Disco royalty. A stuttering bass line that's influenced more records than I can count is the foundation for a surprisingly complex feel-good hit. A real toe-tapping anthem that essentially created the whole rap genre.
#899: Gary Glitter - Rock and Roll
You've probably heard this one blaring around sports stadiums around the world, and therefore may be surprised to discover it was released by a nonce. Painfully simplistic, but a solid song nonetheless that has a beat still stolen by many artists today.
#898: Elvis Presley - Return to Sender
With 'Return to Sender' you have to wonder whether Elvis was a musician or a film star. Another simple song that hooks you in with a catchy chorus and some signature Elvis charisma. You need a lot of charisma when making a hit about the US postal service. #897: LL Cool J - Mama Said Knock You Out
I have to say that I've never enjoyed being threatened with physical assault to this extent. Unlike the rappers of today you actually get the sense that LL Cool J could take your head off. What may sound like a run of the mill hip hop single was actually released all the way back in 1991, still sounding just as gnarly today.
#896: The Commodores - Three Times a Lady
A smooth and somewhat cheesy ballad from the man who would go on to make a career out of them. This is perhaps the most beautiful of them all, although really this song should be famous for the stunning selection of Afros on the cover.
#895: Chuck Berry - No Particular Place to Go
Coming rather late in Berry's career was this toe-tapping hit. It's not some of his more revolutionary work and is actually a song about a cockblocking seatbelt, but it's certainly one of Chuck's catchiest and best-loved songs.
#894: The Rolling Stones - Tumbling Dice
The cherry on top of Exile on Main Street. It's actually a surprisingly uplifting song when you consider the blues-rock elements, and I honestly prefer the backing vocals to Mick Jagger's iconic voice. No wonder this has become an anthem for many a rock fan.
#893: Marvin Gaye - Sexual Healing
A smooth and sensual seduction from one hell of a singer. After a listen I too want Marvin Gaye's to give me some sexual healing. This song was Marvin's swansong and the ideal way to bow out of a storied career.
#892: Sam Cooke - You Send Me
Another singer with an effortlessly smooth voice. Sam Cooke broke into the mainstream with this song that's as smooth as his voice. You Send Me has become one of the most popular soul singles of all time, also being seen as a landmark release for the genre.
#891: Elvis Presley - Surrender
An amazing vocal performance from Presley elevates this Neapolitan ballad to legendary status. His voice alone made sure this single is one of the best selling of all time, which is an impressive feat for a song less than two minutes in length.
#890: Pulp - Do You Remember the First Time?
One of Pulp's earliest tracks that was also one of their best. The song graphically describes frontman Jarvis Cocker's sexual frustrations accompanied with some catchy riffs and hooks. If that doesn't float your boat then you can at least enjoy Cocker aggressively informing his rival that he doesn't care if the man screws his lover. Charming.
#889: Gene Vincent- Be-Bop-A-Lula
Rockabilly royalty. It doesn't matter if you're a singer who can't look at the audience when you have a tune as catchy as this. It's not fast paced, it's not loud and in your face, and Gene Vincent certainly isn't Elvis, but this hit still stands today as a landmark release for rock and roll.
#888: Little Eva - The Loco-Motion
I hate dance records, but play this at a party and I'll be the one leading the dancing on the floor. The song has charted in three different decades by three different artists, highlighting the timeless charm of this hit. The saxophone is the star of the show, not fading into obscurity like Little Eva would.
#887: Bee Gees - You Should Be Dancing
Funky basslines and funky beats are always enough to convince me I should very well be dancing. It was the first time the Bee Gees forayed into the world of disco and unsurprisingly they wouldn't turn back. Just a taste of Bee Gee's shrieking was enough to change the dance game forever.
#886: Erasure - A Little Respect
One of the best singalong bangers of all time. A simple synthpop hit that has since become one of my go-to karaoke anthems. Vocalist Andy Bell gives it everything with the hook in that famous falsetto voice, as do everyone else in the pub after a few beers.
#885: Earth, Wind & Fire - Boogie Wonderland
How can a song pack this much energy for so long? Boogie Wonderland still sounds as groovy today as it ever did. The lyrics actually tell quite a depressing tale, although I'm not sure anyone cares when dancing along to this disco staple. #884: 10cc - I'm Not in Love
A depressingly ambient song with some outstanding production value that would be envied today. 10cc were better known for mediocre pop rock, so where the hell this came from I will never know. If the brutal verses don't suck you in then the hauntingly beautiful backing vocals surely will. #883: The Contours - Do You Love Me
Do You Love Me has just about everything a soul music fan would want from an upbeat song, except for a question mark at the end of the title. It lures you in with both charm and energy, even pulling off a false ending at one point. A great single from the pioneers of Motown.
#882: The Isley Brothers - That Lady
Holy shit the guitar in this sounds awesome. The Isley Brothers practically reinvented themselves with this funk rock track, departing from their pop filled career. Their funk phase was by their best period, punctuated by standout singles such as this one.
#881: The Bellamy Brothers - Let Your Love Flow
A feel-good country song, which is a pleasant surprise. It's a rather generic track with humble lyrics that may refer to a many number of things. That's not to say the song is bland, and despite not being complex will put a smile on your face with ease.
#880: AC/DC - Thunderstruck
Featuring some of the most complex guitar work you're ever likely to see Thunderstruck is one hell of a hard rock song. The riffs are rough and hardcore and the lyrics are just begging to be shouted out at full volume. This is about as hard as rock ever gets.
#879: U2 - One
Back when U2 knew how to produce a record. One is a forceful record that successfully combines subdued riffs with Bono's powerful vocals. It's a pleasant Bono lecture for once that only occasionally gets on your nerves.
#878: Weezer - Buddy Holly
A nostalgic track with a very modern flavour. Relying on references to yesteryear and styling out of the 50s Buddy Holly is a fitting tribute to the man himself and an absolute classic in the hard rock genre.
#877: The Beatles - Ticket to Ride
One of The Beatles best-loved records is a playful tune that signalled the departure from the signature Merseybeat sound that made the band famous. The hard guitar riffs and passionate vocals are what would go on to define The Beatles, and it all started with this simple song.
#876: Gorillaz - Feel Good Inc.
A unique hit that seems impossible to place in any genre, possibly creating its own. You would think this mish-mash would affect the flow, but amazingly it doesn't. The bassline in particular is incredible, tying all these convoluted elements together. An incredible composition that stands out of
the crowd by a mile.
#875: The Beatles - You're Going to Lose That Girl
An ode to cockblocking. Tucked away in the brilliant album Help is this gem. More of a throwback to classic Beatles tracks than the new revolutionary sound found on the album, but still a proud part of the discography that can stand on its own two feet.
#874: The Four Seasons - Big Girls Don't Cry
A catchy little tune tailored made for that shrieking falsetto. Structurally it's very similar to Sherry, but the harmonies in this one work so much better for me. The Four Seasons work so well as a quartet, illustrated by this solid single.
#873: Supertramp - Breakfast in America
A plodding pop track that will easily get stuck in your head, especially that damn chorus. Ironically a song romanticising America actually flopped there, but aside from commercial success this is in my opinion the best Supertramp has to offer.
#872: Alphaville - Forever Young
Whilst the song itself feels quite dated instead of being forever young and the lead singer looks like an anaemic chipmunk there is no denying that for a power ballad this has one big poignant message. The chorus is brilliantly performed and you cannot help but get emotionally involved in this German synthpop anthem.
#871: Frank Sinatra & Nancy Sinatra - Somethin' Stupid
Frank and Nancy compliment each other almost perfectly. Blood is thicker than water, and apparently that branches to musical harmony as well. The unique chemistry benefits the song no end, and as a result this iconic father and daughter duo shot straight to number one across the pond.
#870: Baddiel & Skinner & Lightning Seeds - Three Lions
A novelty track about football performed by two comedians who evidently cannot sing should be shit. Not only is Three Lions not shit, but it's a catchy and well-written track that's become a football anthem in Britain. The chant 'it's coming home' is now frequently heard around the pubs of Britain whenever the English football team bother to show up at major tournaments.
#869: Abba - Mamma Mia
Is this song cheesy? Certainly. Does that mean Mamma Mia isn't a good song? Not a chance. If you scrape away the layers of cheese you do find a well-constructed pop song. The film of the same name may have slaughtered it in the most brutal fashion possible, but the original hit is everything that made 70s pop so enjoyable.
#868: Judas Priest - Painkiller
The song that came out of absolutely nowhere and repackaged Judas Priest from classic rockers into heavy metal gods. Frontman Rob Halford goes fucking crazy, sounding like a man with his balls trapped in a vice. The guitar and drums are equally chaotic. Painkiller is heavy metal at its most ferocious.
#867: The Black Keys - Lonely Boy
Lonely Boy is a great advert for the fuzz guitar. The guitar work in this popular rock song is exemplary, providing the foundation for what is in essence a very simple song everywhere else. The blues-rock influence is plain to see, giving the listener a sweet shot of nostalgia to American rock bands of yesteryear.
#866: The Hues Corporation - Rock the Boat
A disco classic. I don't even have to be drunk to get up and let loose to this banger. Released relatively early in the life of the disco genre this hit is not flamboyant or in your face, just relying on a great chorus to get you up and dancing.
#865: The Beatles - Dear Prudence
Possibly the most sensitive track The Beatles ever released. John Lennon caresses the lyrics with his powerful and iconic voice. The track creates such a soothing atmosphere whilst still managing to sound beautifully profound at the same time. That's a rare combination that is nailed in this song.
#864: Barry White - You're the First, the Last, My Everything
The Walrus of Love lays down his most iconic vocal performance. Effortlessly smooth with a sharp disco style that you can easily groove to. The lyrics are also beautifully crafted, complementing White's now iconic sexual charm. He may have been grotesquely obese, but I'd sleep with him after being wooed with this song.
#863: Sparks - This Town Ain't Big Enough for Both of Us
I'm not sure how a man with a womanly voice and his brother who looks like Hitler and stares intently into the camera managed to concoct such a great glam rock track, but remember the 70s were a different era. Ridiculous and brilliant at the same time Sparks stamped their names into glam rock history with this unique classic.
#862: Frankie Valli - Grease
The theme tune for the 1978 musical of the same name that manages to be better than anything else in the film, despite not receiving the same success as other tracks in the movie. Frankie Valli may sound cheesy in this throwback, but thankfully has the talent to carry a classy disco track instead of the cringe-worthy drivel found in the film.
#861: Barrett Strong - Money (That's What I Want)
Probably more famous are the cover versions by The Beatles and later The Flying Lizards. The original is however the best version, relying on simplicity to carry a piano and tambourine heavy track. A relatable message for the music industry that would fittingly become one of its most influential tracks. #860: Amy Winehouse - Back to Black
Amy Winehouse is often cited as once having one of the most gifted voices in the music business, and with this release you can see why. A dark and depressing atmosphere descends upon this track with chiming bells and a haunting piano melody. Sad to see someone so talented end their career a messed up junkie.
#859: Michael Andrews - Mad World
How do you successfully cover an awful Tears For Fears song that summarised everything wrong with 80s pop? Easy, you take all the shit out, which leaves you with barely anything apart from a piano. The desolate nature of the song works however, and we end up with a depressing single that for some reason was the Christmas number one in the UK. No fucking clue why you would buy this to get in the Christmas spirit.
#858: Oasis - Cigarettes & Alcohol
A depressingly beautiful summation of modern British culture. The introductory riff is basically stolen from T. Rex's 'Get it On', but that almost adds to the blatant ladishness about the whole song. It's also a cracking riff. 'Cigarettes and Alcohol' is an anthem for not giving a fuck, and one that could very well define a whole British generation.
#857: UB40 - Red Red Wine
Yes, I am seriously suggesting that one of the best reggae songs ever released was by two white men from Birmingham covering a song written by the also white Neil Diamond. I don't know why, but it just works. Reggae purists might want to kill me, but if you try to have fun with this song you'll soon realise it's a catchy gem.
#856: Bee Gees - Jive Talkin'
A sneak preview into the Bee Gee's brand of disco that would dominate the late 70s. The keyboard sounds great, the vocals don't deafen you with irritating screeches, and it's an adventurous release for a band that was once famed for folk rock.
#855: Elvis Presley - It's Now or Never
Maybe the most impressive of Elvis Presley's vocal performances. It's the sort of song you would expect a Greek waiter to seduce your wife with, but thanks to Elvis has become a legendary single and one of the best selling of all time.
#854: Chuck Berry - Sweet Little Sixteen
Famously nicked by The Beach Boys, then The Beatles, then John Lennon again. Chuck Berry rarely gets enough recognition for this great riff. The real travesty is that this was Berry's second biggest hit because idiots decided to buy the song where he talked about playing with his cock. Outrageous.
#853: The Crickets - Not Fade Away
A Buddy Holly classic with a rather large helping hand from Bo Diddley's beat. The Rolling Stones may have had all the success with a cover version of the song, but this rock and roll tune will always be more suited to the voice of Buddy Holly. #852: The Spinners - Working My Way Back to You
The song was originally a rock track performed by The Four Seasons, but that sounds dreadful when compared to the soul inspired cover from The Spinners. The disco elements and the harmonies work wonders for this song and elevate what was a passable rock track into a disco classic.
#851: Huey Lewis and the News - The Power of Love
Made famous by the film 'Back to the Future'. It's a classic 80s pop-rock that never once feels silly or contrived despite playing a starring role in a quirky film. The vocals are your standard pop-rock affair and the hooks will easily leave you wanting more.
A touching power ballad from one of the original masters of soft rock. Almost vomit inducingly sweet this was the band's only number one hit in the US and signaled a return to the limelight after a seven-year absence. Obviously nobody told Boston this sort of stuff was hideously out of date even by that point. I Guess nostalgia is all part of the charm. #949: Steve Miller Band - Abracadabra
One that really grows on you the more you play it. This is a real earworm and shouldn't work as well as it does. Usually I would be angry that Steve Miller rhymed 'abracadabra' with 'grab ya', but somehow I just can't hate anything about this song.
#948: R. Kelly - Ignition (Remix)
I remember this annihilating the charts back in the day. What a party anthem this still is today. Everything from the beat to the lyrics is about having a fucking great time. I've never actually heard the original version, but I'm willing to bet decent money it's nowhere near as fun as the remix.
#947: Edison Lighthouse - Love Grows (Where My Rosemary Goes)
Anyone remember Edison Lighthouse? No, didn't think so, but in their brief lifetime they did come up with this banger. Edison Lighthouse were actually a group of session musicians, and so the success of this song came out of nowhere. What we have here is a feel-good tune that will make you miss innocent 70s rock.
#946: Free - All Right Now
A plodding showcase for one powerful riff. You may have to be well into your senior years to properly enjoy this one, but there's no denying this classic has left its mark on the world of classic rock.
#945: Johnny Tillotson - Poetry in Motion
A cheesy number one hit from a dough-eyed teenager of yesteryear. Almost impossible to dislike, this is a hit that reeks of 60s cheese. Tillotson may not have written the song but he gives one hell of a vocal performance. It's songs like these why people miss the music of the 1960s.
#944: Joe Espocito - You're the Best
Written by the same man who did the Rocky soundtrack this song has the motivational power to cure any form of depression no matter how serious. I'm a lazy shit, yet one listen to this and I'm inspired to do anything. Whether you're fighting in a karate tournament or just brawling in the bar this is the song to make you feel like a hero.
#943: Midnight Oil - Beds Are Burning
This is how Australians do protest songs. It's hardly punk, but it's a damn catchy tune. I hardly think the aim of this song is to get stuck in your head, rather make you think, but I prefer to belt out the chorus without giving a single fuck about how the Australian government treats native Aborigines.
#942: Ozzy Osbourne - Suicide Solution
A song so poignant it was actually blamed for real-life suicides. Suicide Solution is a perfect illustration of the beast Ozzy Osbourne became when he was on stage. Tucked away inside the brilliant Blizzard of Oz album this song is a must listen to any self-professed metal lovers.
#941: The Carpenters - We've Only Just Begun
The Carpenters were never ones to force vibrancy into their work, and here we have a perfect example of how minimalistic songs can just work a treat. Karen Carpenter's voice is beautiful in this one and you would be hard pressed to find a female voice that beats hers. The only thing that could beat her was a full plate of food.
#940: Herman's Hermits - I'm Into Something Good
A tame and charming pop song from the mid-60s that's become a British classic. Released at the height of the British Invasion this song did not take America by storm and is arguably more well known for its inclusion in The Naked Gun.
#939: Eurythmics - Here Comes the Rain Again
Annie Lennox makes this song with a great vocal performance. The song itself is a timepiece of the 80s, but Lennox's voice sounds fucking brilliant whatever year you listen in.
#938: Kanye West - Jesus Walks
Kanye West sure is an enigma. Here is possibly his most politically charged song, a huge middle finger at the establishment, which is such a breath of fresh air in the often stale rap genre. He may be a massive cretin, but when you hear pieces like this you can't deny the man has some serious talent.
#937: Cornershop - Brimful of Asha
A nostalgic 90s hit that everyone seems to know yet not many know the name of. It's always guaranteed the lift the mood at any event. The Fatboy Slim remix is the best known version, and if anything puts even more life into an already lively song.
#936: Paul Simon - Me and Julio Down by the Schoolyard
A charming little track that tells an adorable tale of some meaningless event at a school. I just love the simplicity of the fun guitar track with only Simon's voice over the top. It's a really unique pop track that just seems so forward thinking for the early 70s.
#935: Danny & The Juniors - At the Hop
Possibly the most iconic song of the 1950s. A piece of its time and a track that will conjure up images of a youthful America in the 50s. It's one of the all-time great rock and roll records that had American's dancing for years to come.
#934: Heart - Alone
This power ballad goes from zero to a hundred real fucking quick. The chorus is a lesson in how to elevate an 80s ballad to the next level with possibly the most overdone transition in music history. Today the dated visuals may look ridiculous, and they are, but it still brings a smile to my face after every listen.
#933: U2 - Beautiful Day
An energetic rock number for a band who often opt for blandness. They may look like an old people's home trying to rock and roll but Bono proves here he still has that certain something. Compare this to more recent U2 songs and you will see why this is probably their last good song.
#932: Cliff Richard & The Shadows - The Young Ones
The Young Ones was the standout moment from the mediocre British film of the same name. Not only does your dad think this is a great song but it also made Cliff Richard the heartthrob of an entire nation. Too bad he usually goes for young children. Allegedly.
#931: Eminem - The Real Slim Shady
This Eminem release is a strange mix of humorous references and serious lines. It may well resonate with people growing up in the early 21st century better, but for me this is one of the best critic rebuttals I've ever heard. A lot of people don't get that. We did in Britain, and it became the 14th best selling single of the year.
#930: The Pretenders - Brass in Pocket
A song that showcases the talent of vocalist Chrissie Hynde. It was the first big hit The Pretenders ever saw and they never quite topped this innuendo-filled classic.
#929: Muse - Knights of Cydonia
Muse's magnum opus. It's a really bizarre track with such a unique charm about it. The guitar work in particular is absolutely sensational, which is a good thing as ripping off Ennio Morricone isn't okay in my book.
#928: Sonny & Cher - I Got You Babe
A sweet and innocent romantic song before Cher jetted off to be some sort of plastic monster. These two are such an unlikely duo, but they have this special sort of chemistry even if they do look like something out of a low budget fantasy drama. This is pure and simple romance at its best.
#927: Spencer Davis Group - I'm a Man
A great advert for rowdy British classic rock. The composition is all over the place, fusing blues with a signature 60s rock beat. The song was later covered by Chicago, which was nowhere near as good, and completely failed to understand why the original was so good.
#926: The Seekers - The Carnival Is Over
About as innocently British as a song could ever be, which is funny as it's actually based on a Russian folk song. The Seekers bring a sense of refinement to 60s chart music with not only received pronunciation but the tune of a Victorian garden party. Funnily enough this classy track didn't catch on over in he colonies despite the fact the band themselves are Australian.
#925: The Beatles - It Won't Be Long
The opening track of 'With the Beatles' is probably their most repetitive track and also one of their most infectious. It has that signature early Beatles sound with overpowering vocal hooks left, right, and centre.
#924: Labelle - Lady Marmalade
Now a go-to track for sexing any situation up this 70s classic is actually a cracking soul track. The vocals are really good, and this charismatic performance has become iconic as a result. Either that or it's because of the sexually suggestive line in French.
#923: Ace of Base - All That She Wants
One of the most popular songs of the 90s. It's a rather typical Europop inspired beat with a reggae twist and a catchy hook to boot. Many will prefer their similar single 'The Sign', but for me this cheesy European hit is far better fun.
#922: Gerry & The Pacemakers - How Do You Do It?
Originally turned down by The Beatles this classic Merseybeat tune found fame and fortune with another outfit from Liverpool. The catchy hook was enough for the song to storm the charts with Gerry becoming a Liverpool legend in the process.
#921: Bryan Adams - Summer of '69
A song that really does make you miss your younger years. It's hardly the most sophisticated rock track of all time but it does have a certain something that makes you love it. It's probably because it never fails to put a huge grin on my face.
#920: The Crystals - Da Doo Ron Ron
A high energy 60s classic. It's got a great hook and some even better vocals. I don't have a clue what it's about, or if it even makes sense, but who honestly cares? It's such a pleasing song to hear, and that's all that matters.
#919: The Streets - Dry Your Eyes
A stereotypically British song that brings depressing realism to the forefront. There's almost something inspiring in this hard-hitting song. Maybe it's the brutal honesty in the lyrics, or maybe it's the sense of overpowering emptiness.
#918: Frankie Goes to Hollywood - Relax
A great example of controversy equaling cash. In Britain the song is more famous for Radio 1 refusing to play it, but as we Brits don't like being told what to do we all went out and bought it. Relax is actually a really catchy and sexually charged pop powerhouse that was destined for success whether there was a controversy or not.
#917: The Knack - My Sharona
One of the best selling rock records in history. Everyone must have surely heard this being played on numerous occasions. That beat alone has been wormed into the head of many a person, and to this day it still refuses to get out of mine.
#916: Manfred Mann - Do Wah Diddy Diddy
Another hit that will never leave your head. It's a silly song really, and about as basic as pop-rock can get, but still has that charm about it. There's no overproduction, just a simple beat and simpler lyrics that work so well together.
#915: Whitney Houston - I Wanna Dance with Somebody (Who Loves Me)
I will happily dance with anyone who plays this at a party. It's such good fun and so unmistakably 80s. The tune is always in your face, almost demanding you to dance. How could you turn down an offer to enjoy yourself over this classic?
#914: George Michael - Freedom! '90
This is not the Wham! song of the same name, but rather this later more restrained release. Restrained probably isn't the right word to use as George uses his iconic voice to essentially come out of the closet. What a funky way to come out as gay.
#913: The Hollies - Bus Stop
A sweet and innocent tale of a Northern lad falling in love with a girl at a bus stop. The beat is great, the vocals are excellent, and the melody pieces it all together. Simply pop rock at its best.
#912: Marillion - Kayleigh
Arguably one of the worst possible names to write a song about, but thankfully the Kayleigh in this song doesn't belong on a council estate. Kayleigh is respectful and meaningful, packing one hell of a punch during the chorus.
#911: Wham! - Wake Me Up Before You Go Go
Oppressively cheesy, yet so damn fun. The song is a catchy tune amplified with George Michael's totally heterosexual charisma. A 'Marmite' hit that you either love or hate, but one that will happily lodge itself inside your brain and refuse to move.
#910: The Yardbirds - For Your Love
Classic pop rock with a vague hint of psychedelia. One of the more popular tracks of the 1960s this is a track that will put a smile on the face of just about anybody. Well, everyone apart from Eric Clapton who left the group after disapproving of this release. P.S. I love the harpsichord.
#909: The Four Seasons - Sherry
A simple record screeched into the ears of millions by the iconic falsetto of The Four Seasons. Sherry happened to be their first major success and would keep them going until The Beatles made them sound like helium swallowing bellends.
#908: Marilyn Manson - The Beautiful People
'Unique' and 'shocking' are two words that instantly come to mind when reviewing this one. I have no idea if even Manson himself knows what the fuck is going on. He's certainly a frustrated gentleman, and that frustration actually translates into a damn good song, even if it is utterly terrifying.
#907: The Fugees - Ready or Not
A fusion flavoured R&B hit that shouldn't really work. Lauren Hill's vocals are gritty one moment and then smooth the next, and there's an intriguing dark atmosphere created by the melody.
#906: The Jam - The Eton Rifles
Nobody does class commentary like the British. Here we have a rather blatant attack on the aristocracy backed up with a great bass line and some aggressive vocals to hammer the point home.
#905: Kasabian - Club Foot
A riff that greeted players in just about every single PS2 game ever released. It's an aggressive song that will get you pumped up for just about anything. The distorted bass riff is undoubtedly the focal point, having no trouble repeatedly pummeling your ears as pleasantly as possible.
#904: REM - It's the End of the World as We Know It (And I Feel Fine)
You can't accuse REM of being boring with this fast-paced and lively track. A very relatable song in this day and age and one that treats death and suffering with an attitude of calm understanding and maturity. You could even call the infectious hook upbeat.
#903: Michael Jackson - Man in the Mirror
One of Jackson's most personal songs is a startling and introspective look at the modern world. Jackson's iconic voice and a minimalistic melody are the only ingredients needed to immortalise this vivid plea.
#902: The Talking Heads - Psycho Killer
By far the most popular release from the group was also their first. Upon release this was a hugely influential new wave hit with a now iconic plodding bass line.
#901: Blur - Girls & Boys
A peculiar Britpop number that's quite hard to describe. There's a lot going on here for such a plain song. The only thing you can really conclude is that the 90s was the only decade this could ever have been released. You get the sense the band are just mucking around, with this sarcastic single acting as one big middle finger.
More ridiculous than great, and also one of the best selling songs of the 1970s. A poignant example of how strange the charts looked back then.
#999: Abba - Knowing Me Knowing You
Not a high scorer on this list, but certainly a leading contender for the best 'aha' in music history. The rest is just textbook Abba.
#998: The Hollies - Long Cool Woman in a Black Dress
A 70's classic rock stalwart. It's a chilled out and melodic number that tragically never saw any real success in the UK charts.
#997: Beck - Loser
Here we have a rather unusual hit from the man known as Beck. It's become something of a cult hit in recent years, but sounds just as good and original as when it was first released.
#996: Michael Jackson - Don't Stop 'Til You Get Enough
Smooth and quintessentially a Jackson classic. Just a quick listen to this man's debut single and it's no surprise he became a pop megastar.
#995: Neil Diamond - Cracklin' Rosie
An anthem for the middle-aged man who believes the 1970s was the best decade for music. It's a traditionally slow number from Diamond, and probably the high point of his lengthy career.
#994: Iron Butterfly - In-A-Gadda-Da-Vida
A two-minute song stretched out into a brief seventeen-minute hard rock classic. I've no idea what the title refers to, but it's certainly catchy at the start and finish with just enough energy to make the instrumental parts interesting as well.
#993: MC5 - Kick Out The Jams
From the opening cry this is a seven-minute intense rock track. Kick Out The Jams is a prototype for punk rock, and this influential track would inspire many artists to ramp up their intensity to new highs.
#992: Suzi Quattro - Can the Can
Suzi Quattro's breakthrough hit is not just a toe-tapping classic but also proof that you didn't need a penis to become a rock and roll star
#991: Michael Jackson - The Way You Make Me Feel
A Jackson song that seems to get better with age. Michael's behaviour in the video does not however, and he ends up stalking some poor lady with the same intensity as if she were a child in his mansion.
#990: Aha - Take on Me
Let's face it, we've all belted out the chorus to this one after a drink too many. Who can blame you? The synth is as infectious as the chorus. Possibly the only thing more memorable than the song itself is the video, which has become etched into pop culture forever.
#989: Madonna - Papa Don't Preach
One of the most iconic songs from one of the most iconic artists. It's actually quite a serious piece, with themes of abortion and teenage pregnancy thrown around at will. The result was one of the biggest hits of 1986 with lots of controversies added in for good measure.
#988: 2Pac - Keep Ya Head Up
Dedicated to a fifteen-year-old girl shot in Los Angeles this song is a mature and inspiring look at life from a rapper usually revelling in vulgar hedonism.
#987: Santana - Oye Como Va
Originally written by jazz artist Tito Puente this chilled out tune came to life under the guidance of Santana. Despite its vibrant nature this song is best played to calm the mind and is accompanied best with some medicinal herbs.
#986: The Hives - Hate to Say I Told You So
A garage rock classic from the heart of Sweden. The Hives are an odd collection of misfits, but when their combined talents are put on display they can produce one hell of a catchy tune. The guitar work on this track is a particular highlight and a great example of just why this period of rock history is admired by many.
#985: The Beatles - Taxman
The track that kicked off the album Revolver is a rather literal attack on the British tax system. It's one of the more rustic songs on the often complex album, but certainly gets the protest message across very effectively.
#984: Chic - Le Freak
Another protest song that was originally titled 'fuck off' instead of 'freak out'. The anger this time is directed towards a club that refused Chic entry. The line 'freak out' has now become legendary in the world of dance music, but it's also the brilliant bass that makes this song for me.
#983: Public Image - Public Image
Simple rock at its best. There's nothing fancy here, just John Lydon's powerful vocals over the top of some hard rock. The song is actually an attack of Lydon's former band 'The Sex Pistols' and regarded by many as better artistry than The Pistols ever managed.
#982: Johnny Cash - A Boy Named Sue
A ridiculous story with a ridiculous title. How this ever became one of Cash's most iconic hits I will never know. It's actually a miserable account of a boy trying to kill his own father after a life of ridicule, and in traditional Cash style it's told in depressing brilliance.
#981: Electric Light Orchestra - Evil Woman
As catchy as that guitar riff that follows the chorus. This artistic rock song saw ELO find their first bit of success across the planet, displaying just what this multi-talented group could do with a simple song written in half an hour to fill up the next album.
#980: Dion and the Belmonts - Teenager in Love
As cute and sweet as Dion himself. I can just imagine teenagers in the 50s and 60s serenading their soon to be partners with this romantic number. Charming and innocent, and a product of its time.
#979: Tommy James & The Shondells - Mony Mony
A song you just have to clap along to. Even paraplegics would get up with ease to have a good time with this cheerful classic. It was later covered by Billy Idol, but the original is the one that really gets the feel-good nature of the track across the best.
#978: Abba - The Winner Takes It All
A touching pop ballad that proved Abba didn't always have to release rubbishy pop. Maybe it's an advert for the sole attractive woman in the group, but a more accurate theory is that it's a song written about the romantic turmoil inside the group.
#977: Men at Work - Down Under
A humorous look at Australian culture that taught me there was more to the colonies than convicts and snakes. It's become a patriotic anthem in Australia, which doesn't make them look like simpletons at all, but around the rest of the planet it's still seen as a lighthearted classic that could have only been released in 1980's Australia.
#976: Michael Sembello - Maniac
Camper than just about any other 1980's dance hit, and that's saying something. The song featured in the film Flashdance, which cemented its place not just in pop culture but in gay culture as well. It's actually a song based on a horror film of the same name, but somehow just works better when played in dancing montages. Strange.
#975: Slade - Cum On Feel the Noize
Slade are from Bolton which explains the appaling spelling. The song itself is a rock classic from the most unlikely of bands. They look like men that are banned from the nearest primary school, yet here they are rocking out to a legendary singalong anthem.
#974: Michael Jackson - Black or White
Obviously, it does matter if you're black or white when you start spending millions to change race. This song is one of Jackson's more visually appealing numbers with a huge budget short film accompanying the King of Pop's most heartfelt performance. A pop powerhouse if ever I've seen one.
#973: The White Stripes - Fell in Love with a Girl
Just two minutes is all this fast-paced track needs to get lodged in your brain. At a brief running time this will leave you wanting more, but in this period has built the reputation as one of the most influential rock songs in recent memory. Impressive stuff.
#972: Patsy Cline - I Fall to Pieces
This is what country music is all about. Simple, yet unashamedly raw. You can just sense the pain from Cline's weepy and depressing tone. A masterclass in how to squeeze every bit of emotion out of a song.
#971: Mudhoney - Touch Me I'm Sick
Before Nirvana broke into the mainstream Mudhoney were holding the torch for grunge. Their signature song was a forceful mix of grunge and punk, going on to set the standards for a rock genre that would dominate the charts for the next few years.
#970: Hall & Oates - Maneater
One cannot discuss cheesy 80's classics without a mention of Hall and Oates. The high point of their cheese filled career was this absolute banger which I will happily sing at the top of my lungs every time I get the chance
. #969: Billy Idol - White Wedding
One of Billy Idol's better-known hits. The brashness of the song can be seen spilling over into the music video, which has arguably become more famous than the song itself, although why the hell the crowd go for a Nazi salute is something I've still yet to work out.
#968: Sweet - Block Buster!
Does it get any more 70's than this? The perms. The studio. The costumes. The guitarist wearing an SS uniform. All critical elements of classic British rock. Great riff as well.
#967: Al Green - Tired of Being Alone
You sing this like Al Green and I guarantee you won't be alone for much longer. This soulful hit is a pleasure to listen to and unsurprisingly holds a reputation today as one of the all-time greats.
#966: Steely Dan - Reelin' in the Years
You wouldn't expect a band named after a fictional dildo to produce sophisticated rock records, but 1973 was a weird time for music in general. Expert guitar playing, expert vocals, and an interesting jazz fusion make this an instant classic in my books. The guitar solo in particular is fucking great.
#965: ZZ Top - Sharp Dressed Man
Girls may be crazy for sharp dressed men, but I'm not sure they're so keen on knee length beards. This song is a testosterone filled romp focusing on girls and cars. If this is your sort of thing then your penis must be tiny. I love it.
#964: Kansas - Carry On Wayward Son
Prog rock royalty that catapulted some no-name band from rural America towards stardom. Popular when first released in the 70s this song has since become a fixture of many great song lists.
#963: Lana Del Rey - Born to Die
Another hit that propelled an artist to stardom. Born to Die was one of the first chances we got to sample Lana's melancholic approach, yet rarely has she ever topped this impressive endeavour.
#962: Owl City - Fireflies
It may have since become an internet meme, but this is one of the best pop songs to be released this century. The lyrics are strange, but who honestly cares when the actual melody is that charming? There's something so sweet and innocent about a man being hugged by fireflies.
#961: Chicago - If You Leave Me Now
The very definition of an easy listening classic. Surely this has to be the soundtrack of any cheesy 70's heartbreak. The high pitched chorus has become legendary over the years, with its new found success becoming a key feature of Chicago hits from then on.
#960: Franz Ferdinand - Take Me Out
No, Franz Ferdinand shouting 'take me out' is not Gavrilo Princip's wet dream but actually one of the finest British rock songs of the last few decades. The change in rhythm and that thudding beat still sound just as good today, and the song has to be considered an indie rock anthem.
#959: Cutting Crew - (I Just) Died in Your Arms
Another cheesy love song from yesteryear. This particular one happens to be cheesier than most. Cutting Crew ended up being one-hit wonders, but they will always be remembered for this iconic power ballad.
#958: The Rasmus - In The Shadows
A personal favourite from my childhood all the way from sunny Finland. A track that any self-professed emo would happily have in their collection, and one that will always have a special place inside mine.
#957: The Box Tops - The Letter
A long forgotten classic that happened to be very influential in its heyday. Two minutes of gruff vocals over a simple melody is all you need to craft a hit, and when those elements come together the results are great.
#956: Elvis Presley - The Wonder of You
A timeless piece. It's actually a cover version of a 1958 Vince Edwards song, yet only one gets any form of recognition. It's easy to see why Elvis has the most popular version when you listen to the incredible vocals. #955: Outkast - Hey Ya!
I can remember this being a huge hit upon release here in the UK, and deservedly so. I don't think I've ever met anyone who dislikes it. Full of energy, this is a unique pop hit that moved away from conventional norms, making stars out of this experimental duo.
#954: Bob Dylan - Tangled Up in Blue
A classic Dylan track with storytelling you could only find from a lyrical genius. The song effortlessly reverts from first to third person creating this hugely complex narrative in the space of five short minutes. The only thing I hate about this record is Bob's inability to rub in sun cream.
#953: Paul Simon - 50 Ways To Leave Your Lover
This deep and personal track takes a minimalistic approach to artistry. It's got the classic Paul Simon vocals accompanied by not much else, which works just great. We never actually find out every one of the fifty ways, but Paul Simon only needed one to divorce his wife prior to the release of this song.
#952: Foreigner - Cold As Ice
Found on Foreigner's debut album this classic rock track never really saw the success it deserved. It's a solid track with some decent guitar work and vocals, yet is a frequent absentee from any great song list.
#951: Billy Joel - The Longest Time
One of the best Billy Joel serenades. Don't be fooled by the production, this is Billy Joel singing every single part himself, harmonising beautifully. Aside from a quiet bassline that's all there is to it, and all this song ever needs.
At the end of this month to celebrate the five year anniversary of this blog I will be counting down the greatest songs of all time, starting tomorrow. No, This is not a definitive list, this is largely my opinion. Having said that the next week and a bit will be filled with musical perfection in a numerical order, so do give it a listen. I'm not saying this is the ultimate ranking of pop songs, just that it should be. Merry Christmas and all that. Just enjoy one thousand brilliant songs at my expense.
I think it's time for me to retire The Wessex Scene from my 'Morons of the Internet' segment. They've been included so many times that I would have thought they have the message by now. That doesn't mean I'm not going to stop highlighting their idiocy, especially when they release an article written by a history student that attempts to lecture me, a zoology graduate, on conservation biology. I'm surprised that an investigative article exposing a darker side to the world is only about two sentences long, but surely this can't be an early sign this writer has no idea what they're on about. Oh wait, it's the Wessex Scene we're refering to here. Enjoy this pile of manure:
_____________________________________________________________________ https://www.wessexscene.co.uk/international/2018/06/19/the-darker-side-of-conservation-mistreatment-of-indigenous-people/
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We can instantly tell this article is written by a historian instead of someone versed in the discipline of conservation. Telltale signs include a focus on the moralistic problems of conservation biology that need addressing, and not the loss of the world's natural biodiversity at an unprecedented rate. The bigger give away is that it appears to be written by a five year old. I can't spell this out to you any clearer but the plight of indigenous people is in no way equal to the plight of wildlife. Living organisms are being killed by human activity at rates quicker than any mass extinction in natural history, yet this article claims it's indigenous people that are the ones being oppressed based on a few case studies case. Talk about detracting from the actual issue.
I am not here to justify the treatment of pygmies in Central Africa, or for that matter the misuse of game reserves, but I am here to put this argument into context. There does appear to have been human rights abuse committed by NGO backed poaching squads, but this does not constitute a dark underbelly for conservation, and stating such is jumping on a headline. Maybe I might take you more seriously if you bothered to source your information, but apparently I'm supposed to accept this vague rubbish as fact. What evidence is there that these isolated incidents constitute a trend? You simply haven't analysed the conflict and therefore cannot make such ridiculous conclusions. Stating that tribespeople are merely trying to feed their families is such a pathetic line of argument. One could simply respond that illegal poachers are also trying to feed their families, so we shouldn't be outlawing that money making scheme either. Any money making scheme could be justified with this ridiculous point, which includes the very people you're demonising in this piece.
Hang on, if these tribes are being brutalised then how are they uncontacted? Brutalising people requires a very firm contact between the victim and the aggressor's fist. The actual point being made in these paragraphs is once again merely speculation. Who has decided that uncontacted tribes are the most vulnerable people on the planet? A fucking history student who shoehorns buzzwords into serious debates on ecology? I'm amazed a student of history has such a poor understanding of referencing. If you can't even comprehend referencing why the fuck are you being allowed to write a persuasive piece on a topic you know nothing about? No conservationist is making the argument that indigenous tribes are inferior human beings, and just a quick look into conservation programmes in remote areas will give you an idea of how local populations are often integral parts of these schemes.
What I really want to know is how indigenous people contribute to the stability of ecosystems. If these ecosystems rely on tribespeople to exist then that would make them a plagioclimax, and you have no evidence to suggest that conservationists couldn't shape the environment in the same way. How racism is a factor in the stability of ecosystems is anyone's guess. There isn't even a weak correlation between racism and environmental stability. You can fuck right off if you want to directly compare us environmentalists to imperialists. I honestly have no idea how anyone can just so brazenly make these outrageous conclusions.
Your opening point was that indigenous people are being mistreated by conservationists worldwide, yet you have still not provided sufficient evidence for this overarching comment. You can bang on about the historical treatment of different races, but you've not explained how this is relevant to conservation biology. Amazingly, despite all this you still act like the fucking expert. Do you seriously believe environmentalists have not thought to work with indigenous people? That comment reeks of ignorance, and it's clear you've never been near a conservation project in tribal lands before. Furthermore, you claim there is no risk of animal extinction in environments controlled by tribal societies, yet a quick search on the IUCN Red List around the rainforests of southern Cameroon where the Baka tribe inhabit show that 36 species are listed as threatened. This statistic only includes species that have been sufficiently assessed, with arguably a more alarming statistic being that 79 assessed species are at risk from hunting. 5 species were listed as critically endangered, which is quite the opposite of 'no risk of animal extinction'.
One point I will agree with you on is that there's no coincidence as to why tribal people are often found in the most biodiverse areas of the planet. However, this has nothing to do with their ecological skills, and is purely because they often inhabit the most remote and undisturbed areas on the planet. The tribe still have an effect on the local ecosystem, but you choose to ignore this as it's not as profound as the extent that modern humans have on the landscape. I'd still love to hear these sophisticated tactics for maintaining the environment because I have a feeling you're chatting complete shit. There seems to be this misunderstanding that native people unanimously have a positive impact on the environment, which as we've seen throughout history is complete bollocks. We've seen tribespeople overexploit natural landscapes from time immemorial, whether that be the deforestation of Dartmoor or the extinction of megafauna in New Zealand. Arrogance in modern conservationists isn't the issue here, but rather the arrogance of ill-informed journalists who judge experts on subjects they know fuck all about. You in particular are so in denial you don't believe indigenous people can cause the extinction of native wildlife.
Fuck me, you've spent the entire article laying out conflicts, and then we conclude by finding out everyone can live as one happy family. What world are you fucking living in? Apparently it's now some great revalation that two sides in an argument both think they have good intentions. The rest of this conclusion is just meaningless blanket statements that are supported with zero evidence, which actually compliments the rest of the shoddy article really well.
My main query is whether it's really elitist to value a cause that you fight for over others? I wouldn't say so myself. I think this article is just a cheap excuse to bash on some exclusive group that you're fixated on, and one that I would argue barely exists. Why do indigenous communities suddenly have priority in owning land? It would simply be ignorant to ignore how they themselves slaughtered every other indigenous tribe that tried to protect their own heritage. What's even more alarming is this belief that tribespeople are some sort of foundation for wildlife. I'm quite confident in saying that nature had been happily existing for hundreds of millions of years before humans ever walked the face of the Earth, so I don't understand why life is now dependant on these people. But sure, chuck a few vague buzzwords around in the hope that someone might fall for the idea that you have the slightest idea what you're talking about. Surely there's no need to actually explain any of your points.
So it turns out that's the end of this complex debate. With no actual evidence we can safely conclude that tribespeople are the best conservationists for the job. They've done such great work over the years that we're not at all going through a mass extinction of wildlife, and have been for thousands of years. I guess me and my degree are worthless now thanks to this informed article. You can now just get uneducated locals to do my job for me. Surely then tribespeople should be the ones writing articles on conservation biology instead of uneducated morons like yourself. Or maybe just shut the fuck up on topics you evidently have no knowledge in.
