in your mind of a charismatic performer.
#336: Megadeth - Peace Sells
You know with a title like that that we're in for a deeply political rant, and that's exactly what we get here. Megadeth were pretty new on the metal scene when this was released, but unsurprisingly built quite a reputation based on this hard rocking anthem. It's intense, powerful, and has a surprisingly neat bass. Peace might sell, but when this song is played there's rarely a peaceful member of the audience.
#335: The Beatles - Paperback Writer
A simple rock track with an uncharacteristically hard style. This was the first time The British Invasion produced heavy material that was also a major commercial success. The riff is exceptionally good, and I just love how it intertwines with the pleasing vocal harmonies. It's rare a hard rock track tops the charts, but here we have a perfect mix of loud guitars and catchy hooks.
#334: The Velvet Underground - Heroin
What an epic lesson on the effects of narcotics. I still can't work out whether this is a dire warning or an advertisement for the titular substance. You might be turned off by the simplistic opening, but this one builds in intensity, creating a rather unnerving atmosphere in the process. Whilst I certainly don't advocate the use of heroin, I do advocate getting an addiction to this classic. Both are some pretty serious shit.
#333: The Turtles - Happy Together
You would think the combined names of the title and band would lead to one of the dullest pop songs of all time, but nothing could be further from the truth. The verses use subtlety to build up to the brilliant chorus that juts instantaneously blares out such a positive message from those richly layered harmonies. Over the years the song has been included in various forms of media, but has still kept that innocent charm.
#332: Love Affair - Everlasting Love
An often forgotten 60s classic that starts with an eruption of grand noises, and finishes exactly the same way. Good luck listening for the lyrics over the sheer volume of noise, but you are eventually treated to a monumental hook, and failing that a cracking bassline. The singer looks about twelve, but he absolutely nails that chorus. The song itself has been released by numerous artists, but none have the same power as this fantastic piece of Northern soul.
#331: Soundgarden - Black Hole Sun
The music video might give you nightmares, but here we have one of the finest grunge singles in existence. The plodding riffs and vocals give off an apocalyptic feel that doesn't feel right. There's nothing musically complex about the composition, but it has the unnerving ability to just sound off. How a song like this ever charted is beyond my comprehension, but then many of these influential grunge rockers weren't the sanest of individuals.
#330: Kraftwerk - The Model
Sometimes all it needs is some serious Germans and a futuristic sound to create a great song. There's something very German about the whole composition, as it feels engineered to perfection by men who look like they work in accountancy. The lyrics get straight to the point, but really the focus has to be on the incredible melodies created by those synthesisers. This bizarre combination worked in Britain, where the public sent it to the top of the charts.
#329: The Rolling Stones - Beast of Burden
If there was any song to sum up what made The Rolling Stones so great then it must surely be this one. The rock elements are kept to the fore, with Mick Jagger going straight in with his loud and proud vocals that instantly raise the hairs on your arms. It might not have set the charts alight, but this was the best you could expect from the Stones during the late 70s, proving they still knew how to write great music.
#328: The Drifters - There Goes My Baby
Doo-Wop was rarely ever as exciting as this. Add in some soul and some strings and you have one of the most lively ballads ever created despite its inherently sad nature. Just listen to that voice. Absolutely amazing. You can forget the unique production for a moment when you have that wonderful thing powering through the hooks. This song was actually the first released by the second version of The Drifters after the original lot had been fired. I'm sure the original members were soon forgotten after the release of this smash hit.
#327: Michael Jackson - Thriller
Thriller grabs your attention and never lets you go. The accompanying video has become one of the most celebrated in history, featuring iconic dances and a demonic Michael. It is actually quite a scary video that still shocks audiences to this day. Vincent Price even makes an appearance towards the end to add in some iconic dialogue that only for a moment takes the spectacle away from Jackson. It's these now iconic features that have made Thriller a pop powerhouse instead of a simplistic dance track.
#326: The Stranglers - Golden Brown
If I had a penny for everyone who told me this was about hard drugs then I'd probably be as rich as The Stranglers were after they released this one. Golden Brown is about as unique as it gets, with alternating time signatures and the domineering sound of a harpsichord. To this day the sound still enthrals me, sounding hauntingly beautiful and exotic at the same time. I don't know how you get all this to work in a pop song, but The Stranglers did a phenomenal job.
#325: Iggy Pop - The Passenger
A classic track that symbolises the edgy and transient nature of the troubled rock star. The riff is the best you'll find on any garage rock song, with the piece becoming one of those classic rock tracks that are just pleasant to sing along to. David Bowie actually sang backing vocals on the original recording and the whole song was written on Berlin transportation. Amazing how something with such humble beginnings can become one of the most poignant rock pieces ever released.
#324: Buddy Holly - Everyday
The B-side to 'Peggy Sue' that in my opinion completely eclipsed the main track on the single. Buddy Holly doesn't understand what the word 'everyday' means, but he certainly understands how to turn this mistake into a brilliant track. This was the song that perfectly demonstrates Buddy Holly's melding of primitive rock and 50s pop. It's such a sweet and charming love track, held together with a simple clapping percussion and a strong voice. All this from a man who never even reached his mid-twenties. Crazy.
#323: Iron Maiden - The Trooper
Now immortalised as a decent ale 'The Trooper' is a track that makes war seem like an exhilarating adrenaline rush. Never has killing Russian horses seemed like such a laugh. The surging riff gives off the intensity of a ferocious battle, carrying on at a million miles an hour, forcing you to pay attention. You really do feel like you're on the field of battle, which is only added to with the graphic description of war from the lyrics being screamed out over the roaring noise of guitars.
#322: Def Leppard - Photograph
Yeah, it might offend metal purists, but for me this is such an infectious track. Photograph has all the traits of classic 80s hair metal. It's crass, it's chauvinistic, and it's full of youthful energy. The hooks are so insanely addictive, with the song just begging you to have a crack at those vocals like the karaoke queen you think you are. That video is also enough for any hormonal boy to rip their cocks off, and funnily enough isn't the official video.
#321: The Doors - Light My Fire
The seven-minute signature track of a legendary rock band. The keyboards and organs are going absolutely mental, but this chaos works a treat. The Doors were often noted for their blues-inspired sounds, and here that's most apparent. 'Light My Fire' led to The Doors gaining worldwide exposure, but in Britain this song is probably best known for the Will Young cover. However, that manufactured wanker can fuck off.
#320: Rod Stewart - Maggie May
A B-side that managed to top the charts for five weeks, with similar success across the planet. Those opening drums followed by the lyrics exploding out of the gates makes me smile inside every single time. Rod Stewart songs are usually about him hitting on women in the most obnoxious ways possible, but here we have a surprisingly mature and sophisticated tale. The track is actually based on a Liverpudlian folk song about a thieving prostitute, which actually sums the city up perfectly, and is a great basis for a story of heartbreak.
#319: Chuck Berry - Roll Over Beethoven
The absolute arrogance of some up and coming artist to publicly slate masters such as Beethoven. Fair play to the man, he backs up the trash talk with a legendary track that's still hailed as an all-time classic to this day. You can pick out any section of the song and hear its influence on the genre of rock and roll. The guitar and lyrics were fresh and vibrant in the 50s music scene, but it's the direct statements that predict a new age of music that would have really turned heads. I still prefer Beethoven's 9th, but maybe that's just me and my old fashioned ways.
#318: Eagles - Life in the Fast Lane
One of the rare times in music when the rock and roll lifestyle is brutally dismantled in front of the audience. The opening riff is just excellent, aptly designed for those late night cruises down the fast lane. In fact the whole track in general benefits from the terrific guitar work, although for me the focus will always be on the expertly constructed lyrics.
#317: The Beatles - If I Needed Someone
George Harrison may not have been the writer of many songs, but here he came up with an absolute beauty. That downshift in tone for the hook will always resonate with me, but then the guitar work on the whole track is just exceptional. For once we get jangly guitars from The Beatles, embracing folk-rock more than anything else. A standout track on an incredible album.
#316: Carly Simon - You're So Vain
Probably my favourite ever metaphorical middle finger ever recorded. Carly Simon takes some thinly veiled shots at someone that has pissed her right off, and I wouldn't want to be that person. Right from that ethereal opening bassline we get insult after insult. I am more than willing to get involved in this sort of drama, even if I have no idea who the song refers to, and there are many theories out there. An absolute mastery in petty bitterness. Mick Jagger is also on backing vocals, so there's that as well.
#315: Mott the Hoople - All the Young Dudes
Even the David Bowie songs that he gave away to other artists are bloody fantastic. Bowie's generosity saved this band from splitting up, whilst also having the added effect of making them household names. Here we have a band acting like rebellious youths, sticking it in the face of the authority. They may have been a primitive version of punks, but they performed a glam rock anthem here.
#314: The Kinks - Sunny Afternoon
Makes you nostalgic for summer months decades before you were born. Just one listen to this takes you to those idyllic summer moments when you haven't a care in the world. Forget weed, this is enough to mellow out any human alive. Sunny Afternoon isn't actually about lazing around, and is really a protest song at high tax rates. Who really cares when you have a track as caressing and calming as this one? #313: Prince - Let's Go Crazy
Prince tracks are often rather lively, but this one takes the piss. You're lying if you're feet aren't having a fit under the desk. 'Let's Go Crazy' is Prince's idea of a celebration of life, introducing themes of spirituality that run deep through the album 'Purple Rain'. There's even a great little guitar solo to round things off, managing to keep up the insane energy levels in the process. What a way to kickstart an album.
#312: Queen - Bohemian Rhapsody
You must think I'm mad to place Bohemian Rhapsody outside the top 300 of a greatest songs list. There's no denying this is a good song, but for me it's like a jigsaw of individually excellent pieces that don't seem to connect together properly. The song certainly sounds unique, and I do love the sense of theatre and drama that the whole epic production has, but overall the track reeks of a great band trying too hard to be artistically brilliant, only barely managing to scrape by. Overrated, but an all-time classic and an impressive achievement nonetheless.
#311: The Platters - Only You (And You Alone)
Here is proof that all you need is some stunning harmonies to carry a song. You don't even need the touching lyrics or a sense of charm, just those amazing voices. There's so much passion in the vocals that it even breaks on occasion, giving the effect of a truly heartfelt love song. Only You shows characteristics of early rock tracks that would eventually dominate the pop charts whilst still embracing the sounds of a bygone era.
#310: Four Tops - Standing in the Shadows of Love
Signature soul record with one huge dose of vocal brilliance. You take notice when that amazing voice comes blaring out the speakers, joining in the heartbreak of the song's subject. The track sounds eerily like some of the group's better-known tracks, but I guess if you've got a magic formula why change? It's certainly a damn effective formula that produces incredible soul tracks. Nice use of the bongos as well.
#309: Green Day - Basket Case
Basket Case is as good as pop punk ever got, and will likely ever get. The pop elements are kept to the fore, with catchy riffs, catchy lyrics, and not surprisingly catchy hooks that will stay in your head for a lifetime. I love the counterculture aspects as well, and despite its accessible nature the song still feels a little rebellious to fantasise over. At its core there's just a sheer volume of well-layered noises that never once take away the inherent infectiousness of the single.
#308: Desmond Dekker & The Aces - Israelites
The first chance the world ever got to see the commercial potential of reggae music. In the UK this one reached the top of the charts, introducing Jamaican cultural elements that British pop culture would form a close bond with for decades. Israelites is one of those songs where you just want to join in, even though you can't understand half the lyrics, and singing along makes you start this mildly racist Jamaican accent. I should also mention the bass, which is just majestic.
#307: Led Zeppelin - When the Levee Breaks
Led Zeppelin, who were often noted for being ahead of their time, decided to cover a song from 1929. The blues-based origins are evident right from the start, although when you hear the original song you really start to appreciate how much Led Zeppelin add to this one. The drums are the most notable addition, and let you know of their presence every single second. This track rounds off their epic untitled fourth album in style, tying together the hard rock and folk rock elements that are present throughout the whole piece into one dreamy concoction.
#306: Sex Pistols - Pretty Vacant
That is a sexy little opening riff, and surprisingly sophisticated for a punk band who were more accustomed to screaming profanity through the microphone. You may not believe this but that riff was actually inspired by ABBA's drastically different 'S.O.S.' Don't worry, the rest is mostly aggressive shouting, although somehow that shouting worms its way into your head with ease. If you're under the impression there was no talent in this group then I urge you to give this one a listen.
#305: New Order - Blue Monday
A landmark synthpop release. There are many different memories associated with this track for many different people, but then this track has the uncanny ability to conjure about fifteen million different emotions all at once. For seven whole minutes this song will take you places, transporting you into some carefree world. The song is expertly paced and layered, maintaining an incredible aura throughout its lengthy runtime. Blue Monday has since become one of the biggest selling singles in UK history, and an important milestone in the evolution of dance music.
#304: The Walker Brothers - The Sun Ain't Gonna Shine Anymore
Arguably the most pronounced Phil Spector composition in existence. Just listen to how the track is layered. Absolutely phenomenal. The lyrics are also really something for a pop track, repeatedly throwing in thoughtful metaphors that really ram home the themes of loneliness. This American group were a huge success here in the UK, even having a larger fan club than The Beatles at one stage. Both musically and commercially this is a historically important release for music.
#303: Little Richard - Good Golly, Miss Molly
You can see why Little Richard sent young and impressionable people into a frenzy with his iconic combination of screaming vocals and energetic tunes. The man is in great form here, almost commanding you to have a dance. Why wouldn't you with that melody? This track would have been revolutionary on release, but then so was almost anything this man released in the late 50s. #302: The Kinks - Lola
Most people don't realise that one of the defining songs of early British rock is actually a trans anthem. Lola isn't some sweet and innocent girl, she's really a transsexual. This shocking realisation was met with radio bans across the world, although here in Britain we were more shocked with the Coca Cola product placement, and as such the BBC banned it also. Not only do you have to admire The Kinks for trying to break down barriers, but you also have to admire this heartfelt story of romance. Lola became one of the band's most successful records and its calm tone has led to it becoming one of the most beloved British rock tracks in history.
#301: N.W.A. - Straight Outta Compton
Whatever your opinion on gangsta rap there is no taking away the fact that this song launched the genre the moment it explodes into action. We get no lazy cliches here, just the raw emotions of young rappers dealing with reality. I'm not from 'The Streets' or 'The Hood', but even I get amped up by a track that I shouldn't be able to relate to in any way.
The first hit to employ the legendary 'Wall of Sound' production technique that would go on to revolutionise 60s pop music. The Phil Spector production is terrific, with the layering really adding to the solid vocals. Special mention must be given to the pianos which manage to standout a mile despite the wide range of sounds that please the listener.
#399: The Velvet Underground - Sweet Jane
A song produced and recorded during a period of great turmoil for the band. The opening riff is one of the most unique I've ever heard, setting the scene for a fulfilling guitar track. Sweet Jane is really a pop-inspired toe tapper rather than an influential rock track, but that doesn't mean it sounds simplistic or generic.
#398: Metallica - The Unforgiven
An introspective track that demonstrates the sensitive side of Metallica that's often forgotten about. The track gives off the atmosphere of a spaghetti western, although that's often overpowered with a constant sense of bleakness and despair. The lyrics fit the dark tone, with the aggressive riffs pounding away at a laboured pace. There is a sequel to this track, but it's hardly of the same calibre as the original.
#397: Alice in Chains - Man in the Box
About as heavy and intense as grunge music ever gets. The guitar riffs start with incredible intensity and just never stop. The vocals are even more mesmerising than the riffs, with the twin harmonies screaming out the memorable hook. The vocals give off a sense of bleakness only matched by the thoughtful lyrics.
#396: Tom Jones - Delilah
Tom Jones is usually a voice you instantly associate with sexually charged songs, but here he uses his vocal prowess to tell a dark tale instead. The shrill of the instrumentation sets up the tense atmosphere, right up until that powerful brass band that must have been the pride of the Welsh Valleys. We all want to sing along to this classic, and I'm sure most of us give it a try after one too many beers.
#395: The Lovin' Spoonful - Do You Believe in Magic
While I might not believe in magic I do believe that questions asked should be followed up with the correct punctuation. I challenge you to find anyone that doesn't instantly cheer up upon hearing this charming little track. The optimism within the track is such a refreshing thing to find when you're inundated by the overwhelmingly downbeat world of modern pop. Short and sweet, but such a joy to play.
#394: Ray Charles - What'd I Say
Ray Charles is often cited as one of the greatest soul performers in history, yet here he is spitting out one of the finest rhythm and blues tracks ever, finally giving the man pop success. The drums lay down an energetic beat, and there's even an organ infectiously thrown in. The song is actually segregated on the original single, meaning you have to flip it over to hear the whole thing. That's annoying, but surely worth the effort to hear this absolute classic.
#393: The Foundations - Build Me Up Buttercup
Build Me Up Buttercup starts out with a torrent of noise from that opening wail and keeps that going for the full three minutes. The incredible hook is screamed out with intense passion, only matched in ferocity by me desperately trying to reach those epic notes. There's a very American soul feel to the track despite its British origin, and I just love the upbeat nature of the whole song. It's one of those songs I can play over and over again and still love it to death.
#392: The Smiths - This Charming Man
God, I love that intro. The jangly guitars effortlessly lead into the thoughtfully constructed lyrics. Morrisey's vocals are at their most depressing, introducing strong themes of sexuality and isolation. This Charming Man doesn't beat around the bush, letting the listener straight in on the action to the beautiful sounds of a guitar based track. A 60s styled number with the cutting edge of 80s new wave.
#391: Nirvana - Lithium
Lithium is a track that showcases Nirvana at their most aggressive and their most subdued. The quietened verses combining with the louder hooks is what brought Nirvana to the grunge game, and here they really showcase Cobain's unique vocal style. The lyrics are also standard for Nirvana, casually dropping in strong suicidal thoughts that eerily fit Cobain's vocals like a glove.
#390: Scorpions - Rock You Like a Hurricane
Yeah, this is glam metal at its most raucous. Huge guitar riffs, even bigger hooks, and a multitude of blatant sexual undertones. The German band put down a metal anthem more aggressive than an invasion of Poland, and there's not many better songs to have screamed in your face by a zany German. It's not going to please many metal purists, but don't take it too seriously and it will instantly lighten up your evening.
#389: R.E.M. - What's the Frequency, Kenneth?
This is one of those times when frontman Michael Stipe goes completely out there. The origins come from the documented attack on CBS news anchor Dan Rather from a crazed lunatic that believed the media were beaming signals into his head. This record isn't any more sensible than the inside of that man's head. I love the distorted guitars all over the place, I love those brisk riffs, and I just love the sheer volume of noise the record produces.
#388: The Beatles - Can't Buy Me Love
An early Beatles classic. It's a simple blues guitar based track that's so irresistibly sweet, managing to charm its way into the mind of anyone. Its success was incredible. The song is one of the biggest selling of all time in Britain, but in America it ensured the Beatles held down the entire top 5 singles on the charts. You might not be able to buy The Beatles love, but give me this song, some cocaine, and a prostitute and I beg to differ.
#387: U2 - With or Without You
Sure, you can shrug this off as overproduced pop rock, but just wait until that chorus hits and I guarantee you there will be some passionate singing. The hook is just phenomenal, due in no small part to excellent pacing and the natural charisma of Bono, who ends up shouting achingly about failed romances. It's a real journey from the humble beginnings of this pop rock track to that thrilling climax, but I for one am eagerly joining in every step of the way.
#386: Prince - Little Red Corvette
Corvettes may be made of plastic, but the songwriting on display here is anything but artificial. I don't know how you manage to write a song about girls and cars that isn't sleazy or cliche filled, but Prince somehow manages here. There's a lot of great things about this track, notably its energy, charisma, and definitely the vocals. Perhaps nothing is better than the little clap after the hook, which I can happily copy for hours upon hours.
#385: Muddy Waters - Hoochie Coochie Man
Now this is proper blues music in its purest form. The traditional blues influence is kept at the fore, but what Muddy manages to pull off is seamlessly giving it that fresh sound that would influence artists from many genres. Muddy has such an awesome voice, almost caught between idle wailing and charismatic bravado. You need bravado when you're performing a song bigging up your sexual encounters, and Muddy does it in the classiest way possible here.
#384: Plastic Ono Band - Give Peace a Chance
John Lennon was very good at running his mouth about a lot of things other than peace, but here we have one of his songs that directly spells out his hippie powered message as clear as day. The instrumentation is as simple as it gets, in fact purposely so, but very few songs cut such a clear message of protest. John and Yoko were far from perfect people, but here they at least try and make their iconic activism into acts of positivity and enjoyment. In the process they made one of the most notorious anti-war songs in history.
#383: Ozzy Osbourne - Diary of a Madman
There are very few songs that can conjure up an atmosphere of darkness and mystery quite like this one. Randy Rhodes' guitar work is just astonishing. He builds the song's atmosphere with subtle folk segments that transform themselves into these anthemic metal segments. Also, that cover could only be released by Ozzy Osbourne. Just brilliant.
#382: Steve Miller Band - The Joker
Steve Miller releases one of the most laid back and pleasing rock tracks of the 70s. There are loads of kooky elements to this one, whether it's the wolf whistling guitar or the inclusion of the made-up word 'pompatos', which is actually a mistranslation of an erotic German doll. It wasn't until 1990 that this song became a number one hit in the UK, which was a good seventeen years after its original release.
#381: AC/DC - You Shook Me All Night Long
Glam metal acts were always so good about keeping the sexual nature of their songs a secret. Oh wait, that's a complete lie. This one in particular is a great metal track thanks mainly to the solid riff and cracking hook. Vocalist Brian Johnson makes his first appearance as lead singer and arguably comes out with his best ever performance. It's hardly going to win any awards for songwriting, but I'll be damned if it isn't effective.
#380: Big Brother and the Holding Company - Piece of My Heart
There's something about Janis Joplin's vocal style that makes you really believe she's had her heart ripped out on numerous occasions. This Erma Franklin soul track was given a taste of the blues, radically changing the structure and giving it a fresh melancholic flavour. Joplin's desperate sounding vocals are the real highlight and will be forever synonymous with her esteemed career.
#379: Otis Redding - Try a Little Tenderness
The only thing bigger than Redding's vocal range is his massive forehead. The opening may sound like a traditional English brass band, but when those sublime vocals come in it instantly changes the whole complexion. His voice is majestically tender, giving one of the all-time great soul performances.
#378: The Five Satins - In the Still of the Night
The defining song of the doo-wop genre that may have led to its creation in the first place. It's been included in just about every single retro romantic film ever, and you can see why. There's a sense of innocence and charm found within the styling of this one that really resonates with a youthful view of romance. The vocals are so effortlessly sweet, with some of the finest harmonies found within any 50s classic.
#377: Buffalo Springfield - For What It's Worth
There certainly was something happening here. The feelings of confused young adults in the 60s are perfectly described here. It's blunt, but not forceful, leading into an iconic hook that would echo across generations. The track is actually protesting curfews on the Sunset Strip in California and became instrumental in the cultural changes of the late 60s. Since then it's become a mature anthem for universal rebelliousness.
#376: The Beatles - Lucy in the Sky with Diamonds
Yes, we all know this one refers to LSD. This drug trip fits brilliantly into the 'Sgt. Pepper' album, providing possibly the most psychedelic experience of a drug-fueled outing. I doubt there are many songs that can claim to be as unique and out there as this lucid experience. What an iconic production.
#375: Fleetwood Mac - Go Your Own Way
If you thought Fleetwood Mac were all one happy family then give this iconic breakup song a listen. Two couples were on the decline when this was recorded, which happens to be nearly all of the band. You can just hear the anger and frustrations being violently let out with each insult and retort. Every band member gets a chance to vent their frustrations, and the result is one epic argument where nobody really comes out looking like an idiot. Imagine the tension when they played this one live.
#374: Elvis Presley - Can't Help Falling in Love
Elvis at his most seductive. UB40 did a pretty decent reggae cover if you ask me, but that has nothing on the original. It's not one of the most sophisticated love songs lyrically, but Elvis has such a smooth voice that it really doesn't matter. The lyrics are beautiful, but not as beautiful as the vocals. If you don't resonate with this one you might be dead inside.
#373: The Platters - The Great Pretender
Beautiful vocals and harmonies from one of the smoothest groups around. The lyrics are surprisingly introspective for a pop song, which contrasts the upbeat style. Freddie Mercury also had a crack at this one, but got nowhere near the style and class of the original.
#372: The Jam - Town Called Malice
There's no doubting this is an angst-filled new wave track, but there's something so retro sounding about the whole composition. We still get the strong political messages that are found in almost every Jam single, but there's an inherent sense of uplifting fun. The bittersweet messages arise from tales of frontman Paul Weller's childhood, forming possibly the ultimate Jam song in the process.
#371: The Sweet - Ballroom Blitz
It's camp, it's energetic, and it's ever so enjoyable. Right from the off we're treated to some incredible drum work that carries on throughout the whole track. The drums provide the foundations for one hell of a chorus that you can't help but shout along to. American audiences were never really sold on glam rock, but even they couldn't resist the energy of this one.
#370: George McCrae - Rock Your Baby
Smooth, sensual, and groovy. This monster hit provided evidence that disco was not a genre to joke about, and could actually produce fantastic pieces of commercially successful music. The pop-infused elements are what really make this one such a pleasure to hear, with McCrae's repetitive hook really worming its way into your head. It now sounds like a throwback to a bygone era, but what a pleasant age this song would make you believe it was.
#369: Marvin Gaye - Let's Get It On
Has there ever been a song with more sexual energy than this brilliant single? It works better than Viagra in the bedroom and has the added effect of turning every single man into a sex god. Nobody can claim they don't get sexually excited when those first few notes hit, and when Marvin's smooth voice kicks in there isn't a dry pair of underwear in the house. Back in the 70s this provocative anthem of sexuality instantly turned Marvin Gaye into the sex icon of the age.
#368: Buddy Holly - Peggy Sue
Simplicity is often underappreciated in rock music, and here that's no exception. The simple structure and lyrics paint a lovely picture of romance that's easy to get involved in. The rumbling drums are remarkably well produced, knowing just when to be amped up in volume, but it's the relaxed vocal style that would take the spotlight and influence pop-rock bands for decades to come.
#367: The Smashing Pumpkins - Today
Bittersweet, yet so easy to get lost in. Today was written during frontman Billy Corgan's fight with depression, and you can see the turbulent nature of this period in the profound lyrics of the track. Billy Corgan's strained vocals fit the riffs fantastically well, and you can hear the pain and emotion found within the lyrics. The pacing however is just astonishing. The contrast between soft and atmospheric verses works so well when compared to the powerful and pounding choruses that uncover mental health in a way very few have managed before.
#366: Led Zeppelin - In My Time of Dying
This traditional gospel song has been covered by a whole range of blues-based artists, yet none have overtaken this blues-rock epic in quality. Clocking in at over eleven minutes this song is in fact Led Zeppelin's longest studio release. The Led Zeppelin version has an almost ethereal quality to it, sounding nothing like any of the other cover versions. Really this is one of those tracks made to be stretched out when performed live, and there were none better at improvised performances than Led Zeppelin.
#365: Pixies - Where Is My Mind?
Probably more famous for its appearance in the film Fight Club than anything else, but more importantly an important milestone in the world of indie rock. This track was perfect for a film describing a distorted mind as it's both chaotic and disturbing in tone. The lyrics are as confusing as the atmosphere, but the real credit lies in whoever managed to turn a simple formula into such a sophisticated indie hit.
#364: Talking Heads - Once in a Lifetime
Who the fuck wrote this piece of disturbing brilliance? The lyrics are like something you would hear in desperation from a man at the end of sanity. Are you supposed to sympathise with the narrator? Are you supposed to dance along with the beat? It's like nothing else released in chart history, but it sort of just makes sense. I don't have a fucking clue what's going on, but I absolutely love its unique style.
#363: Pulp - Disco 2000
Probably the most enjoyable Britpop single out there. What an incredible hook. I find it physically impossible to keep quiet when that chorus kicks in. It's a testament to the exemplary songwriting that this pop-rock hook still sounds as fresh all these years later. The year 2000 is seen as a far away vision of the future in this song, yet here we are nineteen years later with the song still sounding absolutely fantastic.
#362: The Supremes - Where Did Our Love Go
A simple pop track elevated to stardom by a soulful girl group. The song benefits greatly from Diana Ross' diverse vocals, and she's accompanied by the soft backing singers to give the song a bit of extra depth. It's not surprising that this was the breakthrough single of the group, and would become the first of thirteen American chart-topping hits for the legendary trio.
#361: Pink Floyd - Shine On You Crazy Diamond
An epic composition from the masters of prog rock. In total the track is formed of nine parts totalling a 23-minute runtime, but here we will be focusing on the superior first five sections of the track. That's still thirteen minutes of slow building guitars to sit back and enjoy, only briefly pausing for some meaningful lyrics to be delivered. There's an incredible ambience created, possibly the greatest of any song ever. It's a minor miracle that the track pulls this off for such a long period of time.
#360: The Jimi Hendrix Experience - Foxy Lady
Foxy Lady is a demonstration of what can be achieved with the electric guitar. The track may have a heritage in blues music, but Hendrix adds his own spin not even remotely similar to anything else in history. I can never decide whether the iconic riff or the iconic hook are better, but these elements come together to produce one stylish piece. Just look at that live performance. Absolutely mesmerising.
#359: The Chi-Lites - Have You Seen Her
Classic Chicago soul. The opening sounds like something you would hear at a spoken word poetry event and in no way prepares you for the sheer beauty of the chorus. Where the hell did those soulful harmonies come from? Where the hell did that high pitched voice come from? These vocals are just tailor-made to tell such a heartbreaking story. The Chi-Lites would never hit these heights again, but for a brief moment they were at the pinnacle of soul music.
#358: The Doobie Brothers - Long Train Runnin'
This bunch of hippies got the impression they could master funk, which sounds stupid until you hear what appears to be one of the funkiest tracks in existence. I've no idea what its about, something about love probably, but I really don't care. Listening to this makes me grin from ear to ear, whilst also making me want to get up and dance like the creepy uncle at a disco. Heed my advice and run if anyone tries to convince you the cover versions are better.
#357: Black Sabbath - War Pigs
War Pigs is certainly one effective way of protesting a war. The intense riffing is only paused for Ozzy Osbourne to deliver a rallying cry that graphically depicts war as hell. Every member of the band is on fine form, with the drums and guitar solo in particular being some of the most mental and technically brilliant the band had ever produced. One of the most iconic metal songs ever released.
#356: Sam Cooke - Wonderful World
For many people this was their first introduction to the amazing voice of Sam Cooke. All you need is a simple and sweet message for Sam Cooke to perform an all-time soul classic. The minimalistic production actually aids the vocals whilst also creating a pleasant atmosphere for a positive message to be conveyed.
#355: The Beatles - Penny Lane
How the hell does the random musings of a singer describing his local area get turned into such a brilliant track? The production should also get a mention as it pulls off the impressive feat of making Penny Lane sound like a bustling and lively area that would be perfect to write a song about. In reality the area is noted merely for its bus depot, so I have no fucking clue how these four managed to turn it into an international tourist destination.
#354: Styx - Come Sail Away
I still wished we lived in a time where releases like this weren't endlessly mocked. It's cheesy, there's questionable lyrics about aliens, but the pacing is just exceptional. The beginning segments are introspective and atmospheric, but it slowly builds up into this karaoke singalong with just a quick riff. It could only have been successful when stadium rock was still a thing, but I for one am a happy man it was.
#353: Funkadelic - Maggot Brain
Funkadelic were known for being an unusual band, but this is off the fucking charts. Seriously, I've listened to this numerous times and I'm still baffled by the end. I enjoy it a lot, but what strong drugs were they smoking to produce this? The guitar is fucking incredible. It's ten minutes of the most intense and anthemic guitar work possible to produce, still sounding as otherworldy today as it did back in the early 70s. Just mindblowing.
#352: Bill Haley & His Comets - Rock Around the Clock
One of the most famous songs in rock and roll history. Not only was this the first rock record to top the charts, but it also signalled the arrival of the genre that still plays a key role in the musical landscape to this very day. At the time of release it was the symbol of rebellious youth, and whilst that ship has long sailed it's still a great track that could get the toes of anyone instantly tapping.
#351: Bee Gees - Stayin' Alive
Whilst I admit the screeching vocals of this British band are not for everyone, there's no denying what a huge influence this song had on popular music at the time. I still want to have a dance when this one ends up being played ironically. Its reputation as one of the defining disco tracks is justified, and I cant think of another track released at the time with as much groove and excitement as this one. Nowadays it's still seen as a disco classic, but now also associated with successful acts of CPR.
An audibly angry Mick Jagger lays down one of the finest political statements of a generation. As usual he's full of energy, all of which he directs at societal injustices. It's not a punk track by any means, and although there's a strong feeling of sheer volume the track also has a very rustic feel to it.
#449: Deep Purple - Smoke on the Water
Is there any guitar player in the world who doesn't know that opening riff off by heart? No nonsense, just a simple and catchy riff that perfectly sets the tone. It's not all jolly, and in fact the song was written about a deadly fire in Switzerland, and naturally upon seeing a blaze a true hard rocker would pen a song to mark the occasion instead of running away. I doubt anyone cares about the lyrics, and why would you with that riff?
#448: Dave Edmunds - I Hear You Knocking
It's not very British to compose a rock track that just assaults your ears, but here that ferocity works an absolute treat. Listeners must have jumped a mile when this blues inspired track leapt out the stereo during the chorus. The style is simplistic and the noise is raw and unadulterated, sounding at home in a previous decade. It made such a loud disturbance that it topped the British charts for weeks, even keeping Jimi Hendrix off the top spot.
#447: The Rolling Stones - Start Me Up
I think Mick Jagger's dancing and attire are more at home in a Brighton bar rather than a rock band, but you can't fault the man for not being charismatic. The track is full of energy and enthusiasm, easily winning you over with its simplistic riffs and hooks. It was originally recorded as a reggae track and subsequently binned, although hearing it now you wonder how this song could be anything other than a hard rock classic.
#446: Pixies - Here Comes Your Man
Fuck me, the bass on this one is just incredible. Pixies were mostly renowned for hard rock tracks that would eventually form the basis for many 90s groups, but here we have a catchy track inspired by rock releases of the past. Not only does the song not ruin the reputation of an underground band, but it brings their great sound to the masses.
#445: The Band - The Weight
You might imagine a band called 'The Band' would produce the most generic and boring tracks possible, and so you might be pleasantly surprised that this country rock release is full of character. Whether you want to chill out or smoke a joint this group having a good time is the perfect mood setter. It may not have been a big seller, but it's now seen as a classic of the genre.
#444: Santana - Smooth
Instead of dying a slow and painful death like most rock artists Santana decided to bring his Latin rock parties to the 90s. Not everyone was amused, and I'm sure those people are inherently miserable. Whack in a cracking riff and a catchy hook and you have the perfect record to start a cracking fiesta. Smooth stayed at the top of American charts for twelve whole weeks and is considered the most successful rock song in US chart history.
#443: The Smashing Pumpkins - 1979
The video for this song perfectly sums up its carefree attitude. Aside from a simple guitar riff there's not a whole lot going on, but that riff is both fun and exciting, setting the laid back tone of the track perfectly. It's a track that makes me nostalgic for a time I've never even experienced.
#442: Elvis Presley - Love Me Tender
Elvis may have been a king of rock and roll, but he could also slow it down whenever he wanted. When you have a voice like that you only need a faint guitar in the backdrop to accompany your heartfelt track.
#441: The Beatles - Got to Get You into My Life
As The Beatles are from the North of England they decided a brass band would sound good when attached to anything. It turns out that when done correctly you can improve a pop song with a brass section. The real highlight is the one line chorus, which is repetitively teased, becoming even more satisfying when it finally hits halfway through the track.
#440: Eric B. & Rakim - Paid in Full
A masterclass in sampling and composition. The rapping flows effortlessly and the lyrics appear to have been thoughtfully laid out. Amazingly this 1987 release still sounds fresh to this day, highlighting the stellar production of this revolutionary track. The single has been chopped up on multiple occasions by various remixes, but it's the original that really gives the best hip hop flavour.
#439: Mary Hopkin - Those Were the Days
A delightful ode to the power of nostalgia. The track itself is a reworked version of a traditional Russian folk song, which is why there's an intriguing use of instrumentation. The production was overseen by Paul McCartney, who as per usual does a stellar job, elevating a unique folk song into a worldwide hit.
#438: The Police - Message in a Bottle
A great new wave single with some of the best percussive sound to be found around that era. The Police could always manage to stand out with fairly standard pop melodies, even making them sound rather sophisticated in the process.
#437: Sam Cooke - Cupid
A rather standard soul ballad elevated to legendary status by that amazing voice. Nobody else could manage to fit so much emotion into lyrics that many would describe as cliched. In the hands of Sam Cooke this becomes one of the most romantic and heartwarming numbers in soul history.
#436: The Beach Boys - California Girls
I too wish they all could be from California if they sound like this. This is the moment we see The Beach Boys release a pop masterpiece that likes to experiment around the boundaries of the genre. Here we see the trigger being pulled on the creative side of the band, but they couldn't do that without one more symphonic ode to the Californian coast.
#435: Chicago - 25 or 6 to 4
A legendary guitar track. The guitar work in this song changes from simple riffs to some of the finest solos ever heard in rock music. The intro is often one of the first songs learned by any aspiring guitarist who loves themselves some classic rock.
#434: Bill Withers - Lean on Me
Beautifully wholesome. Bill Withers sounds like the best helpline in existence, delivering a heartfelt performance of soul mastery. Many have tried to cover the track, but none have ever sounded as great as Bill.
#433: Metallica - Nothing Else Matters
A touching hard rock track with no hint of satanism or any other metal cliches. This one is subdued, symphonic, and incredibly well paced. The thought of a soft Metallica ballad could terrify some, but give it a chance and it may well raise a few hairs.
#432: Bob Dylan - Knockin' on Heaven's Door
The above version is unfortunately an inferior acoustic version, as the original is not on YouTube due to Sony being a bunch of greedy money grabbing cunts. The original is a downbeat folk classic with a surprising amount of class and sophistication. Many have covered the track, but none are able to express the melancholy of the track quite like Dylan.
#431: The Rolling Stones - Honky Tonk Woman
I'm sure a song blatantly about prostitution went down really well in the late 60s. We Brits loved the suggestive lyrics so much we sent it straight to number one. The track does a brilliant job of creating a dingy atmosphere that you would absolutely associate with a rundown whorehouse. At the time of release this was one of the hardest rock tracks out there.
#430: Culture Club - Karma Chameleon
Only the 80s could produce a song so garish and camp. It's a symphony of cheesiness and lace. You don't have to come out to admit that this is a great pop track, and embracing the charm will instantly leave you feeling incredible. Many people did embrace the track, and as such it became the biggest selling single of 1983.
#429: Gene Chandler - Duke of Earl
One of the finest examples of doo-wop. Gene Chandler has such a great voice, blasting out that incredible chorus before toning it down for the smooth verses. I don't know who the 'Duke of Earl' is, but he sounds damn stylish. Even being the 'Duchess of Earl' sounds fucking great if you ask me.
#428: Martha and the Vandellas - Nowhere to Run
The concept of having nowhere to run or hide sounds terrifying in theory, yet here it's part of an upbeat girl group track. This is even more shocking when you realise the song is synonymous with the Vietnam War. It's the energy and infectious hook that make the track so attractive to the ears. It's interesting to note that the percussion of this song is actually the noise of snow chains. See, aren't you better off for knowing that?
#427: Led Zeppelin - Ramble On
Ramble On is very much a leisurely stroll through the world of Tolkien with the odd aggressive break thrown in for good measure. Add in a bit of psychedelic and blues-inspired rock at the end and you have a complex mix that melds together like an absolute treat.
#426: The Beatles - With a Little Help from My Friends
Yes, we all know this innocent sounding song is actually about taking drugs and not a simple tale of friendship. The track flows effortlessly from the opening track on the album, introducing a simple conversation that allows Ringo Starr one of the few opportunities to showcase his talent.
#425: Prince - Sign o' the Times
The simple music video sums up the whole song perfectly. Instead of focusing on the complex composition the listener is directed towards the lyrics. The themes of the song are pretty damn serious, and Prince himself sounds stern and concerned. The minimalistic production allows these lyrics to take centre stage, which go through more topics than the majority of artists manage in their whole careers.
#424: Foo Fighters - Everlong
The swansong of the grunge era. Everlong is full of depression and angst, but rather poetically put. Dave Grohl not only has the talent on the drums but shows his vocal prowess as well, combining the two like a treat. An absolute anthem for alternative rock.
#423: Ramones - Sheena Is a Punk Rocker
The closest Americans ever got to understanding punk was with the Ramones. There's no angst or political statements in this one, and the lyrics themselves are actually remarkably cheerful. It still goes at a million miles an hour with indecipherable lyrics to boot, releasing this style into the mainstream for the first time.
#422: The Impressions - People Get Ready
What a beacon of hope this must have been at the height of the Civil Rights Movement. Curtis Mayfield writes a poignant and meaningful soul record with heavy gospel based elements that see social change as a graceful and smooth event.
#421: The Lovin' Spoonful - Summer in the City
In a time when much of pop music was about love and happiness this track came along and made city living sound like a dream. It has the energy one would expect from a song celebrating a bustling metropolis, and there are also some unique sound effects thrown in for anyone who hadn't got the message yet.
#420: Little Richard - Keep A-Knockin'
From the opening drum roll this song is action packed from start to finish. The lyrics may give you flashbacks to a depressing encounter with some Jehovah's Witnesses, but the energy and charisma of Little Richard get you up and dancing.
#419: AC/DC - Highway to Hell
One of the most famous heavy rock songs ever. It's brutally simplistic, but when you have those heavy riffs blaring out who even cares? The song makes you feel like a laid back biker and is always guaranteed to increase your pressure on the gas pedal. 'Highway to Hell' takes its name from when the band were due to tour in Sunderland, which might be a massive lie as the song actually refers to gruelling tour schedules.
#418: Stevie Wonder - I Just Called to Say I Love You
Those who say this killed the legendary career of Stevie Wonder couldn't be more wrong. Not only is this a brilliant pop track but it's also one of the most heartwarming records of the 80s. The production is classic 80s and Stevie's vocals sound as good as ever. It's no wonder this is his greatest selling hit ever.
#417: Bob Marley & the Wailers - One Love
A real summation of what made Marley so special. A simple reggae beat that gives a fantastic rhythm and fantastic vibe accompanied by Marley and his backing group perfectly. In my humble opinion they should have left the Curtis Mayfield impression out of the final release, as the opening segments are Marley at his unique best. Interestingly this was the song of the millennium according to the WHO. Yes, that's the World Health Organisation claiming the best song for global health is sung by a man who treated cancer with homoeopathy.
#416: The Beatles - From Me to You
Here it is, the first ever Beatles number one single. It's certainly not their most adventurous number or even particularly complex for the Merseybeat genre, but it is an enjoyable classic that first captivated an entire nation.
#415: Nirvana - In Bloom
A big message to those that frowned at the grunge explosion of the 90s. From the get-go it's heavy riffing and vocals blatantly meant to ruffle feathers. It's angry, it's ferocious, and even incredibly infectious.
#414: The Beach Boys - Help Me, Rhonda
Proof that excessive repetition can be a force for good in a pop track. To say this song is catchy is an understatement of the century. The smooth harmonies work nicely with the lively melody, and as per usual there's a constant sense of the California beach. A quick public service announcement that the album version is nowhere near as good. #413: Jackie Wilson - (Your Love Keeps Lifting Me) Higher and Higher
Fuck me, what a voice. Jackie Wilson's voice exploded onto the music scene with this classic. The man is aided in his upbeat efforts with one of the liveliest beats on record, and seemingly a whole orchestra as well. There's a lot of noise in general, but all of it sounds angelic.
#412: Elvis Presley - All Shook Up
A simple Elvis classic that relies on the catchy beat and Presley's charming vocals to worm its way into your head. Released at a time when any catchy Elvis song was an instant hit this track topped the American charts for a whole eight weeks and similarly the British charts for a full seven.
#411: Eels - Novocaine for the Soul
A timestamp for mid 90s alternative rock. The track centres on a painkilling drug for depressing lyrics that rely on self-hatred. The repetition is what really hooks you in, but on closer inspection there's some brilliant production as well. Also, the B side is called 'Fucker', so if the track isn't for you then you can always chuckle at the reverse side.
#410: Creedence Clearwater Revival - Up Around the Bend
Half the time CCR were condemning wars, but the rest of the time they were composing anthems that just make you want to turn the volume all the way up. If that opening riff doesn't knock you off your feet then I don't know what will. This is always criminally overlooked when discussing the best classic rock tracks ever. #409: Eagles - Desperado
Sappy, cheesy, but absolutely brilliant. If there's ever a song for screaming out when you're trying to find happiness in a few pints then this is your perfect bet. Beautifully written, beautifully paced, and most importantly beautifully performed.
#408: The Rolling Stones - Miss You
One of the band's most ambitious singles that seems to cover just about every popular genre of the 70s. The fantastic blues-based groove is the real star of the show, but there's also a faint hint of disco, which really adds another unique element into the mix. Mick Jagger surprisingly adapts himself to this radically new genre, but then he is a natural born performer.
#407: Black Sabbath - Iron Man
That opening chord is like the mating call of Godzilla. Even past that the iconic riff just pounds away repeatedly like a sledgehammer. The iron man in question is painted as some merciless killer in a terrifying tale of impending destruction. Black Sabbath had many heavy tracks, but this was the one that really epitomised the genesis of metal.
#406: The Smiths - There Is a Light That Never Goes Out
Only Morrisey could turn one of the most romantic and touching rock tracks of all time into a melancholic tale of lovers dying for each other. Here we find some of the most meaningful lyrics ever penned, with bittersweet themes scattered throughout.
#405: Van Halen - Hot for Teacher
This one is fucking crazy. The erratic opening drums give way to a riff that's all over the place. The lyrics and vocals are hardly any more subtle, with constant sexual themes screamed into your ears. It's hardly the most mature record ever, but I love how it laughs in the face of seriousness. Kudos to the drummer, who probably got arthritis after just a single run through.
#404: The Cranberries - Zombie
Those who are maybe not familiar with The Troubles might not understand how powerful a statement this track is, but this is about as passionate and poignant as a protest song can possibly be. The hook and vocals are as aggressive as the subject matter and you can physically hear the anger. The pop-inspired verses give way to this raucous chorus very out of character for the band, but fitting for a song of this much aggression.
#403: David Bowie - Let's Dance
I would happily dance with Bowie to this jolly little tune. Even if you don't fancy a dance you can still enjoy the pleasantries this track has to offer with its funky tone and Bowie's iconic lyricisms. Today the song is one of Bowie's most commercially successful, ushering in a new style for the glam rock icon.
#402: Blondie - Rapture
Can you assign a genre to this one? It has the atmosphere of a classic new wave track, the beat of a disco track, and there are even some rap elements thrown in as well. The white girl rapping you would assume to be terrible, but it actually fits the song really nicely, even if it becomes clear that Debbie Harry isn't a rapper. The highlight is however the slow and sultry verses that scream classic Blondie.
#401: The Moody Blues - Go Now
An early outing from this Birmingham beat group who wouldn't find major success for another few years. The layering in this one is just epic, with the pianos and vocal harmonies all coming together to produce these huge hooks. The structure of the track is a very primitive form of prog rock, yet is still simple enough for a catchy pop-rock number.
