This is the segment where I scour my favorite forums around the internet
and find some particularly interesting articles about current affairs
told in the words of my favorite human beings.
In this edition we have possibly the biggest moron yet, who genuinely thinks that giving every single woman compensation will cure today's inequalities. Just have a look at some of the bollocks she comes out with.
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http://www.vice.com/read/give-your-money-to-women-its-simple-284
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Well it's always nice to know that articles aren't going to be biased, and by the looks of this introduction I can clearly see there's absolutely no underlying agenda to this issue, and that this is just good, honest journalism. It's also nice to see the author getting mixed up between wages and earnings, and also providing sources from the same fucking website that this interview is posted on, which in an article that centers around the topic of equal pay isn't a particularly convincing start. I guess it says a lot about an author when they genuinely think equality can be created by giving preferential treatment to one gender. Yeah, I'm sure giving money to every single woman is going to solve gender based income disparities, and not at all make further issues out of a problem that doesn't exist in the first place. The reason for all this, well it's apparently 'emotional labor', which unlike the author states is not scientifically proven in any way. Your source is a piece written by professors in public administration, which as far as I'm concerned isn't a science. Interestingly my search on 'Web of Science' couldn't find that exact wording, and instead directed me to articles related to emotional stress after childbirth. Still, at least it's reassuring to know that this argument will be based on reliable and factual evidence.
My two primary issues with this argument are that not all women are in relationships with men, so giving them money wouldn't solve a damn thing. And secondly if this 'emotional labor' only occurs when women enter relationships with men, then surely the solution is to not enter relationships with men so you don't end up being paid for merely existing. Maybe instead of scrounging money off of hard working men who've earned it, you should try and do the same instead of sharing pointless hashtags like the selfish cow you really are. You say every single woman has to put up with a lot of bullshit, but then so do the men that have read this article; and trust me there's a lot of bullshit to get through here. So why isn't it me demanding money off of you? As you say 'any kind of labor' gets payed for. I'm not sure if you missed the history class on forced labor, but I must have missed the part where paying slaves would have instantly solved the problems. As for the science element, well here is some that's actually been proven: The reason that men go around commanding the attention of women like it's their natural due is because it's exactly as you say. For proof please refer to the mechanism of sexual selection. Or don't actually, there might be some facts in it.
Oh good, it's Lauren Chief Elk, who sounds like the shittest Native American chief in history. She probably owns a novelty casino in Blackpool in which she claims to be donating the profits to her clan of oppressed women. Even better news is that she's clinically insa- I mean a 'prison abolitionist'. What a fantastic idea abolishing prisons is apart from in every single way. I guess the only reason Chief Elk wants to get rid of prisons is so the rate of male murders goes up. That way basement dwelling males like myself get what's coming to them. As it happens I live in an apartment in Brighton without a basement, but I'll happily throw my fists in indignation, as like many rational people that's my response to moronic behaviour. Maybe if you don't want this sort of abuse then I suggest shutting up and stop poking the hornet's nest with a huge shitty stick. A recent UN report actually stated that the person most likely to receive internet abuse are 19 year old men, which include myself, so actually I should be the one getting angry and crying oppression at you. But you know why I don't? Because it's not a gender based issue, no matter how much vague bullshit you try and throw into the article.
Wow, what an unbelievable question that is; almost like being interviewed by David Frost or Jeremy Paxman. I'm sure a serious interviewer would love to hear how you're thinking of ways to bring justice for violence, although I suggest thinking a bit harder and reconsidering the life choices that got you into this interview. You might need an extra brain cell for that one, as the woman who believes that every man abuses every woman can't be very bright. That's not to say I don't abuse women, no I actively abuse women every second of the day with my fellow patriarchy, and so yes I should be giving tonnes of money to women who do fuck all, even though I'm unemployed and have a student loan. But then I don't because I'm such a horrible, horrible man. God, why was I born a man? Now this means I'll have to live my life knowing that because of a generalisation that doesn't reflect the reality of modern life I'm an absolute monster that should give away my hard earned cash to abused women I've never met.
Wait, I thought that feminism was about empowering the choices women make. Surely staying at home is a choice, so why would this need to be compensated by the population that actually do work for their earnings? In terms of economics you must surely be aware that this kind of policy is just suicidal, and even in terms of social changes the only difference will be more women being encouraged to stay at home, which is only going to further these wage disparities. It's a totally flawed policy that makes zero sense from a logical perspective. You just cannot compare the employment of individuals to simple household chores as the concept is entirely different. Maybe when I was ten I might have expected to be compensated for mowing the lawn, but now that I've matured I realise that there is a selfish purpose to doing household work. They're just individual tasks that need doing, so if you're getting emotional labor over them then that's your issue, and not one to penalise millions of men over. I'm unemployed and live on my own so I have to do the fucking chores by myself, but at no point does it ever occur to me that I should be being payed like it was a full time job. Surely you must realise that at least most of what you're saying is total bollocks.
'I'm on board' is a strange thing to say halfway through what I would suppose was a sophisticated interview, but then I guess I'm just a stupid man who would expect objective questions in a serious interview. Not that it matters anyway since the question wasn't even fucking answered, instead just some generic drivel about supposed inequality. Maybe the issue that giving money in no way rectifies inequality finally rang a bell in the vast empty chasms of the interviewee's brain. Saying somebody should be given cash because tragedy costs a lot of money is a ludicrous point. What next, everyone gets a state funded funeral? No, okay apparently that's 'reasonable' in your head.
'Women have to act as therapists to men'. What's your case study for this one, a fucking 'Ladybird' book from the 1950's? If it's really that difficult for women in relationships then why the fuck do so many do it? Surely if it was that bad then women just wouldn't; it's not as if it's mandatory. What you're essentially saying here is that women should be compensated for not using common sense. No, I can see absolutely nothing wrong with that.
Wait, this is the same fucking paragraph as before, only worded differently. When pressed over your logic you couldn't even give two reasons as to why your argument makes any sense. If the events you're describing really are that traumatic then surely you must be able to come up with at least two reasons. So far the only point you're giving me is that being a nice person is harmful; who would of thought that a statement as stupid or controversial as that would get a negative backlash? Maybe we should be compensating people like Martin Luther King or Gandhi for being controversial since we're giving away money to everyone. Oh no, of course they're men who it's been scientifically proven are immune from this 'emotional labor'. Still I implore you to take the same cure they tried and send a bullet through your skull as that might save a lot of people the emotional labor of hearing your dumb arguments. Speaking of suicide, there was absolutely no mention of how suicide rates are significantly higher in men throughout the article which would provide evidence that men cope with higher levels of stress. Not that there were any statistics used as they simply prove the inverse of this idiotic argument.
No to be fair I've lost track of the amount of times I've heard of women being fired for this 'emotional labor'. You make it sound like controlling this fictional construct is the key to any job, which since you still haven't provided any rational evidence as to why it even exists is something I find extremely unlikely. And let me tell you something else: The reason that women are told that they're inherent caregivers is because they are. You know that thing called evolution that drives all life on earth? Well over many years that process has selected human females to be the gender that is only limited by the number of resources in reproduction, hence why they're more evolved to play a more maternal role in any relationship. Although having said that this article is adequate evidence to doubt the theory of natural selection being as a person who makes theories as stupid as this is somehow still in existence.
Then we arrive at what must be the biggest and most ridiculous over-exaggeration of all time. Apparently 'empires will crumble' if women cut off this emotional labor. I don't know if this is the fictional empire in her head, but please enlighten me on how empires would crumble if women stopped playing the role of therapists to the men. You just can't make such a sweeping and overarching statement like that without backing it up, otherwise you sound like a massive idiot. Even then, why the fuck would you want empires to crumble? The reason you're in such a privileged position to be writing this article is because of the very existence of empires, so why the hell would you be campaigning to disrupt this system that has obviously succeeded for people such as yourself over the years? Maybe I'd be more understanding if you didn't come up with the bullshit that all men have the ability to drain women of knowledge. Funny that I never learnt that piece of obvious slander in science lessons, which according to you is a basis to start blackmailing men at the end of the paragraph. No wonder this woman doesn't want prisons, she's more barbaric than most of the inmates.
Yes, how could I forget that the service industry is famous for exclusively hiring women? I know if women are payed less then it would make sense for businesses to exclusively hire them, but in a multi-gendered workplace why should it be only women that are profiting from your fictional constructs? It's clear that this 'emotional labor' is just a ploy to hide your blatantly sexist attitudes towards men, and in this paragraph you even state that anyone who works at minimum wage is under this emotional stress, so why can't men profit from your system? I would call you a hypocrite, but really you've now just become an ignorant asshole. Further proof of that is from your distorted history of capitalism that fails to mention that the system was based around the trading of commodities rather than the simple desire to exploit indigenous people. I'm not denying that the system of capitalism and imperialism hasn't selfishly exploited certain classes in the past, but to chastise a system that you reap the benefits from in your everyday life is another example of your innate hypocrisy.
Your argument just keeps getting broader with every question, yet still fails to explain why women deserve this money you want to force out of hard working men. You also haven't explained how giving money to minorities cures inequality. When I give money to homeless people it doesn't instantly make them equal does it? Just like your plan it's a temporary fix that completely ignores the notion of meritocracy. Your ideas of reversing the direction of capital are plainly suicidal, believing that obtaining money is a random process that in no way got to where it is for a logical reason. Contrary to your belief it is possible for women to succeed in a capitalist world, and this fact shows the scale of your generalisation and ignorance towards the individual needs of individual women. In short your moronic solutions are an inherently flawed method to get across your gender based propaganda, which is something you can only back up with 100% pure bullshit.
Saturday, 31 October 2015
Wednesday, 28 October 2015
Top 10 Guitarists of All Time
I've always been a fan of the electric guitar. Over the years it's undoubtedly become an integral part of the greatest genre of music, always being a powerful inclusion for any rock band. Playing one though requires a certain talent that combines technical expertise with creative genius, meaning only a select few have the skill to pull off one of the more unique instruments. Here is a list of my top ten favorite guitar players of all time.
Honorable Mentions:
Jeff Beck: A favorite of many insiders in the industry. His influence has certainly had an effect on the rock genre over the years.
Stevie Ray Vaughan: Considered one of the greatest blues guitarists of all time despite having just a seven year career before his untimely death.
Kirk Hammett: Yeah I'm a big fan of Metallica, so this man just had to get a mention. To be fair he's produced some of the greatest solos of all time throughout his lengthy career.
Slash: The only positive to be found in a totally shit band. Slash now works on solo material with a confirmed status of a rock god.
#10 Angus Young (AC/DC) (1955-)
A Scottish born guitarist who many people can instantly recognise as being a large part of 'AC/DC', one of the biggest rock bands of all time. I'm not exactly a huge fan of 'AC/DC', but I can't fault their combined energy and raw charisma that they each bring to every single one of their performances. Young is the epitome of this ethos, giving his all to every performance, never once hesitating to pull off that iconic duck walk in his schoolboy uniform. This energy has become an integral part of the 'AC/DC' live routine, playing perfectly into the hands of charismatic individuals like Young who can be allowed to strut his stuff on some huge stages. Many estimates claim that the band have sold over 200 million units worldwide, and you have to ask yourself whether that would be the case if it wasn't for the iconic riffs of Angus Young.
When looking at the best of 'AC/DC' it becomes instantly clear that their success revolves around loud and powerful riffs in such great songs as 'Back in Black'. Young compliments this loud and brash sound with some solid work on the guitar that isn't what I'd call sophisticated or beautiful, but gets the sales going nonetheless. Under Young's natural ability is a showman at heart, making up for his lack of natural talent compared to the greats by running through the crowd or having a lengthy breakdown like the mentalist he truly is. Young can get the crowd involved in every second of his lengthy guitar solos, creating a vibrant energy to suit his erratic playing style on tracks such as 'Thunderstruck'. It maybe not technical perfection, but it's always fucking great watching him work.
#9 Keith Richards (The Rolling Stones) (1943-)
Keith Richards might have the modern day appearance of a meth addict, but back in the day he was one of the hottest and most talented guitarists to grace the earth. The reason he looks like a drug addict is because he was one, and a serious one at that, making it a mere miracle that he's still somehow alive. Richards is now an icon of a bygone era, still musically active despite years of toil; never trying to be flamboyant, but rather relying on raw skill to carry his guitar work. Many of the songs in 'The Rolling Stones' catalogue don't focus on big guitar solos making it hard for Richards to make his mark, but he's always there in the background as the integral cog that keeps 'The Rolling Stones' ticking.
Richards as a musician is often regarded as multi-talented, with his writing work possibly becoming more famous than some of his iconic riffs. Many of 'The Rolling Stones' hits have been penned by Richards, allowing many of the songs to operate around simple yet powerful riffs that Richards excels at executing. They might not be the most difficult riffs on this list, but in terms of pacing they're up there with the best of them. All you need to do is listen to great songs like 'Satisfaction', which interestingly came to Richards in his sleep, to get a taste of what classic rock and guitar is all about. Anything in 'Exile on Main Street' is Keith Richards gold. From there you can get a good idea of what Richard's riffs are all about, that unlike the man have not deteriorated over time.
#8 Tony Iommi (Black Sabbath) (1948-)
Tony Iommi is the legend humanity has to thank for heavy metal. This man's unique skill and talent pioneered a now leading genre in music, but just focusing on this aspect of Iommi's life would be detracting from the fact that this man was a seriously talented guitar player who knew how to mash a few chords together. The most interesting part is that Iommi achieved this incredible talent after having a few fingers sliced off on the last day of his job at a steel mill, making it remarkable that he can create a sound as impressive as he does. The deformity in his hand means that his style effectively detunes the guitar, creating a rawer and deeper sound that allowed the man to inadvertently stumble upon a revolutionary genre.
However Iommi was far more than a revolutionary. In his heyday he could riff with the best of them, and indeed some of the most iconic riffs in rock history have been created by this man; their influence still felt in the rock community to this very day in almost every single metal song released. There may have been other bands that got the powerful metal riffs to do more of the work, but Iommi is the man that laid the foundations in style. Nowadays he works on solo material and writes the occasional Eurovision song, which isn't very rock and roll, but I think you can forgive the man who for decades has been a loyal servant to the raucous 'Black Sabbath', who may just be the heaviest band of all time.
#7 David Gilmour (Pink Floyd) (1946-)
Starring in a prog rock band often means the skills of a guitar player get overlooked. Many people will only remember Gilmour for his multiple other roles in the highly regarded 'Pink Floyd', but on the off chance that they needed a cracking guitar solo then Gilmour was just the talent they required. Gilmour will always be a legendary frontman, but his impressive skills on the guitar were often the creative spark that led to 'Pink Floyd' being so highly regarded as one of the all time greats. When you analyse the man's playing style you begin to notice how skilled he is with the guitar, never seeking attention with pointless antics, instead letting the subtle yet powerful performance speak for itself. Over the years Gilmour has treated fans with adrenaline pumping solos that develop 'Pink Floyd' into so much more than just another prog rock band. Gilmour's inclusion allows songs to be paced to perfection, becoming a beautiful art form that doesn't require the guitar to tear the house down. I'll admit it's an acquired taste, but one that in terms of rock and roll is almost that of artistic perfection. Gilmour's precision and originality on the guitar allow 'Pink Floyd' to access these new territories in music, creating their own unique sound, and as a result scoring highly on this list.
#6 Duane Allman (The Allman Brothers) (1946-1971)
Undoubtedly the greatest session musician of all time, and also one of the leading pioneers of southern rock. Duane himself only had a brief stint in the limelight after his life was tragically cut short after an ill timed motorcycle accident in 1971, but in that time the man showed the world that he could do the most unbelievable things with a few simple chords. Had the man lived then we might be discussing the greatest guitarist of all time, but as it happens we can only discuss one of the finest natural talents in rock and roll history. His brief stint may have been forgettable to the general population, but just listen to a few of the man's riffs and you can easily understand why many consider this man the embodiment of a guitar playing legend.
'Skydog', as he was known, has just about worked with anyone notable in the business during his life; providing music for the likes of Aretha Franklin, Wilson Pickett and Percy Sledge. However his most famous collaboration came with Eric Clapton, and together they composed the iconic 'Layla' that would go on to define Clapton's career as a world famous guitarist. It was often said that at one stage of his life Duane would just show up to the studio at random times and record whatever was needed at that particular time. This makes it impossible for us to appreciate the grand scale of all this man's lifetime work, but even the songs that he has written credit for are almost always world class. Give Allman just a few minutes alone, or with any other musician for that matter, and he could produce something amazing with his trusty guitar. Iconic riffs such as 'Jessica' will live on in history as tribute to a world class guitarist that never got the legendary status he deserved.
#5 Eric Clapton (The Yardbirds/Cream) (1945-)
A legend on the guitar who holds the unique distinction of being the only man in history to be inducted into the 'Rock and Roll Hall of Fame' on three separate occasions; once with 'Cream', once with 'The Yardbirds', and a third time for his solo work. That fact alone indicates that this man might be something quite special on the guitar, and indeed the integral part of three great acts is considered one of the all time greats. Clapton is often referred to as 'Slowhand', which is one of those great ironic nicknames considering that this guy can riff like no other. Some would say the man is a god, and when you have eighteen Grammy awards and at one stage invited to join 'The Beatles' after George Harrison temporarily left, it's hard to think of him as anything short of special.
Clapton's music often varies in style, but he's at his brilliant best when playing the blues. Clapton may well be the greatest blues guitarist of all time, and iconic songs such as 'Sunshine of Your Love' or 'Crossroads' show just what a great guitar player the man is. It's hard to imagine but Clapton has suffered from drug addiction and the loss of his son over his extensive career, but these negative effects have only made the music more personal; the man has a genuine passion for music that's always great to see in any artist, but with Clapton this love for music is far more apparent. Clapton even passed out during his performance at the 'Concert for Bangladesh', showing just how dedicated this man is to his own music. Clapton's work is never about the commercial success, showing his own devotion to his personal work on a constant basis with that incredible talent to help him along.
#4 Randy Rhoads (Ozzy Osbourne) (1956-1982)
A criminally underrated talent that like many in the music business died far too young. Rhoads was the man that gave Ozzy Osbourne that iconic sound that reinvigorated his stalling career to levels that even surpassed that of his tenure with 'Black Sabbath'. As a big Ozzy Osbourne fan I can't thank Rhoads enough for his contributions towards heavy metal, but the truth is that this man's now iconic riffs have bought many rock fans many pleasurable evenings. Rhoads had the unique talent of being able to perfectly combine classic riffs and a heavier sound to produce some songs that didn't necessarily pioneer any genres, but just ended up sounding really fucking awesome. Rhoads may not have been the showman that many are on this list, but in terms of passion towards his music this man is far greater than anyone else.
Rhoads was also a unique personality, not conforming to the stereotypical rock and roll lifestyle, drinking very little and being an avid collector of toy trains. Instead of drinking himself to death Rhoads had a dedication to his guitar work and apparently preferred to train with classic guitar tutors rather than visit the pub for the evening or throw a television out of a hotel window. This dedication shows in the quality of Rhoads' work, not becoming the hellraising embodiment of charisma like Ozzy, but instead becoming a hugely respectable figure in the music industry. Rhoads unfortunately perished when he was a passenger in a plane that was trying to fly close to the tour bus, with Rhoads ending up being burnt beyond recognition in the fireball that followed that accident. A rock and roll way to die from one of the least rock and roll guitarists ever, but what a fucking impact this guy made over just that short period.
#3 Jimmy Page (Led Zeppelin) (1944-)
A key part of the four legends that I would consider the greatest band of all time. Page was undoubtedly the perfect talent that 'Led Zeppelin' needed to catapult them to stardom. Page is quite simply a phenomenal talent that has made his name both as a member of a revolutionary band and also as a revered session guitarist, giving his talent to songs such as 'Downtown', 'I Can't Explain', and even 'A Hard Day's Night'. As a two time 'Rock and Roll Hall of Fame' inductee there is no denying that Page has an immense talent, which is amazing considering that the majority of his ability is self taught. It's hard to believe that a man responsible for some of the most unique and inspiring guitar work of all time got their largely by himself, but that's just a testament to how talented this man truly is. Page's unique ability practically invented rock music as we know it today, and his influence has been directly responsible for the sale of over 300 million records.
I would consider Page my favorite guitarist simply because he can master every style of music there is too learn. I still hold that there is nobody else on the planet that could compose such bold and diverse riffs that we can see in songs that range from 'Communication Breakdown' to the much slower 'Dazed and Confused'. In the live versions of these songs Page would often go quite mental, playing the guitar with a violin bow and still managing to perfect some of the most technical solos in rock history. One moment Page could gently caress the guitar, and the next he could tear the fucking building down with some powerful work. Jimmy Page was not a conventional guitarist, instead he was a perfectionist that took rock music to entirely new and exiting places, turning the heads of music lovers everywhere in the process. Page's revolution was often loud and intense, but most of all it was an exhilarating look at the limits of guitar playing. Talk to anyone who knows anything about playing the guitar and you can discover that this man wasn't just another good guitar player, he was the guitar player that defined an era.
#2 Eddie Van Halen (Van Halen) (1955-)
In terms of guitar players with legendary statuses Eddie Van Halen cannot hope to compete with the likes of Jimmy Page and Eric Clapton, but in terms of raw ability this man might just be the greatest of all time. Just listening to the work of this man is enough to send shivers down your spine, and what's even more amazing is that the guy can't even read music. The fact that this guy wings all of his mesmerising performances is scarcely believable. 'Eruption' above is guitar playing at its most fast and furious, and so to think that Van Halen got there by simply jamming is crazy. Even the legend that is Jimmy Page admitted that Eddie was the first significant new kid on the block; and praise doesn't get much higher than that. Paige himself may have been the primary influence to Van Halen's work, but Eddie took guitar playing to the next level. Never before have I seen such unbelievable solos that no normal human being could ever replicate. Van Halen was the man that showed the world his god given talent to frantically tap that guitar, becoming a guitar playing god in the process.
#1 Jimi Hendrix (The Jimi Hendrix Experience) (1942-1970)
Just four years of LSD inspired rock was enough to give this performer an iconic status globally. What Hendrix was doing with guitars years before anyone else is just staggering. Nobody had any idea that the electric guitar could be used to produce complex and innovative sounds until Jimi came along, but when he did he managed to dictate a whole genre whilst making it sound fucking awesome at the same time. What people once thought were unpleasant and amateurish characteristics of music were now being turned into a revolutionary art form that combined individual pieces of perfection and transformed them into powerful noise that could so easily blow minds.
However Hendrix was far more than just another talented guitar player, as the man was also a pure performer at heart. Hendrix could turn himself into a vibrant and charismatic character on stage, never hesitating to pluck guitar strings with his teeth or even set the damn thing alight. His performances at Woodstock and Monterrey will go down in history as definitive moments in rock and roll history, and anyone who had seen the man perform live before his untimely death at 27 will reciprocate that this man was in a class of one. For the first time Hendrix actually let the guitar do the talking, in effect giving himself an extra voice to captivate the audience. It's a symbiotic relationship that I don't believe has ever been replicated to the same extent, and although many have tried to play the guitar like Jimi, nobody has ever quite looked so natural with a guitar in their arms.
Honorable Mentions:
Jeff Beck: A favorite of many insiders in the industry. His influence has certainly had an effect on the rock genre over the years.
Stevie Ray Vaughan: Considered one of the greatest blues guitarists of all time despite having just a seven year career before his untimely death.
Kirk Hammett: Yeah I'm a big fan of Metallica, so this man just had to get a mention. To be fair he's produced some of the greatest solos of all time throughout his lengthy career.
Slash: The only positive to be found in a totally shit band. Slash now works on solo material with a confirmed status of a rock god.
#10 Angus Young (AC/DC) (1955-)
When looking at the best of 'AC/DC' it becomes instantly clear that their success revolves around loud and powerful riffs in such great songs as 'Back in Black'. Young compliments this loud and brash sound with some solid work on the guitar that isn't what I'd call sophisticated or beautiful, but gets the sales going nonetheless. Under Young's natural ability is a showman at heart, making up for his lack of natural talent compared to the greats by running through the crowd or having a lengthy breakdown like the mentalist he truly is. Young can get the crowd involved in every second of his lengthy guitar solos, creating a vibrant energy to suit his erratic playing style on tracks such as 'Thunderstruck'. It maybe not technical perfection, but it's always fucking great watching him work.
#9 Keith Richards (The Rolling Stones) (1943-)
Richards as a musician is often regarded as multi-talented, with his writing work possibly becoming more famous than some of his iconic riffs. Many of 'The Rolling Stones' hits have been penned by Richards, allowing many of the songs to operate around simple yet powerful riffs that Richards excels at executing. They might not be the most difficult riffs on this list, but in terms of pacing they're up there with the best of them. All you need to do is listen to great songs like 'Satisfaction', which interestingly came to Richards in his sleep, to get a taste of what classic rock and guitar is all about. Anything in 'Exile on Main Street' is Keith Richards gold. From there you can get a good idea of what Richard's riffs are all about, that unlike the man have not deteriorated over time.
#8 Tony Iommi (Black Sabbath) (1948-)
However Iommi was far more than a revolutionary. In his heyday he could riff with the best of them, and indeed some of the most iconic riffs in rock history have been created by this man; their influence still felt in the rock community to this very day in almost every single metal song released. There may have been other bands that got the powerful metal riffs to do more of the work, but Iommi is the man that laid the foundations in style. Nowadays he works on solo material and writes the occasional Eurovision song, which isn't very rock and roll, but I think you can forgive the man who for decades has been a loyal servant to the raucous 'Black Sabbath', who may just be the heaviest band of all time.
#7 David Gilmour (Pink Floyd) (1946-)
#6 Duane Allman (The Allman Brothers) (1946-1971)
'Skydog', as he was known, has just about worked with anyone notable in the business during his life; providing music for the likes of Aretha Franklin, Wilson Pickett and Percy Sledge. However his most famous collaboration came with Eric Clapton, and together they composed the iconic 'Layla' that would go on to define Clapton's career as a world famous guitarist. It was often said that at one stage of his life Duane would just show up to the studio at random times and record whatever was needed at that particular time. This makes it impossible for us to appreciate the grand scale of all this man's lifetime work, but even the songs that he has written credit for are almost always world class. Give Allman just a few minutes alone, or with any other musician for that matter, and he could produce something amazing with his trusty guitar. Iconic riffs such as 'Jessica' will live on in history as tribute to a world class guitarist that never got the legendary status he deserved.
#5 Eric Clapton (The Yardbirds/Cream) (1945-)
Clapton's music often varies in style, but he's at his brilliant best when playing the blues. Clapton may well be the greatest blues guitarist of all time, and iconic songs such as 'Sunshine of Your Love' or 'Crossroads' show just what a great guitar player the man is. It's hard to imagine but Clapton has suffered from drug addiction and the loss of his son over his extensive career, but these negative effects have only made the music more personal; the man has a genuine passion for music that's always great to see in any artist, but with Clapton this love for music is far more apparent. Clapton even passed out during his performance at the 'Concert for Bangladesh', showing just how dedicated this man is to his own music. Clapton's work is never about the commercial success, showing his own devotion to his personal work on a constant basis with that incredible talent to help him along.
#4 Randy Rhoads (Ozzy Osbourne) (1956-1982)
Rhoads was also a unique personality, not conforming to the stereotypical rock and roll lifestyle, drinking very little and being an avid collector of toy trains. Instead of drinking himself to death Rhoads had a dedication to his guitar work and apparently preferred to train with classic guitar tutors rather than visit the pub for the evening or throw a television out of a hotel window. This dedication shows in the quality of Rhoads' work, not becoming the hellraising embodiment of charisma like Ozzy, but instead becoming a hugely respectable figure in the music industry. Rhoads unfortunately perished when he was a passenger in a plane that was trying to fly close to the tour bus, with Rhoads ending up being burnt beyond recognition in the fireball that followed that accident. A rock and roll way to die from one of the least rock and roll guitarists ever, but what a fucking impact this guy made over just that short period.
#3 Jimmy Page (Led Zeppelin) (1944-)
I would consider Page my favorite guitarist simply because he can master every style of music there is too learn. I still hold that there is nobody else on the planet that could compose such bold and diverse riffs that we can see in songs that range from 'Communication Breakdown' to the much slower 'Dazed and Confused'. In the live versions of these songs Page would often go quite mental, playing the guitar with a violin bow and still managing to perfect some of the most technical solos in rock history. One moment Page could gently caress the guitar, and the next he could tear the fucking building down with some powerful work. Jimmy Page was not a conventional guitarist, instead he was a perfectionist that took rock music to entirely new and exiting places, turning the heads of music lovers everywhere in the process. Page's revolution was often loud and intense, but most of all it was an exhilarating look at the limits of guitar playing. Talk to anyone who knows anything about playing the guitar and you can discover that this man wasn't just another good guitar player, he was the guitar player that defined an era.
#2 Eddie Van Halen (Van Halen) (1955-)
#1 Jimi Hendrix (The Jimi Hendrix Experience) (1942-1970)
However Hendrix was far more than just another talented guitar player, as the man was also a pure performer at heart. Hendrix could turn himself into a vibrant and charismatic character on stage, never hesitating to pluck guitar strings with his teeth or even set the damn thing alight. His performances at Woodstock and Monterrey will go down in history as definitive moments in rock and roll history, and anyone who had seen the man perform live before his untimely death at 27 will reciprocate that this man was in a class of one. For the first time Hendrix actually let the guitar do the talking, in effect giving himself an extra voice to captivate the audience. It's a symbiotic relationship that I don't believe has ever been replicated to the same extent, and although many have tried to play the guitar like Jimi, nobody has ever quite looked so natural with a guitar in their arms.
Wednesday, 21 October 2015
Morons of the Internet: Samuel Tyler
This is the segment where I scour my favorite forums around the internet
and find some particularly interesting articles about current affairs
told in the words of my favorite human beings.
In this edition we have the author of a student newspaper who thinks issues that are simply trivial will cause an almighty scandal inside his own Student's Union, claiming it's their egos that prevent him from using the library for 24 hour periods. Oh no.
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http://thetab.com/uk/soton/2015/10/19/susu-are-serving-their-own-egos-before-students-61896
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Oh the humanity. Imagine not being allowed into a university library because it closes at determined hours every evening. I couldn't imagine such an atrocity since I chose to attend a university that has a 24 hour library system operating every weekday, although when it closes at a specified time at the weekend I'm often inundated with an outpouring of emotion from the poor souls who have been mentally tormented by such a barbaric policy. The people of course that are often in the library at stupid hours are the ones who couldn't fit their sexual love of reading Jeremy Paxman's latest tome on how Margaret Thatcher influenced the fish economy of South-East Namibian trade routes into the hours of the day, and so hope that returning at quieter hours will minimise the shame. Opening later just means that those students can masturbate over these books without a large number of students judging them for being pretty weird, and so for sane people like me I have to wonder what all this fuss is over. I get that a 24 hour library service is a benefit that a select few universities get, and if that was such a big issue then you should have chosen a university that had a 24 hour library service. That's the beauty of the UCAS application process, so honestly you can fuck off if you think you're an oppressed student solely because the library doesn't stay open for a few more hours.
Wait, are we now having a go at the Student's Union for doing essentially what their job is? Surely as representatives of the student population they have every right to get annoyed if a decision that directly affects student life is made without their consultation. I'm sure if the university decided to fund a statue of a homosexual being beaten to death by a cardboard cutout of Margaret Thatcher then you would have a go at them for not intervening, so whatever the scenario the Student's Union will always be the enemy in your eyes. I'd say this slander is very harsh considering they haven't done anything drastically wrong, only delaying a decision over your beloved library, which as far as I'm concerned has nothing to do with massaging their egos. Your article on the other hand does appear to be massaging your ego, and the result is a piece of so called journalism that makes you sound like an entitled bellend.
All through the article you moan at the Student's Union, when in reality they probably have a far better insight into the workings of the university than you ever will. Unlike you there may be other students that don't feel the need to extend the library opening hours as they understand that's a costly process that will divert money away from other vital areas of the university, diminishing it's status as a top university; which may I add is also debatable. It's evidently clear that the demand for work outside of examination periods does not exceed that of the costs required for the 24 hour operation, so why would the student union support a policy that only catered for the minority of students who feel it necessary to masturbate over historical papers at stupid hours? You can hide your lack of insight through weak satire all you want, and I'm sure that light whimsy greatly impressed the conservative population of Southampton who read ill informed shit in student newspapers, but the irony is that just like the Student's Union you keep moaning about, your argument fails to go into any detail either, showing you too have a lack of knowledge about the workings of a library.
Yeah if I was you I would of tactically forgotten about how Dominoes Pizza boxes were left in vast quantities around the library. I've often heard Southampton referred to as a place that stores a lot of rubbish, but if there was any evidence that opening the library for 24 hours would make a positive impact on the university then this isn't it. The issues about cleaning that you clearly stated were non-existent are obviously horseshit, as even by your own admission there were a 'countless' number of leftover pizza boxes that hadn't been cleaned away. If I had control over a prestigious library, which obviously wouldn't be the one in Southampton as it looks like a Victorian cotton mill, then I wouldn't like the idea of it being turned into a glorified seating area for a classless takeaway joint. For this reason I can understand why the university has an issue over this supposed 'lack of adequate food and drink facilities' because it's become apparent that the students of Southampton are vermin attracted to cheap pizza.
And now we finally hit the big issue, which of course is money. The 'Safety Bus', which sounds like something out of a children's TV show and not a university funded scheme, does indeed cost a lot of money to operate. I'd say that a large investment that directly affects students would be of a concern to the Student's Union, and their intervention should hardly be something to cry for attention about over the internet. I know the author of this article might be a bit insecure, but maybe they can cure that by posting constantly pointless selfies all over Facebook, or maybe going clubbing on their own. Just anything so I don't have to read them whinging about a Student's Union doing their bloody jobs. Maybe the Student's Union should readdress 'our' problem as just yours, although of course like the library nobody would vote on telling you to 'fuck off ' as nobody cares about your worthless opinion. It's just a referendum, so stop having a tantrum about not being allowed to vigorously masturbate over literature in the library for certain hours.
As a student you should be concerned about drinking and safe sex, not what time the fucking library is open. It's obvious that the Student's Union cannot cater to everyone, so why should it bother with costly processes that will benefit a select few? If this library issue really is so important then I'm sure the Student's Union will happily pass the proposal, but until then they should be telling workaholics like you to 'fuck off'. Stop crying about pointless issues in the local paper, as it makes you look like an internet twat.
In this edition we have the author of a student newspaper who thinks issues that are simply trivial will cause an almighty scandal inside his own Student's Union, claiming it's their egos that prevent him from using the library for 24 hour periods. Oh no.
__________________________________________________________________________________
http://thetab.com/uk/soton/2015/10/19/susu-are-serving-their-own-egos-before-students-61896
__________________________________________________________________________________
Oh the humanity. Imagine not being allowed into a university library because it closes at determined hours every evening. I couldn't imagine such an atrocity since I chose to attend a university that has a 24 hour library system operating every weekday, although when it closes at a specified time at the weekend I'm often inundated with an outpouring of emotion from the poor souls who have been mentally tormented by such a barbaric policy. The people of course that are often in the library at stupid hours are the ones who couldn't fit their sexual love of reading Jeremy Paxman's latest tome on how Margaret Thatcher influenced the fish economy of South-East Namibian trade routes into the hours of the day, and so hope that returning at quieter hours will minimise the shame. Opening later just means that those students can masturbate over these books without a large number of students judging them for being pretty weird, and so for sane people like me I have to wonder what all this fuss is over. I get that a 24 hour library service is a benefit that a select few universities get, and if that was such a big issue then you should have chosen a university that had a 24 hour library service. That's the beauty of the UCAS application process, so honestly you can fuck off if you think you're an oppressed student solely because the library doesn't stay open for a few more hours.
Wait, are we now having a go at the Student's Union for doing essentially what their job is? Surely as representatives of the student population they have every right to get annoyed if a decision that directly affects student life is made without their consultation. I'm sure if the university decided to fund a statue of a homosexual being beaten to death by a cardboard cutout of Margaret Thatcher then you would have a go at them for not intervening, so whatever the scenario the Student's Union will always be the enemy in your eyes. I'd say this slander is very harsh considering they haven't done anything drastically wrong, only delaying a decision over your beloved library, which as far as I'm concerned has nothing to do with massaging their egos. Your article on the other hand does appear to be massaging your ego, and the result is a piece of so called journalism that makes you sound like an entitled bellend.
All through the article you moan at the Student's Union, when in reality they probably have a far better insight into the workings of the university than you ever will. Unlike you there may be other students that don't feel the need to extend the library opening hours as they understand that's a costly process that will divert money away from other vital areas of the university, diminishing it's status as a top university; which may I add is also debatable. It's evidently clear that the demand for work outside of examination periods does not exceed that of the costs required for the 24 hour operation, so why would the student union support a policy that only catered for the minority of students who feel it necessary to masturbate over historical papers at stupid hours? You can hide your lack of insight through weak satire all you want, and I'm sure that light whimsy greatly impressed the conservative population of Southampton who read ill informed shit in student newspapers, but the irony is that just like the Student's Union you keep moaning about, your argument fails to go into any detail either, showing you too have a lack of knowledge about the workings of a library.
Yeah if I was you I would of tactically forgotten about how Dominoes Pizza boxes were left in vast quantities around the library. I've often heard Southampton referred to as a place that stores a lot of rubbish, but if there was any evidence that opening the library for 24 hours would make a positive impact on the university then this isn't it. The issues about cleaning that you clearly stated were non-existent are obviously horseshit, as even by your own admission there were a 'countless' number of leftover pizza boxes that hadn't been cleaned away. If I had control over a prestigious library, which obviously wouldn't be the one in Southampton as it looks like a Victorian cotton mill, then I wouldn't like the idea of it being turned into a glorified seating area for a classless takeaway joint. For this reason I can understand why the university has an issue over this supposed 'lack of adequate food and drink facilities' because it's become apparent that the students of Southampton are vermin attracted to cheap pizza.
And now we finally hit the big issue, which of course is money. The 'Safety Bus', which sounds like something out of a children's TV show and not a university funded scheme, does indeed cost a lot of money to operate. I'd say that a large investment that directly affects students would be of a concern to the Student's Union, and their intervention should hardly be something to cry for attention about over the internet. I know the author of this article might be a bit insecure, but maybe they can cure that by posting constantly pointless selfies all over Facebook, or maybe going clubbing on their own. Just anything so I don't have to read them whinging about a Student's Union doing their bloody jobs. Maybe the Student's Union should readdress 'our' problem as just yours, although of course like the library nobody would vote on telling you to 'fuck off ' as nobody cares about your worthless opinion. It's just a referendum, so stop having a tantrum about not being allowed to vigorously masturbate over literature in the library for certain hours.
As a student you should be concerned about drinking and safe sex, not what time the fucking library is open. It's obvious that the Student's Union cannot cater to everyone, so why should it bother with costly processes that will benefit a select few? If this library issue really is so important then I'm sure the Student's Union will happily pass the proposal, but until then they should be telling workaholics like you to 'fuck off'. Stop crying about pointless issues in the local paper, as it makes you look like an internet twat.
Monday, 19 October 2015
Top 10 Worst Box Office Bombs
It's no secret that the world of Hollywood means big business, but that doesn't necessarily mean that every film produced is going to start rolling in the cash. Some of the time a box office failure is nothing to do with the quality of the actual film, although in this list we'll be looking at those films that weren't even any good before becoming financial flops. Remember, this isn't a list for the films that have lost the most money, rather the films that deserved to lose a large amount.
#10 John Carter (2012) (4/10)
So one day Disney decided they were going to make a high value sci-fi adventure that would be based on a retro franchise. That's great, however it's name is 'John Carter'. How is that supposed to signal to people that this is an epic adventure into an alternate reality? John Carter is the bloke you meet every week down the pub, not a blockbuster journey into the vast realms of space. That feeling of this film not being anything special at any stage is a recurring theme throughout this whole 350 million dollar production, and not surprisingly this film aimed at kids becomes boring very quickly. Aside from the visuals I have absolutely no idea where any of the budget went. The money certainly didn't go towards the generic characters, the inconsistent plot or the woeful script. For some reason 'Disney' thought an amateurish performance on such a high budget film was acceptable if they made the thing look nice, which it does, but if you start paying stupid amounts for things that are merely trivial then the likelihood is always a box office bomb.
I still can't comprehend how 'Disney' thought this film would be marketable to children. As an adult I struggled to follow the lack of direction in the plot, so how children were supposed to absorb this mess is beyond me. I feel like the production team tried to achieve everything they could out of the visual effects rather than trying to achieve the best piece of art they could, and for a blockbuster as expensive as this one to be as shallow as it is annoys me greatly. The final results were a gross sales of 284 million dollars, as opposed to the 600 million that experts predicted the film would need to make for it to even break even. With a disappointing film that had no big name stars or a positive public image to bring in the crowds the results were never going to be 600 million dollar amazing, and it was thanks to the positive reception in countries such as Russia that this film even got over the nine figure mark. A prime example of why good films on paper can so easily be retracted from the public eye for such simple mistakes that now mean this film will rot in the graveyard of forgotten films for eternity.
#9 Speed Racer (2008) (4/10)
Don't get me wrong, I love 'Speed Racer' as a franchise. For me it gets the right balance of quirky and awesome antics, which unfortunately for the series didn't translate itself into a good film. Instead of fun antics we got a trippy insight into a five year old's wet dream, which is great if you're five years old, but not so much if you're middle aged and likely paying for those tickets. It turns out a lengthy narcotic trip for people who obviously don't value their sanity isn't a big seller at the box office, which isn't great news for a production that needlessly relies on high impact special effects to dazzle the viewer into submission. This tactic not only had the effect of keeping mainstream audiences away from the cinema, but also hiked the production costs up as well; not exactly sound business practice is it.
I'd like to say that 'Speed Racer' had something other than those special effects, but it just didn't. There was no substance under this brightly coloured racer, leaving audiences with a basic storyline and a lack of characters they could ever consider caring about. I know it's primarily a racing franchise at heart, but that doesn't excuse a film where the only element is just pure and simple racing with the occasional lecture on how capitalism ruins everything. It's rather ironic that this film takes an anti-capitalist stance, as it's that very principle that ended up ruining this big budget production. Out of the 120 million dollars it cost to make 'Speed Racer', it made back just 93. That's both a big disappointment and a shame from a film that should have been really enjoyable.
#8 Stealth (2005) (4/10)
'Stealth' was a film that tried to merge the high flying action of the highly rated 'Top Gun' with the sci-fi sleekness of films such as 'The Terminator'. Usually that kind of ethos goes down a hit with crowds, but unfortunately this film wasted a load of money on nice visuals and nothing else. 'Stealth' has no substance, nothing to make it stand out to cinema goers. Just look at that image; it looks like they're heading for a sleepover, not about to blow some shit up. For 135 million dollars we get some awesome planes, which almost look 135 million just by themselves, although that did little to persuade moviegoers to part with their cash. In the end 'Stealth' made back just 75 million dollars, which statistically makes it one of the biggest flops in cinema history.
It's easy to see why the film failed so badly. Both me and the critics hated the stupid and predictable plot, although I found there was more charm to be felt underneath what is an expensive excuse to blow things up in cool looking planes. The results aren't exactly on par with 'Top Gun', and I will admit that it feels like a commercial whore rather than anything desirable or fanciful, but as a high flying adventure this is an acceptable film for the majority of people. The love of explosions and frail script are however not acceptable, and as a result 'Stealth' will be remembered by precisely zero people in years to come, when in reality we could be discussing a classic.
#7 Final Fantasy: The Spirits Within (2001) (3/10)
The most expensive film ever that's originally based on a video game. 'Final Fantasy' also happens to be one of the poorer attempts at making video games work on the big screen, and there have been many similarly terrible tries over the last few decades. The thing is that this time a film based on a video game had a huge budget, like somebody actually wanted to make a respectable piece of art, and I appreciate the effort, just not the result. The reason why 'Final Fantasy' cost so much is instantly obvious. This was the first film to ever use photorealistic computer animations, and although the results look dreadful to audiences today, back in 2001 this would have blown minds of the few people that actually bothered to watch it, which wasn't many. The only publicity this film did get was when protagonist Aki made it onto 'Maxim's Hot 100' for 2001. Says a lot about the quality of the film when the best publicity it gets is from men getting erections over a virtual girl.
The reason why a film like this had never been attempted before is because of the effort required to pull it off, and yet alone make that effort successful. Each frame of this film had to be individually rendered, and so not surprisingly this mammoth task took over four years to complete, with some days only a single second of footage being produced. Not surprisingly that raised the costs; 135 million dollars to be exact, of which 85 million were made back. This is another example of how looking nice is one thing, but actually creating a film that mainstream audiences will love is another. Unfortunately for 'Final Fantasy' mainstream audiences were alienated by characters that felt like the very computer models the film was designed in, coupled with a conservative story that isn't acceptable in such a high budget film. It's a shame that a film that took this long to create ended up being such a disaster, that unfortunately meant producers 'Square Pictures' had to shut down shortly after the release. What an expensive mistake to make.
#6 The Lone Ranger (2013) (3/10)
When will Hollywood learn that people don't like to watch films that ruin beloved franchises? 'The Lone Ranger' is another example, although why it's named after a character who isn't even the protagonist is a little misleading. No in fact the beloved 'Lone Ranger' character is actually given a supporting role to Tonto, who is played by Johnny Depp, and so one would assume that his presence would at least draw in some sort of revenue. Nobody else has the star studded record in this high budget western, and so it's a massive shame that Depp ballsed up the role of Tonto, diverting the sense of adventure only onto himself. Okay, Depp can't really be blamed for the jumbled mess of a plot, that can't help but try to painfully explain every bloody plot point even if it isn't relevant to the main storyline.
The results are a film with a mixed tone that feels like it lasts for hours; and that's not just because of the lengthy runtime. Inconsistency is placed to the fore, and soon you realise the film is more to do with massaging Johnny Depp's ego than creating a meritable piece of art that celebrates the rich history of 'The Lone Ranger' franchise and the American West. The film is an insult to the genre really; an adventure that makes John Wayne turn in his grave. I honestly don't know who the target market was supposed to be, but it probably wasn't anything human. Not having a preset target market to sell the film to is suicidal business practice when the damn thing cost 375 million dollars to make, which might be in part due to the film requiring a whole new fucking railroad to be built for no other purpose than one scene. Yeah that seems reasonable for one fucking scene; it's no surprise that at one stage the whole film was called off due to the huge amount of financial resources being thrown at it. The reward for this determination was 260 million dollars made back at the box office. Turns out 'Disney' didn't learn their lesson from 'John Carter'.
#5 Cutthroat Island (1995) (3/10)
According to the 'Guinness World Records', but surprisingly not 'Wikipedia', this is the biggest box office bomb of all time. One of the reasons is because the film was total dog shit, and only succeeded in not making the world of female pirates seem remotely interesting. The second, and bigger reason, was because of the huge production costs that arose because of constant recasting and rewrites that took the total up to 98 million dollars. Embarrassingly the film made back ten million of those dollars, which on paper is absolutely pathetic. It didn't help that director Renny Harlin insisted that two huge galleons had to be made from scratch, and these had to be transported 5000 miles across the globe to the two shooting locations of Malta and Thailand. They do say that money can pay for a lot of things, but common sense isn't one of those things. Acting lessons and a decent script however can be, so why the fuck these weren't polished is a bit of a piss take. I guess you could say the script is at least entertaining, but that's not a reason to celebrate.
However the rest of 'Cutthroat Island' is not entertaining; far from it in fact. If there was ever an adrenaline filled pirate adventure it can't be found in anything this film does. I suppose the score and the action sequences are worthy of some praise, and even at times feel like they were worth the huge costs, but that's overshadowed by the huge problem that none of the cast could ever be considered pirates. How the fuck Geena Davis was meant to pass as a pirate captain is absurd. I almost feel like the production company wanted this mess to be a bomb to put them out of their misery. So much hatred must have been generated through the constant re-shoots that most of the dialogue is probably just them playing a prank on the cast that they now must have an irrational hatred for. The deserved losses were so bad that 'Carolco Pictures', who at one time had masterminded films such as 'Terminator II', actually filed for bankruptcy six weeks before the film was even released. Wow, that's quite embarrassing.
#4 Green Lantern (2011) (2/10)
This is the result of giving a lump of cash to people who have no idea how to make a film of at least some quality. I'm not quite sure which part of the huge budget was wasted most, but my vote would go to hiring Ryan Reynolds to play 'The Green Lantern', as he's a guy that should never be allowed into a role that requires any sort of screen presence and likable charisma. Reynolds is a woeful actor, and ends up creating a film about super twats rather than superheroes. I'll admit he's not the only thing about the film I detest, as the script and supporting cast are both equally terrible, but a plain superhero in a rubbish plot is the biggest sin for a film that had so much money to spare.
The plot in particular is something that should be so much better with the financial resources available. At this level there isn't any excuse for an almost nonsensical and dumbed down plot that would only please the idiots in the audience. It's lazy work from a lazy director that produced lazy results; and that was the final nail in the coffin for critics and viewers alike. Moviegoers shouldn't be forced into paying top money for a half assed job, and so they didn't in the end. Eventually the film did turnover a profit on the original budget, but when the marketing costs are taken into account the film only made back 220 million dollars of the 300 million that was spent on it. Not the biggest flop on this list, but one of the more deserving.
#3 The Adventures of Pluto Nash (2002) (1/10)
Oh god, I can't even write a paragraph about this atrocity without cringing. It's a film I have such bad memories about, and that's because I couldn't help but grimace throughout the whole thing. This 'comedy' is never even amusing, with the budget being spent on lavish sets and Eddie Murphy, only so he can try and carry a horrific script that will actually make you feel sorry for everyone involved in making this horror show. I would like to compare this disaster to the varied world of sci-fi films, but that's not fair on a genre that doesn't usually rely on bawdy and piss poor jokes just to get by. Honestly, this film gets tiring after about five minutes, which isn't encouraging from a production that cost 100 million dollars. The production company were so ashamed they didn't even release the film until two years after filming finished. If they knew how bad the thing was why the hell did they even bother releasing it? Surely they must be aware that turds cannot be polished; and this film is a massive turd. The only joke in the whole film that's actually funny is that this made back only seven million dollars. Not even a tenth of what the costs were. Pathetic, and rightfully so.
#2 Town and Country (2001) (1/10)
How the fuck does a romantic comedy lose so much money? Just like 'The Adventures of Pluto Nash' this film cost 90 million dollars to make and made back only ten. 90 million dollars by the way is a similar budget to that of 'Lord of the Rings', and the difference will blow your fucking mind. Compared to films of similar budgets this ensemble comedy was unbelievably shit, only costing so much because of the ridiculous number of re-shoots the director insisted on. The film took so long to complete that it was finished two years after principal photography even began. The difference made by these re-shoots must have been minimal as I honestly can't imagine an end product much worse than this, with dull jokes and characters that aren't particularly funny or amusing in any way. For some reason it took an all star cast to produce a film that isn't exciting or engaging for any human being, and so it comes as no surprise that nobody bought a ticket for this crap.
Not even legendary stars such as Diane Keaton could draw people into the cinema. Keaton's once bright career has been ruined once again by dreary rubbish like this, which even she couldn't save thanks to a woeful plot that introduced the viewer to hateful characters at every available opportunity. Surely the production must have had some idea that their end product was a pile of shit, and even they must have realised there was a lack of chemistry between anyone involved, leading to clunky acting and a message that doesn't have any direction or purpose. Nothing this film does ever hits the target, and as such I can't think of one thing it does well. I guess the fact that the original shooting wasn't released is a plus point. How bad must that have been for the 'improved' re-shoot to be shown to audiences instead?
#1 Mars Needs Moms (2011) (0/10)
If you saw my list of the worst Disney films of all time then you might well have seen this one coming. 'Mars Need Moms' is such an unlikable film that I genuinely question why Disney thought kids would enjoy a creepy tale based on absolutely nothing of any interest to anyone. There were many fantasies I wanted to see in the cinema when I was a kid, but learning manners and realising how important my mother was in an alternative universe filled with talking scrotums was not what I, or any sane child, had in mind. Not only would this have fucked up my life, but it would have also bored me to tears considering how dull the end product is. Never in my life have I ever felt more patronised than watching this pile of steaming shit, and I do believe that children in the audience would feel the same way, assuming they haven't already fallen asleep. I nearly fell asleep, and I'm technically an adult.
I can understand why nobody wanted to see this film. A Disney film without charm or excitement is just worthless. There was no imagination or passion involved in making any of this film, so much so that I believe I stated last time it was trying to achieve the task of making Middlesborough look like Las Vegas. That's quite difficult when you have characters as interesting as my actual mother, and the costly effects are just fucking weird. In short this is not an acceptable feature film for anyone alive in the year 2011, and for the cost of 150 million dollars that's beyond a joke. 'Mars Need Moms' only made back 39 million dollars at the box office, and hopefully after hearing that result the bloke responsible was taken away and executed. What idiot thought that learning the value of mothers would be a box office draw? Was it the same guy that got a hard nob watching those crappy infomercials? Still the damage had been done to not just Disney but a whole generation of impressionable children, proving why something like this should never be touched again. EVER.
#10 John Carter (2012) (4/10)
So one day Disney decided they were going to make a high value sci-fi adventure that would be based on a retro franchise. That's great, however it's name is 'John Carter'. How is that supposed to signal to people that this is an epic adventure into an alternate reality? John Carter is the bloke you meet every week down the pub, not a blockbuster journey into the vast realms of space. That feeling of this film not being anything special at any stage is a recurring theme throughout this whole 350 million dollar production, and not surprisingly this film aimed at kids becomes boring very quickly. Aside from the visuals I have absolutely no idea where any of the budget went. The money certainly didn't go towards the generic characters, the inconsistent plot or the woeful script. For some reason 'Disney' thought an amateurish performance on such a high budget film was acceptable if they made the thing look nice, which it does, but if you start paying stupid amounts for things that are merely trivial then the likelihood is always a box office bomb.
I still can't comprehend how 'Disney' thought this film would be marketable to children. As an adult I struggled to follow the lack of direction in the plot, so how children were supposed to absorb this mess is beyond me. I feel like the production team tried to achieve everything they could out of the visual effects rather than trying to achieve the best piece of art they could, and for a blockbuster as expensive as this one to be as shallow as it is annoys me greatly. The final results were a gross sales of 284 million dollars, as opposed to the 600 million that experts predicted the film would need to make for it to even break even. With a disappointing film that had no big name stars or a positive public image to bring in the crowds the results were never going to be 600 million dollar amazing, and it was thanks to the positive reception in countries such as Russia that this film even got over the nine figure mark. A prime example of why good films on paper can so easily be retracted from the public eye for such simple mistakes that now mean this film will rot in the graveyard of forgotten films for eternity.
#9 Speed Racer (2008) (4/10)
Don't get me wrong, I love 'Speed Racer' as a franchise. For me it gets the right balance of quirky and awesome antics, which unfortunately for the series didn't translate itself into a good film. Instead of fun antics we got a trippy insight into a five year old's wet dream, which is great if you're five years old, but not so much if you're middle aged and likely paying for those tickets. It turns out a lengthy narcotic trip for people who obviously don't value their sanity isn't a big seller at the box office, which isn't great news for a production that needlessly relies on high impact special effects to dazzle the viewer into submission. This tactic not only had the effect of keeping mainstream audiences away from the cinema, but also hiked the production costs up as well; not exactly sound business practice is it.
I'd like to say that 'Speed Racer' had something other than those special effects, but it just didn't. There was no substance under this brightly coloured racer, leaving audiences with a basic storyline and a lack of characters they could ever consider caring about. I know it's primarily a racing franchise at heart, but that doesn't excuse a film where the only element is just pure and simple racing with the occasional lecture on how capitalism ruins everything. It's rather ironic that this film takes an anti-capitalist stance, as it's that very principle that ended up ruining this big budget production. Out of the 120 million dollars it cost to make 'Speed Racer', it made back just 93. That's both a big disappointment and a shame from a film that should have been really enjoyable.
#8 Stealth (2005) (4/10)
'Stealth' was a film that tried to merge the high flying action of the highly rated 'Top Gun' with the sci-fi sleekness of films such as 'The Terminator'. Usually that kind of ethos goes down a hit with crowds, but unfortunately this film wasted a load of money on nice visuals and nothing else. 'Stealth' has no substance, nothing to make it stand out to cinema goers. Just look at that image; it looks like they're heading for a sleepover, not about to blow some shit up. For 135 million dollars we get some awesome planes, which almost look 135 million just by themselves, although that did little to persuade moviegoers to part with their cash. In the end 'Stealth' made back just 75 million dollars, which statistically makes it one of the biggest flops in cinema history.
It's easy to see why the film failed so badly. Both me and the critics hated the stupid and predictable plot, although I found there was more charm to be felt underneath what is an expensive excuse to blow things up in cool looking planes. The results aren't exactly on par with 'Top Gun', and I will admit that it feels like a commercial whore rather than anything desirable or fanciful, but as a high flying adventure this is an acceptable film for the majority of people. The love of explosions and frail script are however not acceptable, and as a result 'Stealth' will be remembered by precisely zero people in years to come, when in reality we could be discussing a classic.
#7 Final Fantasy: The Spirits Within (2001) (3/10)
The most expensive film ever that's originally based on a video game. 'Final Fantasy' also happens to be one of the poorer attempts at making video games work on the big screen, and there have been many similarly terrible tries over the last few decades. The thing is that this time a film based on a video game had a huge budget, like somebody actually wanted to make a respectable piece of art, and I appreciate the effort, just not the result. The reason why 'Final Fantasy' cost so much is instantly obvious. This was the first film to ever use photorealistic computer animations, and although the results look dreadful to audiences today, back in 2001 this would have blown minds of the few people that actually bothered to watch it, which wasn't many. The only publicity this film did get was when protagonist Aki made it onto 'Maxim's Hot 100' for 2001. Says a lot about the quality of the film when the best publicity it gets is from men getting erections over a virtual girl.
The reason why a film like this had never been attempted before is because of the effort required to pull it off, and yet alone make that effort successful. Each frame of this film had to be individually rendered, and so not surprisingly this mammoth task took over four years to complete, with some days only a single second of footage being produced. Not surprisingly that raised the costs; 135 million dollars to be exact, of which 85 million were made back. This is another example of how looking nice is one thing, but actually creating a film that mainstream audiences will love is another. Unfortunately for 'Final Fantasy' mainstream audiences were alienated by characters that felt like the very computer models the film was designed in, coupled with a conservative story that isn't acceptable in such a high budget film. It's a shame that a film that took this long to create ended up being such a disaster, that unfortunately meant producers 'Square Pictures' had to shut down shortly after the release. What an expensive mistake to make.
#6 The Lone Ranger (2013) (3/10)
When will Hollywood learn that people don't like to watch films that ruin beloved franchises? 'The Lone Ranger' is another example, although why it's named after a character who isn't even the protagonist is a little misleading. No in fact the beloved 'Lone Ranger' character is actually given a supporting role to Tonto, who is played by Johnny Depp, and so one would assume that his presence would at least draw in some sort of revenue. Nobody else has the star studded record in this high budget western, and so it's a massive shame that Depp ballsed up the role of Tonto, diverting the sense of adventure only onto himself. Okay, Depp can't really be blamed for the jumbled mess of a plot, that can't help but try to painfully explain every bloody plot point even if it isn't relevant to the main storyline.
The results are a film with a mixed tone that feels like it lasts for hours; and that's not just because of the lengthy runtime. Inconsistency is placed to the fore, and soon you realise the film is more to do with massaging Johnny Depp's ego than creating a meritable piece of art that celebrates the rich history of 'The Lone Ranger' franchise and the American West. The film is an insult to the genre really; an adventure that makes John Wayne turn in his grave. I honestly don't know who the target market was supposed to be, but it probably wasn't anything human. Not having a preset target market to sell the film to is suicidal business practice when the damn thing cost 375 million dollars to make, which might be in part due to the film requiring a whole new fucking railroad to be built for no other purpose than one scene. Yeah that seems reasonable for one fucking scene; it's no surprise that at one stage the whole film was called off due to the huge amount of financial resources being thrown at it. The reward for this determination was 260 million dollars made back at the box office. Turns out 'Disney' didn't learn their lesson from 'John Carter'.
#5 Cutthroat Island (1995) (3/10)
According to the 'Guinness World Records', but surprisingly not 'Wikipedia', this is the biggest box office bomb of all time. One of the reasons is because the film was total dog shit, and only succeeded in not making the world of female pirates seem remotely interesting. The second, and bigger reason, was because of the huge production costs that arose because of constant recasting and rewrites that took the total up to 98 million dollars. Embarrassingly the film made back ten million of those dollars, which on paper is absolutely pathetic. It didn't help that director Renny Harlin insisted that two huge galleons had to be made from scratch, and these had to be transported 5000 miles across the globe to the two shooting locations of Malta and Thailand. They do say that money can pay for a lot of things, but common sense isn't one of those things. Acting lessons and a decent script however can be, so why the fuck these weren't polished is a bit of a piss take. I guess you could say the script is at least entertaining, but that's not a reason to celebrate.
However the rest of 'Cutthroat Island' is not entertaining; far from it in fact. If there was ever an adrenaline filled pirate adventure it can't be found in anything this film does. I suppose the score and the action sequences are worthy of some praise, and even at times feel like they were worth the huge costs, but that's overshadowed by the huge problem that none of the cast could ever be considered pirates. How the fuck Geena Davis was meant to pass as a pirate captain is absurd. I almost feel like the production company wanted this mess to be a bomb to put them out of their misery. So much hatred must have been generated through the constant re-shoots that most of the dialogue is probably just them playing a prank on the cast that they now must have an irrational hatred for. The deserved losses were so bad that 'Carolco Pictures', who at one time had masterminded films such as 'Terminator II', actually filed for bankruptcy six weeks before the film was even released. Wow, that's quite embarrassing.
#4 Green Lantern (2011) (2/10)
This is the result of giving a lump of cash to people who have no idea how to make a film of at least some quality. I'm not quite sure which part of the huge budget was wasted most, but my vote would go to hiring Ryan Reynolds to play 'The Green Lantern', as he's a guy that should never be allowed into a role that requires any sort of screen presence and likable charisma. Reynolds is a woeful actor, and ends up creating a film about super twats rather than superheroes. I'll admit he's not the only thing about the film I detest, as the script and supporting cast are both equally terrible, but a plain superhero in a rubbish plot is the biggest sin for a film that had so much money to spare.
The plot in particular is something that should be so much better with the financial resources available. At this level there isn't any excuse for an almost nonsensical and dumbed down plot that would only please the idiots in the audience. It's lazy work from a lazy director that produced lazy results; and that was the final nail in the coffin for critics and viewers alike. Moviegoers shouldn't be forced into paying top money for a half assed job, and so they didn't in the end. Eventually the film did turnover a profit on the original budget, but when the marketing costs are taken into account the film only made back 220 million dollars of the 300 million that was spent on it. Not the biggest flop on this list, but one of the more deserving.
#3 The Adventures of Pluto Nash (2002) (1/10)
Oh god, I can't even write a paragraph about this atrocity without cringing. It's a film I have such bad memories about, and that's because I couldn't help but grimace throughout the whole thing. This 'comedy' is never even amusing, with the budget being spent on lavish sets and Eddie Murphy, only so he can try and carry a horrific script that will actually make you feel sorry for everyone involved in making this horror show. I would like to compare this disaster to the varied world of sci-fi films, but that's not fair on a genre that doesn't usually rely on bawdy and piss poor jokes just to get by. Honestly, this film gets tiring after about five minutes, which isn't encouraging from a production that cost 100 million dollars. The production company were so ashamed they didn't even release the film until two years after filming finished. If they knew how bad the thing was why the hell did they even bother releasing it? Surely they must be aware that turds cannot be polished; and this film is a massive turd. The only joke in the whole film that's actually funny is that this made back only seven million dollars. Not even a tenth of what the costs were. Pathetic, and rightfully so.
#2 Town and Country (2001) (1/10)
How the fuck does a romantic comedy lose so much money? Just like 'The Adventures of Pluto Nash' this film cost 90 million dollars to make and made back only ten. 90 million dollars by the way is a similar budget to that of 'Lord of the Rings', and the difference will blow your fucking mind. Compared to films of similar budgets this ensemble comedy was unbelievably shit, only costing so much because of the ridiculous number of re-shoots the director insisted on. The film took so long to complete that it was finished two years after principal photography even began. The difference made by these re-shoots must have been minimal as I honestly can't imagine an end product much worse than this, with dull jokes and characters that aren't particularly funny or amusing in any way. For some reason it took an all star cast to produce a film that isn't exciting or engaging for any human being, and so it comes as no surprise that nobody bought a ticket for this crap.
Not even legendary stars such as Diane Keaton could draw people into the cinema. Keaton's once bright career has been ruined once again by dreary rubbish like this, which even she couldn't save thanks to a woeful plot that introduced the viewer to hateful characters at every available opportunity. Surely the production must have had some idea that their end product was a pile of shit, and even they must have realised there was a lack of chemistry between anyone involved, leading to clunky acting and a message that doesn't have any direction or purpose. Nothing this film does ever hits the target, and as such I can't think of one thing it does well. I guess the fact that the original shooting wasn't released is a plus point. How bad must that have been for the 'improved' re-shoot to be shown to audiences instead?
#1 Mars Needs Moms (2011) (0/10)
If you saw my list of the worst Disney films of all time then you might well have seen this one coming. 'Mars Need Moms' is such an unlikable film that I genuinely question why Disney thought kids would enjoy a creepy tale based on absolutely nothing of any interest to anyone. There were many fantasies I wanted to see in the cinema when I was a kid, but learning manners and realising how important my mother was in an alternative universe filled with talking scrotums was not what I, or any sane child, had in mind. Not only would this have fucked up my life, but it would have also bored me to tears considering how dull the end product is. Never in my life have I ever felt more patronised than watching this pile of steaming shit, and I do believe that children in the audience would feel the same way, assuming they haven't already fallen asleep. I nearly fell asleep, and I'm technically an adult.
I can understand why nobody wanted to see this film. A Disney film without charm or excitement is just worthless. There was no imagination or passion involved in making any of this film, so much so that I believe I stated last time it was trying to achieve the task of making Middlesborough look like Las Vegas. That's quite difficult when you have characters as interesting as my actual mother, and the costly effects are just fucking weird. In short this is not an acceptable feature film for anyone alive in the year 2011, and for the cost of 150 million dollars that's beyond a joke. 'Mars Need Moms' only made back 39 million dollars at the box office, and hopefully after hearing that result the bloke responsible was taken away and executed. What idiot thought that learning the value of mothers would be a box office draw? Was it the same guy that got a hard nob watching those crappy infomercials? Still the damage had been done to not just Disney but a whole generation of impressionable children, proving why something like this should never be touched again. EVER.
Wednesday, 14 October 2015
Morons of the Internet: Rense.com
This is the segment where I scour my favorite forums around the internet
and find some particularly interesting articles about current affairs
told in the words of my favorite human beings.
In this edition we have the inclusion of a popular chain mail 'lesson' set up to educate the people of America why they should keep their sacred guns. I say educate, really it's slanted bullshit, but unfortunately this is genuinely the logic used by gun fanatics in America.
__________________________________________________________________________________
http://rense.com/general81/ligun.htm
__________________________________________________________________________________
1. What the fuck has starvation got to do with gun control? It's already clear that the message of this history lesson is 'people died in a country where gun laws were in place so obviously those two events are always connected'. Since when can a lack of food be solved by giving people guns? Not unless you want the murder rate to shoot up anyway. Secondly the Soviets tried to ban firearms in 1920 because of a revolution, which is quite a big wake up call in reality, but what you fail to mention is that in rural areas guns were still plentiful due to peasants needing hunting rifles to survive; ergo your point about banning guns is incorrect. Furthermore the Soviets did distribute weapons to Russians in Nazi controlled areas, and that had precisely zero effect on these dissidents being murdered. It's interesting to note that some of these dissidents were officers in the army. If men that have special training in firearms couldn't survive the slaughter then how could a random civilian with no experience?
2. It's physically impossible for Turkey to have established gun controls in 1911 considering that it didn't even exist. In 1911 modern day Turkey was part of the Ottoman Empire, which is a simple historical fact, and one that not knowing shows a clear lack of knowledge in these so called 'history lessons'. A little research would have been nice, especially when that research would have been imperative to your whole argument's legitimacy. Secondly the Armenians who were rounded up on death marches were predominantly women and children. Yeah I'm sure giving them guns would certainly have worked against a highly trained army, and not at all just exacerbated the situation.
3. 'Hundreds of thousands'. Oh what a fantastic amount of research you've done; it's almost like that vague statistic isn't even remotely close to being true. I also like that the statistics used so far are from countries at a time of global warfare. I don't believe America is currently in a global war, so you still haven't proved why America should be allowed to have ownership of personal firearms in a modern age. Even so I'm quite confident that the Jewish persecution would still have happened even if the Jews had firearms considering how they were treated at the time. It's just this absurd logic that Hitler oppressed his population solely because they had no right to own firearms, where as any respected historian will tell you that Hitler persecuted many people for a variety of reason.
Spotted a pattern yet? All three of these examples are not only irrelevant to the modern age, but also based on vague periods of history. Not only are these points totally hypothetical, but also irrelevant considering that the difference between an armed population and one that isn't cannot be applied to these examples, yet alone a modern America. But don't worry, in case you were in any doubt the website comes up with more ancient examples to prove their point.
4. Isn't it strange that there's such a large gap between when gun restrictions were brought into China and when their supposed impact was. It's almost like the two events are completely unconnected. Actually this example is quite ironic considering that Chairman Mao, who was in power at the time of these atrocities, actually began his campaign by arming rural peasants. So actually all this history lesson does when put into context is prove that allowing the general public to carry firearms leads to negative effects. When you look at it that way this example actually becomes the most logical piece of evidence in the entire article.
5. Guatemala still has one of the world's highest homicide rates to this day at 82%, but that's due to the poor restrictions of firearms thanks to illegal arms trading. All you've done here is highlighted another country that suffered, and still is, thanks to the poor restrictions of firearms.
6. Guess what, 5,000 of those murdered by Idi Amin in Uganda were trained soldiers. Seems they couldn't prevent the massacre, so how could the general public, many of whom were in poverty? If 2-3 million people really did die then that would make living in 1979 Uganda, which had a population of 12.18 million, more dangerous than fighting at the battle of the Somme. Somehow I find that hard to believe.
7. Actually the Cambodian genocides were primarily caused by Pol Pot claiming he was moving people out of the cities for their own wellbeing. I'm not sure how guns would have helped the population there. Also worth mentioning that the gun laws were in place for a number of years before the Khmer Rouge took power, so how these two events can be related is inconclusive, as are all your other examples.
No examples from the 21st century? Okay well I've got one for you. How about the 15,000 Americans that die every year because of relaxed gun laws? Explain that one with your historical case studies. I think it's pretty damn disrespectful to start shitting on the graves of millions of innocent civilians claiming that 'it would have been fine for you if you were allowed to own a firearm'. Yeah, I'm sure that's going to help the families of those affected sleep at night, including the families of those involved in the high school massacres over the recent years. So thanks for the lack of any causative evidence, it's a shame you decided to continue with the bullshit.
Oh what a surprise, the official statistics provided by the Australian government state that this is all bollocks (http://www.aic.gov.au/statistics/homicide.html). Look at that nice steady decrease in homicides over the last few years. Gun crime has gone down from 24% to 11% since the law was introduced, as have the assaults, as have the armed robberies. Admittedly the statistics do show that gun crime increased for a few years following the ban, but using these statistics to try and prove that gun laws don't work without looking at them from a longitudinal perspective is a poor use of statistics to say the least. However I do suspect that the reason you didn't use more up to date figures is because it proves the inverse.
Hmm, I wonder if you have the same view on the citizens of Vietnam. I do accept that you might feel like a subject without a boomstick to protect yourself with, but with them it's statistically proven that there will be less of your fellow 'citizens'. America has one of the highest gun crime rates in the developed world; I just wished you'd bother considering that before writing this slander.
Wow, it turns out we're now onto rewriting history. I do believe the reason Japan didn't invade the US in 1941 was because that would have been effectively suicidal from a tactical perspective. The whole purpose of the attack on Pearl Harbor was to cripple the American navy by surprise, and that doesn't work if you send a whole invasion force. Why Japan attacked the Americans was to halt the American progress towards the Dutch East Indies, and so a full scale invasion was in no way due to America's lack of gun policy. I find your hypothesis rather hard to believe considering that you haven't even put the remark in quotation marks, and have provided zero sources to back it up. I also find it unlikely that a Harvard educated admiral would use the primitive language of internet chainmail, but I think we've learnt by now that none of your arguments stand up to even basic logic.
As a reader we cannot seriously consider this propaganda as a reliable article, and so instead we need to consider whether regulating an industry primarily designed to kill people is really a negative thing. The statistics show us that gun control has dramatic effects on the native population, so why are there still arguments like this that claim the more widespread distribution of killing instruments somehow decreases the homicide rate. The logic of that argument is just absurd, and all this for a false notion of so called 'freedom'. This from a country where the legal drinking age is 21, and the nation that came up with the NSA. The gun crime rate in America is not a statistical anomaly, it's only proof that gun supporters have had their heads shoved up their own asses for too long.
In this edition we have the inclusion of a popular chain mail 'lesson' set up to educate the people of America why they should keep their sacred guns. I say educate, really it's slanted bullshit, but unfortunately this is genuinely the logic used by gun fanatics in America.
__________________________________________________________________________________
http://rense.com/general81/ligun.htm
__________________________________________________________________________________
1. What the fuck has starvation got to do with gun control? It's already clear that the message of this history lesson is 'people died in a country where gun laws were in place so obviously those two events are always connected'. Since when can a lack of food be solved by giving people guns? Not unless you want the murder rate to shoot up anyway. Secondly the Soviets tried to ban firearms in 1920 because of a revolution, which is quite a big wake up call in reality, but what you fail to mention is that in rural areas guns were still plentiful due to peasants needing hunting rifles to survive; ergo your point about banning guns is incorrect. Furthermore the Soviets did distribute weapons to Russians in Nazi controlled areas, and that had precisely zero effect on these dissidents being murdered. It's interesting to note that some of these dissidents were officers in the army. If men that have special training in firearms couldn't survive the slaughter then how could a random civilian with no experience?
2. It's physically impossible for Turkey to have established gun controls in 1911 considering that it didn't even exist. In 1911 modern day Turkey was part of the Ottoman Empire, which is a simple historical fact, and one that not knowing shows a clear lack of knowledge in these so called 'history lessons'. A little research would have been nice, especially when that research would have been imperative to your whole argument's legitimacy. Secondly the Armenians who were rounded up on death marches were predominantly women and children. Yeah I'm sure giving them guns would certainly have worked against a highly trained army, and not at all just exacerbated the situation.
3. 'Hundreds of thousands'. Oh what a fantastic amount of research you've done; it's almost like that vague statistic isn't even remotely close to being true. I also like that the statistics used so far are from countries at a time of global warfare. I don't believe America is currently in a global war, so you still haven't proved why America should be allowed to have ownership of personal firearms in a modern age. Even so I'm quite confident that the Jewish persecution would still have happened even if the Jews had firearms considering how they were treated at the time. It's just this absurd logic that Hitler oppressed his population solely because they had no right to own firearms, where as any respected historian will tell you that Hitler persecuted many people for a variety of reason.
Spotted a pattern yet? All three of these examples are not only irrelevant to the modern age, but also based on vague periods of history. Not only are these points totally hypothetical, but also irrelevant considering that the difference between an armed population and one that isn't cannot be applied to these examples, yet alone a modern America. But don't worry, in case you were in any doubt the website comes up with more ancient examples to prove their point.
4. Isn't it strange that there's such a large gap between when gun restrictions were brought into China and when their supposed impact was. It's almost like the two events are completely unconnected. Actually this example is quite ironic considering that Chairman Mao, who was in power at the time of these atrocities, actually began his campaign by arming rural peasants. So actually all this history lesson does when put into context is prove that allowing the general public to carry firearms leads to negative effects. When you look at it that way this example actually becomes the most logical piece of evidence in the entire article.
5. Guatemala still has one of the world's highest homicide rates to this day at 82%, but that's due to the poor restrictions of firearms thanks to illegal arms trading. All you've done here is highlighted another country that suffered, and still is, thanks to the poor restrictions of firearms.
6. Guess what, 5,000 of those murdered by Idi Amin in Uganda were trained soldiers. Seems they couldn't prevent the massacre, so how could the general public, many of whom were in poverty? If 2-3 million people really did die then that would make living in 1979 Uganda, which had a population of 12.18 million, more dangerous than fighting at the battle of the Somme. Somehow I find that hard to believe.
7. Actually the Cambodian genocides were primarily caused by Pol Pot claiming he was moving people out of the cities for their own wellbeing. I'm not sure how guns would have helped the population there. Also worth mentioning that the gun laws were in place for a number of years before the Khmer Rouge took power, so how these two events can be related is inconclusive, as are all your other examples.
No examples from the 21st century? Okay well I've got one for you. How about the 15,000 Americans that die every year because of relaxed gun laws? Explain that one with your historical case studies. I think it's pretty damn disrespectful to start shitting on the graves of millions of innocent civilians claiming that 'it would have been fine for you if you were allowed to own a firearm'. Yeah, I'm sure that's going to help the families of those affected sleep at night, including the families of those involved in the high school massacres over the recent years. So thanks for the lack of any causative evidence, it's a shame you decided to continue with the bullshit.
Oh what a surprise, the official statistics provided by the Australian government state that this is all bollocks (http://www.aic.gov.au/statistics/homicide.html). Look at that nice steady decrease in homicides over the last few years. Gun crime has gone down from 24% to 11% since the law was introduced, as have the assaults, as have the armed robberies. Admittedly the statistics do show that gun crime increased for a few years following the ban, but using these statistics to try and prove that gun laws don't work without looking at them from a longitudinal perspective is a poor use of statistics to say the least. However I do suspect that the reason you didn't use more up to date figures is because it proves the inverse.
Hmm, I wonder if you have the same view on the citizens of Vietnam. I do accept that you might feel like a subject without a boomstick to protect yourself with, but with them it's statistically proven that there will be less of your fellow 'citizens'. America has one of the highest gun crime rates in the developed world; I just wished you'd bother considering that before writing this slander.
Wow, it turns out we're now onto rewriting history. I do believe the reason Japan didn't invade the US in 1941 was because that would have been effectively suicidal from a tactical perspective. The whole purpose of the attack on Pearl Harbor was to cripple the American navy by surprise, and that doesn't work if you send a whole invasion force. Why Japan attacked the Americans was to halt the American progress towards the Dutch East Indies, and so a full scale invasion was in no way due to America's lack of gun policy. I find your hypothesis rather hard to believe considering that you haven't even put the remark in quotation marks, and have provided zero sources to back it up. I also find it unlikely that a Harvard educated admiral would use the primitive language of internet chainmail, but I think we've learnt by now that none of your arguments stand up to even basic logic.
As a reader we cannot seriously consider this propaganda as a reliable article, and so instead we need to consider whether regulating an industry primarily designed to kill people is really a negative thing. The statistics show us that gun control has dramatic effects on the native population, so why are there still arguments like this that claim the more widespread distribution of killing instruments somehow decreases the homicide rate. The logic of that argument is just absurd, and all this for a false notion of so called 'freedom'. This from a country where the legal drinking age is 21, and the nation that came up with the NSA. The gun crime rate in America is not a statistical anomaly, it's only proof that gun supporters have had their heads shoved up their own asses for too long.
Saturday, 10 October 2015
Top 10 Zombie Movies
I've never really understood the appeal of zombie films. All I can see is a few undead human beings wandering around and looking vaguely scary. The results rarely produce film that are any good, but as it's nearing Halloween I thought I would countdown those zombie films that have been good to watch. These are the ten best zombie films of all time.
#10 Braindead (1992) (5/10)
Also known as 'Dead Alive', this is one of Peter Jackson's earlier flicks. The results aren't exactly polished, but for a film shot in only eleven weeks 'Dead Alive' is a decent low budget film for those who like a lot of gore to go with their dark humour. The film is set in a world where a man's mother comes back to life after catching the plague from rats that rape tree monkeys, which is a bit fucked up, but then so is everything in a film that's certainly not afraid to take things to the extreme. Thanks to this love of horrific violence Jackson's film not surprisingly bombed at the box office, but still holds high ratings with fans of the genre thanks to ridiculously gruesome scenes like the one above. I suppose at the end of the day an excess of gore is more important than a good film if you're a director or fan in the horror genre. The script is alright and the acting is hard to fault, but that's overshadowed by a terrible and nonsensical plot that hinges on elements that I would describe as basic to say the least. However if you do find watching people being eaten alive is your sort of thing then this could be your new favorite film.
#9 Re-Animator (1985) (5/10)
Another cult classic that thanks to its love for gore is well liked by the fans of undead people. I suppose that's to be expected when the premise of the film is centered on a medical student reanimating dead tissue from severed heads, which doesn't really make sense from a biological perspective, but if you thought this was a logical film then you are sorely mistaken. Reanimating dead stuff is a gruesome process, and just like the work of Victor Frankenstein, this one is a doomed affair that actually starts to become a little predictable by the end. Thankfully this film is less gory than the efforts of Peter Jackson, although not very much, but in place of this is some much needed dark humour that manages to carry the film, despite still being utterly repulsive on occasion. However the acting of Jeremy Combs is not atypical of the zombie genre and is actually quite good to watch. It's a nice shield from the all that gore that the film loves to showcase, and yet despite this performance we get a film that's not for the faint of heart. But then nothing ever is in this genre.
#8 Return of the Living Dead (1985) (6/10)
Yet another black comedy, because apparently Hollywood thinks that undead human beings are something to laugh at. In this one we have dead people being reanimated for some weird reason that's never explained, but then nothing ever is in this genre; it's like the directors purposely choose storylines that are purposely illogical. That's the case in this film, and actually that leaves us with a lazy storyline with an anticlimactic ending that is only saved by the surprisingly good use of humour. I suppose it's what I've come to expect from the zombie genre, and like almost every film on this list 'Return of the Living Dead' is one full of gore and mediocrity. This film almost tries to do everything, and as a result doesn't really do anything well; almost like the director ending up being infected by the zombie's mediocrity. Still, this film has had a lasting impact on the genre thanks to the small feature of zombies wanting to eat brains. That little revelation has made this an iconic film of the genre, which in some ways makes this dud of a film into quite a forward thinking piece of averageness.
#7 World War Z (2013) (6/10)
By this point in time art that involved zombies was big business thanks to shows such as 'The Walking Dead'. This was the first zombie film on the big screen to have a huge budget, and like its television counterpart, aimed to bring undead hordes to the masses. Did this work? Well sort of; the film was certainly a commercial success, but whether it will be an important film historically is another matter entirely. The film certainly has the lasting effect to make an impact on the film industry, but under no circumstances should this ever be viewed as a masterpiece. The premise of the film certainly isn't a small scale affair, more a worldwide pandemic that for the first time puts the whole of humanity at risk in a much more realistic way than the shambles that was 'I Am Legend'. However don't think that this film doesn't have its troubles. You can easily tell that the script had to be rewritten multiple times, and that results in a jumbled plot with a storyline that has been mashed up to spoonfeed to the viewer. It's obviously a film for the lowest common denominator, and that almost makes this an abortion in the zombie genre.
For once a zombie film doesn't end up relying on an excess of gore and violence to carry the mediocrity, instead relying on a non stop pace that doesn't quite have enough momentum to turn this into a respectable film. I know it never claimed to be a masterpiece, but there are many rough edges poking out with no obvious attempt to rectify them. Brad Pitt's performance for example is not special in any way, and neither is the woeful score that just serves to underline the many problems that this film suffers from. However despite these huge flaws I still believe this is a fine example of how a zombie film should work, and I like that instead of pools of cartoonish blood we have a horde of CGI monsters that scare the shit out of you on occasion. This film is one big adrenaline burst that might not be very intelligent, but makes up for this with a powerful premise that thankfully overshadows a very generic film.
#6 Dead Snow (2009) (6/10)
If you can learn one thing from Call of Duty it's that when undead zombie are combined with Nazi soldiers then the results will always be good. This cheerful film about undead Krauts comes from the film capital of the world, Norway, who have nicely dubbed a really bad English version for the mainstream market. Like all zombie films this one isn't pleasant to watch, and obviously because it's a zombie film there's a lot of blood with a bit of comedy thrown in for good measure. However because this comedy was written by Norwegians it's actually quite cleverly done, but you never really notice that over the disturbing visuals that greet you in every scene.
My favorite thing about this film is that it never tries to take itself seriously despite having quite a serious topic. It's almost like the director knew that the plot had let the strong premise down and so never bothered to explain anything to the viewer. That is disappointing, and the level of detail is certainly pathetic, but for a simple film with anything but an original concept this is a good laugh that mocks the genre at every available opportunity. As a satire this works relatively well, and the decent action sequences compliment this fact nicely. Watching Nazi zombies being mown down by a chainsaw has never looked so much fun, and for an average film with instantly forgettable characters this really does have the potential to be a cult classic in the future.
#5 Zombieland (2009) (6/10)
A comedy, that like most zombie films is more disturbing than funny. This one however actually has an interesting plot that allows the humour to naturally flow out of it, and as a result normal people might actually want to watch it. There's still enough blood and gore around for the serious horror fanatics, but for once all that is taken a backseat to a storyline that's actually been cleverly written. The well designed script is the star of the show in this one, garnering a lot of praise from critics, as well as the usual commentators desperately trying to find any loose connection to society. The fact is however is that this film is just a simple little road trip across a zombie filled country with the occasional celebrity popping along to make an appearance for no reason. Who cares that 'Zombieland' still has the usual flaws in horror comedies? Because at the end of the day this charming film blends horror and comedy together nicely to produce a zombie film you might want to watch.
#4 28 Weeks Later (2007) (7/10)
The original '28 Days Later' was also a very good film, but for once I actually think a horror sequel is better than the original. Even more surprising is that this film actually has a very good, if illogical plot that contains some of the most realistic and frightening zombies cinema has ever seen. Oh, and of course there's the usual blood and gore for horror fans that really makes this standout from the relatively tame predecessor that isn't anywhere near as exhilarating as this one. This adrenaline filled plot is due to the great pacing of the storyline and excellent directing that give you the impression that this would be how a zombie apocalypse would arise in real life, which is why this film is so fucking scary. This fear accompanied with the bleakness of everything makes this British creation a standout attraction of the genre that for the record contains absolutely zero humour to accompany a lot of scares.
#3 Dawn of the Dead (1978) (7/10)
Apparently 'Dawn of the Dead' is one of horror's classics, and as such I thought I would honor that legacy by actually using an image of the 2004 remake because it looks nicer. That decision may make this film seem like any other horror film, but for 1978 the original was way ahead of its time; attempting to scare people shitless and gross them out at a time when that would be considered something unspeakable. There's certainly a lot of gore, and director George Romero is no stranger to shy away from a lot of brutality and savagery at the expense of many people with weak stomachs. Even many horror fans will end up wincing during many scenes, and this obsession over gore takes over from the characters and storyline, which out of curiosity are actually well worked. In essence it's a traditional Romero horror film made for a modern audience.
The film contains all the hallmarks of a good director. Instead of having apocalyptic and over the top events happening for no reason, Romero sets his film in a single shopping mall. This simple decision means Romero can create a much tenser and claustrophobic atmosphere than in any large budget blockbuster, and these simple yet effective decisions add up to make this film an all time classic. It's a film that not only provides big scares, but a deep insight into Romero's view on modern contemporary society. It might not be the most polished film of all time, but weak acting and a script that needs some work are overshadowed by a solid horror formula being complemented by a veteran director. The 2004 remake was also moderately successful, proving that this age old formula still stands the test of time, inspiring many films filled with gore that unfortunately never have the strong plot that this one did to succeed.
#2 Shaun of the Dead (2004) (8/10)
More proof that when comedy and zombies come together the results can in some cases be quite good. This is the ultimate horror comedy, merging zombies, comedy, drama and pubs in a well written flick that was always destined to be a classic British film. As it's written by the English this film is a great satirical look at the horror genre for a very small budget. It never tries to take itself seriously, and despite some mature themes scattered around, the results are more hilarious than scary. I would definitely describe this film as one for the masses, never becoming silly but then never overdoing it with gore to alienate the general public. This is a hard mix to pull off, but Simon Pegg and company get the mixture just right, and the results are a great, entertaining laugh.
The thing I like most about this 'zombie' film is that the actual zombie apocalypse seems to take a backseat to the social lives in the storyline. That shouldn't work on paper, but here it just does. The result is a film that contains both serious thrills and seriously good characters which is a rarity indeed for a horror comedy. For once there is another purpose to a zombie film that is something other than watching people avoid being eaten alive, and actors Simon Pegg and Nick Frost are at their usual best to carry this seriously funny film into great places. Everything this film does perfectly compliments each thing, and its no surprise that this small film became a global triumph, with even the master George Romero allegedly offering the duo a role in one of his upcoming films. You know you've made a pretty impressive zombie film when George Romero tries to hire you for his.
#1 Night of the Living Dead (1968) (9/10)
Number one couldn't really go to anything else. George Romero's classic is just miles ahead of its time, and even managed to define the whole genre in the process. With a budget of just 114,000 dollars George Romero singlehandedly managed to create a simple film that generated over 18 million in profit thanks to one good idea. It's just such an impressive accomplishment that just one poorly budgeted film managed to turn out into such a classic, and then in turn changing cinema forever in the process. All Romero needed was a simple premise to pull this off, and thankfully for him people were scared shitless at the time by slowly moving zombies trying to eat people alive in an isolated barn. To this day the plot still chills people to the bone, and that's all thanks to some unbelievably good directing and some fine acting despite having almost nothing to work with.
The worst part however is that despite all the scares this film was released at a time before age restrictions were introduced to films, and so children were actually allowed to watch one of the most grizzly films in history at the cinema. Imagine being a child and seeing something as frightening as the picture above; that would scar me for life. As a result of this fact the reception to the film at the time of release wasn't exactly promising, but now it's a film in the public domain that everyone enjoys watching to some extent. Thanks to the production company never bothering with copyright laws you can watch this classic for absolutely nothing and it's completely legal. I would recommend preparing yourself before watching; even by today's standards this film is grim.
#10 Braindead (1992) (5/10)
Also known as 'Dead Alive', this is one of Peter Jackson's earlier flicks. The results aren't exactly polished, but for a film shot in only eleven weeks 'Dead Alive' is a decent low budget film for those who like a lot of gore to go with their dark humour. The film is set in a world where a man's mother comes back to life after catching the plague from rats that rape tree monkeys, which is a bit fucked up, but then so is everything in a film that's certainly not afraid to take things to the extreme. Thanks to this love of horrific violence Jackson's film not surprisingly bombed at the box office, but still holds high ratings with fans of the genre thanks to ridiculously gruesome scenes like the one above. I suppose at the end of the day an excess of gore is more important than a good film if you're a director or fan in the horror genre. The script is alright and the acting is hard to fault, but that's overshadowed by a terrible and nonsensical plot that hinges on elements that I would describe as basic to say the least. However if you do find watching people being eaten alive is your sort of thing then this could be your new favorite film.
#9 Re-Animator (1985) (5/10)
Another cult classic that thanks to its love for gore is well liked by the fans of undead people. I suppose that's to be expected when the premise of the film is centered on a medical student reanimating dead tissue from severed heads, which doesn't really make sense from a biological perspective, but if you thought this was a logical film then you are sorely mistaken. Reanimating dead stuff is a gruesome process, and just like the work of Victor Frankenstein, this one is a doomed affair that actually starts to become a little predictable by the end. Thankfully this film is less gory than the efforts of Peter Jackson, although not very much, but in place of this is some much needed dark humour that manages to carry the film, despite still being utterly repulsive on occasion. However the acting of Jeremy Combs is not atypical of the zombie genre and is actually quite good to watch. It's a nice shield from the all that gore that the film loves to showcase, and yet despite this performance we get a film that's not for the faint of heart. But then nothing ever is in this genre.
#8 Return of the Living Dead (1985) (6/10)
Yet another black comedy, because apparently Hollywood thinks that undead human beings are something to laugh at. In this one we have dead people being reanimated for some weird reason that's never explained, but then nothing ever is in this genre; it's like the directors purposely choose storylines that are purposely illogical. That's the case in this film, and actually that leaves us with a lazy storyline with an anticlimactic ending that is only saved by the surprisingly good use of humour. I suppose it's what I've come to expect from the zombie genre, and like almost every film on this list 'Return of the Living Dead' is one full of gore and mediocrity. This film almost tries to do everything, and as a result doesn't really do anything well; almost like the director ending up being infected by the zombie's mediocrity. Still, this film has had a lasting impact on the genre thanks to the small feature of zombies wanting to eat brains. That little revelation has made this an iconic film of the genre, which in some ways makes this dud of a film into quite a forward thinking piece of averageness.
#7 World War Z (2013) (6/10)
By this point in time art that involved zombies was big business thanks to shows such as 'The Walking Dead'. This was the first zombie film on the big screen to have a huge budget, and like its television counterpart, aimed to bring undead hordes to the masses. Did this work? Well sort of; the film was certainly a commercial success, but whether it will be an important film historically is another matter entirely. The film certainly has the lasting effect to make an impact on the film industry, but under no circumstances should this ever be viewed as a masterpiece. The premise of the film certainly isn't a small scale affair, more a worldwide pandemic that for the first time puts the whole of humanity at risk in a much more realistic way than the shambles that was 'I Am Legend'. However don't think that this film doesn't have its troubles. You can easily tell that the script had to be rewritten multiple times, and that results in a jumbled plot with a storyline that has been mashed up to spoonfeed to the viewer. It's obviously a film for the lowest common denominator, and that almost makes this an abortion in the zombie genre.
For once a zombie film doesn't end up relying on an excess of gore and violence to carry the mediocrity, instead relying on a non stop pace that doesn't quite have enough momentum to turn this into a respectable film. I know it never claimed to be a masterpiece, but there are many rough edges poking out with no obvious attempt to rectify them. Brad Pitt's performance for example is not special in any way, and neither is the woeful score that just serves to underline the many problems that this film suffers from. However despite these huge flaws I still believe this is a fine example of how a zombie film should work, and I like that instead of pools of cartoonish blood we have a horde of CGI monsters that scare the shit out of you on occasion. This film is one big adrenaline burst that might not be very intelligent, but makes up for this with a powerful premise that thankfully overshadows a very generic film.
#6 Dead Snow (2009) (6/10)
If you can learn one thing from Call of Duty it's that when undead zombie are combined with Nazi soldiers then the results will always be good. This cheerful film about undead Krauts comes from the film capital of the world, Norway, who have nicely dubbed a really bad English version for the mainstream market. Like all zombie films this one isn't pleasant to watch, and obviously because it's a zombie film there's a lot of blood with a bit of comedy thrown in for good measure. However because this comedy was written by Norwegians it's actually quite cleverly done, but you never really notice that over the disturbing visuals that greet you in every scene.
My favorite thing about this film is that it never tries to take itself seriously despite having quite a serious topic. It's almost like the director knew that the plot had let the strong premise down and so never bothered to explain anything to the viewer. That is disappointing, and the level of detail is certainly pathetic, but for a simple film with anything but an original concept this is a good laugh that mocks the genre at every available opportunity. As a satire this works relatively well, and the decent action sequences compliment this fact nicely. Watching Nazi zombies being mown down by a chainsaw has never looked so much fun, and for an average film with instantly forgettable characters this really does have the potential to be a cult classic in the future.
#5 Zombieland (2009) (6/10)
A comedy, that like most zombie films is more disturbing than funny. This one however actually has an interesting plot that allows the humour to naturally flow out of it, and as a result normal people might actually want to watch it. There's still enough blood and gore around for the serious horror fanatics, but for once all that is taken a backseat to a storyline that's actually been cleverly written. The well designed script is the star of the show in this one, garnering a lot of praise from critics, as well as the usual commentators desperately trying to find any loose connection to society. The fact is however is that this film is just a simple little road trip across a zombie filled country with the occasional celebrity popping along to make an appearance for no reason. Who cares that 'Zombieland' still has the usual flaws in horror comedies? Because at the end of the day this charming film blends horror and comedy together nicely to produce a zombie film you might want to watch.
#4 28 Weeks Later (2007) (7/10)
The original '28 Days Later' was also a very good film, but for once I actually think a horror sequel is better than the original. Even more surprising is that this film actually has a very good, if illogical plot that contains some of the most realistic and frightening zombies cinema has ever seen. Oh, and of course there's the usual blood and gore for horror fans that really makes this standout from the relatively tame predecessor that isn't anywhere near as exhilarating as this one. This adrenaline filled plot is due to the great pacing of the storyline and excellent directing that give you the impression that this would be how a zombie apocalypse would arise in real life, which is why this film is so fucking scary. This fear accompanied with the bleakness of everything makes this British creation a standout attraction of the genre that for the record contains absolutely zero humour to accompany a lot of scares.
#3 Dawn of the Dead (1978) (7/10)
Apparently 'Dawn of the Dead' is one of horror's classics, and as such I thought I would honor that legacy by actually using an image of the 2004 remake because it looks nicer. That decision may make this film seem like any other horror film, but for 1978 the original was way ahead of its time; attempting to scare people shitless and gross them out at a time when that would be considered something unspeakable. There's certainly a lot of gore, and director George Romero is no stranger to shy away from a lot of brutality and savagery at the expense of many people with weak stomachs. Even many horror fans will end up wincing during many scenes, and this obsession over gore takes over from the characters and storyline, which out of curiosity are actually well worked. In essence it's a traditional Romero horror film made for a modern audience.
The film contains all the hallmarks of a good director. Instead of having apocalyptic and over the top events happening for no reason, Romero sets his film in a single shopping mall. This simple decision means Romero can create a much tenser and claustrophobic atmosphere than in any large budget blockbuster, and these simple yet effective decisions add up to make this film an all time classic. It's a film that not only provides big scares, but a deep insight into Romero's view on modern contemporary society. It might not be the most polished film of all time, but weak acting and a script that needs some work are overshadowed by a solid horror formula being complemented by a veteran director. The 2004 remake was also moderately successful, proving that this age old formula still stands the test of time, inspiring many films filled with gore that unfortunately never have the strong plot that this one did to succeed.
#2 Shaun of the Dead (2004) (8/10)
More proof that when comedy and zombies come together the results can in some cases be quite good. This is the ultimate horror comedy, merging zombies, comedy, drama and pubs in a well written flick that was always destined to be a classic British film. As it's written by the English this film is a great satirical look at the horror genre for a very small budget. It never tries to take itself seriously, and despite some mature themes scattered around, the results are more hilarious than scary. I would definitely describe this film as one for the masses, never becoming silly but then never overdoing it with gore to alienate the general public. This is a hard mix to pull off, but Simon Pegg and company get the mixture just right, and the results are a great, entertaining laugh.
The thing I like most about this 'zombie' film is that the actual zombie apocalypse seems to take a backseat to the social lives in the storyline. That shouldn't work on paper, but here it just does. The result is a film that contains both serious thrills and seriously good characters which is a rarity indeed for a horror comedy. For once there is another purpose to a zombie film that is something other than watching people avoid being eaten alive, and actors Simon Pegg and Nick Frost are at their usual best to carry this seriously funny film into great places. Everything this film does perfectly compliments each thing, and its no surprise that this small film became a global triumph, with even the master George Romero allegedly offering the duo a role in one of his upcoming films. You know you've made a pretty impressive zombie film when George Romero tries to hire you for his.
#1 Night of the Living Dead (1968) (9/10)
Number one couldn't really go to anything else. George Romero's classic is just miles ahead of its time, and even managed to define the whole genre in the process. With a budget of just 114,000 dollars George Romero singlehandedly managed to create a simple film that generated over 18 million in profit thanks to one good idea. It's just such an impressive accomplishment that just one poorly budgeted film managed to turn out into such a classic, and then in turn changing cinema forever in the process. All Romero needed was a simple premise to pull this off, and thankfully for him people were scared shitless at the time by slowly moving zombies trying to eat people alive in an isolated barn. To this day the plot still chills people to the bone, and that's all thanks to some unbelievably good directing and some fine acting despite having almost nothing to work with.
The worst part however is that despite all the scares this film was released at a time before age restrictions were introduced to films, and so children were actually allowed to watch one of the most grizzly films in history at the cinema. Imagine being a child and seeing something as frightening as the picture above; that would scar me for life. As a result of this fact the reception to the film at the time of release wasn't exactly promising, but now it's a film in the public domain that everyone enjoys watching to some extent. Thanks to the production company never bothering with copyright laws you can watch this classic for absolutely nothing and it's completely legal. I would recommend preparing yourself before watching; even by today's standards this film is grim.
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