The first hit to employ the legendary 'Wall of Sound' production technique that would go on to revolutionise 60s pop music. The Phil Spector production is terrific, with the layering really adding to the solid vocals. Special mention must be given to the pianos which manage to standout a mile despite the wide range of sounds that please the listener.
#399: The Velvet Underground - Sweet Jane
A song produced and recorded during a period of great turmoil for the band. The opening riff is one of the most unique I've ever heard, setting the scene for a fulfilling guitar track. Sweet Jane is really a pop-inspired toe tapper rather than an influential rock track, but that doesn't mean it sounds simplistic or generic.
#398: Metallica - The Unforgiven
An introspective track that demonstrates the sensitive side of Metallica that's often forgotten about. The track gives off the atmosphere of a spaghetti western, although that's often overpowered with a constant sense of bleakness and despair. The lyrics fit the dark tone, with the aggressive riffs pounding away at a laboured pace. There is a sequel to this track, but it's hardly of the same calibre as the original.
#397: Alice in Chains - Man in the Box
About as heavy and intense as grunge music ever gets. The guitar riffs start with incredible intensity and just never stop. The vocals are even more mesmerising than the riffs, with the twin harmonies screaming out the memorable hook. The vocals give off a sense of bleakness only matched by the thoughtful lyrics.
#396: Tom Jones - Delilah
Tom Jones is usually a voice you instantly associate with sexually charged songs, but here he uses his vocal prowess to tell a dark tale instead. The shrill of the instrumentation sets up the tense atmosphere, right up until that powerful brass band that must have been the pride of the Welsh Valleys. We all want to sing along to this classic, and I'm sure most of us give it a try after one too many beers.
#395: The Lovin' Spoonful - Do You Believe in Magic
While I might not believe in magic I do believe that questions asked should be followed up with the correct punctuation. I challenge you to find anyone that doesn't instantly cheer up upon hearing this charming little track. The optimism within the track is such a refreshing thing to find when you're inundated by the overwhelmingly downbeat world of modern pop. Short and sweet, but such a joy to play.
#394: Ray Charles - What'd I Say
Ray Charles is often cited as one of the greatest soul performers in history, yet here he is spitting out one of the finest rhythm and blues tracks ever, finally giving the man pop success. The drums lay down an energetic beat, and there's even an organ infectiously thrown in. The song is actually segregated on the original single, meaning you have to flip it over to hear the whole thing. That's annoying, but surely worth the effort to hear this absolute classic.
#393: The Foundations - Build Me Up Buttercup
Build Me Up Buttercup starts out with a torrent of noise from that opening wail and keeps that going for the full three minutes. The incredible hook is screamed out with intense passion, only matched in ferocity by me desperately trying to reach those epic notes. There's a very American soul feel to the track despite its British origin, and I just love the upbeat nature of the whole song. It's one of those songs I can play over and over again and still love it to death.
#392: The Smiths - This Charming Man
God, I love that intro. The jangly guitars effortlessly lead into the thoughtfully constructed lyrics. Morrisey's vocals are at their most depressing, introducing strong themes of sexuality and isolation. This Charming Man doesn't beat around the bush, letting the listener straight in on the action to the beautiful sounds of a guitar based track. A 60s styled number with the cutting edge of 80s new wave.
#391: Nirvana - Lithium
Lithium is a track that showcases Nirvana at their most aggressive and their most subdued. The quietened verses combining with the louder hooks is what brought Nirvana to the grunge game, and here they really showcase Cobain's unique vocal style. The lyrics are also standard for Nirvana, casually dropping in strong suicidal thoughts that eerily fit Cobain's vocals like a glove.
#390: Scorpions - Rock You Like a Hurricane
Yeah, this is glam metal at its most raucous. Huge guitar riffs, even bigger hooks, and a multitude of blatant sexual undertones. The German band put down a metal anthem more aggressive than an invasion of Poland, and there's not many better songs to have screamed in your face by a zany German. It's not going to please many metal purists, but don't take it too seriously and it will instantly lighten up your evening.
#389: R.E.M. - What's the Frequency, Kenneth?
This is one of those times when frontman Michael Stipe goes completely out there. The origins come from the documented attack on CBS news anchor Dan Rather from a crazed lunatic that believed the media were beaming signals into his head. This record isn't any more sensible than the inside of that man's head. I love the distorted guitars all over the place, I love those brisk riffs, and I just love the sheer volume of noise the record produces.
#388: The Beatles - Can't Buy Me Love
An early Beatles classic. It's a simple blues guitar based track that's so irresistibly sweet, managing to charm its way into the mind of anyone. Its success was incredible. The song is one of the biggest selling of all time in Britain, but in America it ensured the Beatles held down the entire top 5 singles on the charts. You might not be able to buy The Beatles love, but give me this song, some cocaine, and a prostitute and I beg to differ.
#387: U2 - With or Without You
Sure, you can shrug this off as overproduced pop rock, but just wait until that chorus hits and I guarantee you there will be some passionate singing. The hook is just phenomenal, due in no small part to excellent pacing and the natural charisma of Bono, who ends up shouting achingly about failed romances. It's a real journey from the humble beginnings of this pop rock track to that thrilling climax, but I for one am eagerly joining in every step of the way.
#386: Prince - Little Red Corvette
Corvettes may be made of plastic, but the songwriting on display here is anything but artificial. I don't know how you manage to write a song about girls and cars that isn't sleazy or cliche filled, but Prince somehow manages here. There's a lot of great things about this track, notably its energy, charisma, and definitely the vocals. Perhaps nothing is better than the little clap after the hook, which I can happily copy for hours upon hours.
#385: Muddy Waters - Hoochie Coochie Man
Now this is proper blues music in its purest form. The traditional blues influence is kept at the fore, but what Muddy manages to pull off is seamlessly giving it that fresh sound that would influence artists from many genres. Muddy has such an awesome voice, almost caught between idle wailing and charismatic bravado. You need bravado when you're performing a song bigging up your sexual encounters, and Muddy does it in the classiest way possible here.
#384: Plastic Ono Band - Give Peace a Chance
John Lennon was very good at running his mouth about a lot of things other than peace, but here we have one of his songs that directly spells out his hippie powered message as clear as day. The instrumentation is as simple as it gets, in fact purposely so, but very few songs cut such a clear message of protest. John and Yoko were far from perfect people, but here they at least try and make their iconic activism into acts of positivity and enjoyment. In the process they made one of the most notorious anti-war songs in history.
#383: Ozzy Osbourne - Diary of a Madman
There are very few songs that can conjure up an atmosphere of darkness and mystery quite like this one. Randy Rhodes' guitar work is just astonishing. He builds the song's atmosphere with subtle folk segments that transform themselves into these anthemic metal segments. Also, that cover could only be released by Ozzy Osbourne. Just brilliant.
#382: Steve Miller Band - The Joker
Steve Miller releases one of the most laid back and pleasing rock tracks of the 70s. There are loads of kooky elements to this one, whether it's the wolf whistling guitar or the inclusion of the made-up word 'pompatos', which is actually a mistranslation of an erotic German doll. It wasn't until 1990 that this song became a number one hit in the UK, which was a good seventeen years after its original release.
#381: AC/DC - You Shook Me All Night Long
Glam metal acts were always so good about keeping the sexual nature of their songs a secret. Oh wait, that's a complete lie. This one in particular is a great metal track thanks mainly to the solid riff and cracking hook. Vocalist Brian Johnson makes his first appearance as lead singer and arguably comes out with his best ever performance. It's hardly going to win any awards for songwriting, but I'll be damned if it isn't effective.
#380: Big Brother and the Holding Company - Piece of My Heart
There's something about Janis Joplin's vocal style that makes you really believe she's had her heart ripped out on numerous occasions. This Erma Franklin soul track was given a taste of the blues, radically changing the structure and giving it a fresh melancholic flavour. Joplin's desperate sounding vocals are the real highlight and will be forever synonymous with her esteemed career.
#379: Otis Redding - Try a Little Tenderness
The only thing bigger than Redding's vocal range is his massive forehead. The opening may sound like a traditional English brass band, but when those sublime vocals come in it instantly changes the whole complexion. His voice is majestically tender, giving one of the all-time great soul performances.
#378: The Five Satins - In the Still of the Night
The defining song of the doo-wop genre that may have led to its creation in the first place. It's been included in just about every single retro romantic film ever, and you can see why. There's a sense of innocence and charm found within the styling of this one that really resonates with a youthful view of romance. The vocals are so effortlessly sweet, with some of the finest harmonies found within any 50s classic.
#377: Buffalo Springfield - For What It's Worth
There certainly was something happening here. The feelings of confused young adults in the 60s are perfectly described here. It's blunt, but not forceful, leading into an iconic hook that would echo across generations. The track is actually protesting curfews on the Sunset Strip in California and became instrumental in the cultural changes of the late 60s. Since then it's become a mature anthem for universal rebelliousness.
#376: The Beatles - Lucy in the Sky with Diamonds
Yes, we all know this one refers to LSD. This drug trip fits brilliantly into the 'Sgt. Pepper' album, providing possibly the most psychedelic experience of a drug-fueled outing. I doubt there are many songs that can claim to be as unique and out there as this lucid experience. What an iconic production.
#375: Fleetwood Mac - Go Your Own Way
If you thought Fleetwood Mac were all one happy family then give this iconic breakup song a listen. Two couples were on the decline when this was recorded, which happens to be nearly all of the band. You can just hear the anger and frustrations being violently let out with each insult and retort. Every band member gets a chance to vent their frustrations, and the result is one epic argument where nobody really comes out looking like an idiot. Imagine the tension when they played this one live.
#374: Elvis Presley - Can't Help Falling in Love
Elvis at his most seductive. UB40 did a pretty decent reggae cover if you ask me, but that has nothing on the original. It's not one of the most sophisticated love songs lyrically, but Elvis has such a smooth voice that it really doesn't matter. The lyrics are beautiful, but not as beautiful as the vocals. If you don't resonate with this one you might be dead inside.
#373: The Platters - The Great Pretender
Beautiful vocals and harmonies from one of the smoothest groups around. The lyrics are surprisingly introspective for a pop song, which contrasts the upbeat style. Freddie Mercury also had a crack at this one, but got nowhere near the style and class of the original.
#372: The Jam - Town Called Malice
There's no doubting this is an angst-filled new wave track, but there's something so retro sounding about the whole composition. We still get the strong political messages that are found in almost every Jam single, but there's an inherent sense of uplifting fun. The bittersweet messages arise from tales of frontman Paul Weller's childhood, forming possibly the ultimate Jam song in the process.
#371: The Sweet - Ballroom Blitz
It's camp, it's energetic, and it's ever so enjoyable. Right from the off we're treated to some incredible drum work that carries on throughout the whole track. The drums provide the foundations for one hell of a chorus that you can't help but shout along to. American audiences were never really sold on glam rock, but even they couldn't resist the energy of this one.
#370: George McCrae - Rock Your Baby
Smooth, sensual, and groovy. This monster hit provided evidence that disco was not a genre to joke about, and could actually produce fantastic pieces of commercially successful music. The pop-infused elements are what really make this one such a pleasure to hear, with McCrae's repetitive hook really worming its way into your head. It now sounds like a throwback to a bygone era, but what a pleasant age this song would make you believe it was.
#369: Marvin Gaye - Let's Get It On
Has there ever been a song with more sexual energy than this brilliant single? It works better than Viagra in the bedroom and has the added effect of turning every single man into a sex god. Nobody can claim they don't get sexually excited when those first few notes hit, and when Marvin's smooth voice kicks in there isn't a dry pair of underwear in the house. Back in the 70s this provocative anthem of sexuality instantly turned Marvin Gaye into the sex icon of the age.
#368: Buddy Holly - Peggy Sue
Simplicity is often underappreciated in rock music, and here that's no exception. The simple structure and lyrics paint a lovely picture of romance that's easy to get involved in. The rumbling drums are remarkably well produced, knowing just when to be amped up in volume, but it's the relaxed vocal style that would take the spotlight and influence pop-rock bands for decades to come.
#367: The Smashing Pumpkins - Today
Bittersweet, yet so easy to get lost in. Today was written during frontman Billy Corgan's fight with depression, and you can see the turbulent nature of this period in the profound lyrics of the track. Billy Corgan's strained vocals fit the riffs fantastically well, and you can hear the pain and emotion found within the lyrics. The pacing however is just astonishing. The contrast between soft and atmospheric verses works so well when compared to the powerful and pounding choruses that uncover mental health in a way very few have managed before.
#366: Led Zeppelin - In My Time of Dying
This traditional gospel song has been covered by a whole range of blues-based artists, yet none have overtaken this blues-rock epic in quality. Clocking in at over eleven minutes this song is in fact Led Zeppelin's longest studio release. The Led Zeppelin version has an almost ethereal quality to it, sounding nothing like any of the other cover versions. Really this is one of those tracks made to be stretched out when performed live, and there were none better at improvised performances than Led Zeppelin.
#365: Pixies - Where Is My Mind?
Probably more famous for its appearance in the film Fight Club than anything else, but more importantly an important milestone in the world of indie rock. This track was perfect for a film describing a distorted mind as it's both chaotic and disturbing in tone. The lyrics are as confusing as the atmosphere, but the real credit lies in whoever managed to turn a simple formula into such a sophisticated indie hit.
#364: Talking Heads - Once in a Lifetime
Who the fuck wrote this piece of disturbing brilliance? The lyrics are like something you would hear in desperation from a man at the end of sanity. Are you supposed to sympathise with the narrator? Are you supposed to dance along with the beat? It's like nothing else released in chart history, but it sort of just makes sense. I don't have a fucking clue what's going on, but I absolutely love its unique style.
#363: Pulp - Disco 2000
Probably the most enjoyable Britpop single out there. What an incredible hook. I find it physically impossible to keep quiet when that chorus kicks in. It's a testament to the exemplary songwriting that this pop-rock hook still sounds as fresh all these years later. The year 2000 is seen as a far away vision of the future in this song, yet here we are nineteen years later with the song still sounding absolutely fantastic.
#362: The Supremes - Where Did Our Love Go
A simple pop track elevated to stardom by a soulful girl group. The song benefits greatly from Diana Ross' diverse vocals, and she's accompanied by the soft backing singers to give the song a bit of extra depth. It's not surprising that this was the breakthrough single of the group, and would become the first of thirteen American chart-topping hits for the legendary trio.
#361: Pink Floyd - Shine On You Crazy Diamond
An epic composition from the masters of prog rock. In total the track is formed of nine parts totalling a 23-minute runtime, but here we will be focusing on the superior first five sections of the track. That's still thirteen minutes of slow building guitars to sit back and enjoy, only briefly pausing for some meaningful lyrics to be delivered. There's an incredible ambience created, possibly the greatest of any song ever. It's a minor miracle that the track pulls this off for such a long period of time.
#360: The Jimi Hendrix Experience - Foxy Lady
Foxy Lady is a demonstration of what can be achieved with the electric guitar. The track may have a heritage in blues music, but Hendrix adds his own spin not even remotely similar to anything else in history. I can never decide whether the iconic riff or the iconic hook are better, but these elements come together to produce one stylish piece. Just look at that live performance. Absolutely mesmerising.
#359: The Chi-Lites - Have You Seen Her
Classic Chicago soul. The opening sounds like something you would hear at a spoken word poetry event and in no way prepares you for the sheer beauty of the chorus. Where the hell did those soulful harmonies come from? Where the hell did that high pitched voice come from? These vocals are just tailor-made to tell such a heartbreaking story. The Chi-Lites would never hit these heights again, but for a brief moment they were at the pinnacle of soul music.
#358: The Doobie Brothers - Long Train Runnin'
This bunch of hippies got the impression they could master funk, which sounds stupid until you hear what appears to be one of the funkiest tracks in existence. I've no idea what its about, something about love probably, but I really don't care. Listening to this makes me grin from ear to ear, whilst also making me want to get up and dance like the creepy uncle at a disco. Heed my advice and run if anyone tries to convince you the cover versions are better.
#357: Black Sabbath - War Pigs
War Pigs is certainly one effective way of protesting a war. The intense riffing is only paused for Ozzy Osbourne to deliver a rallying cry that graphically depicts war as hell. Every member of the band is on fine form, with the drums and guitar solo in particular being some of the most mental and technically brilliant the band had ever produced. One of the most iconic metal songs ever released.
#356: Sam Cooke - Wonderful World
For many people this was their first introduction to the amazing voice of Sam Cooke. All you need is a simple and sweet message for Sam Cooke to perform an all-time soul classic. The minimalistic production actually aids the vocals whilst also creating a pleasant atmosphere for a positive message to be conveyed.
#355: The Beatles - Penny Lane
How the hell does the random musings of a singer describing his local area get turned into such a brilliant track? The production should also get a mention as it pulls off the impressive feat of making Penny Lane sound like a bustling and lively area that would be perfect to write a song about. In reality the area is noted merely for its bus depot, so I have no fucking clue how these four managed to turn it into an international tourist destination.
#354: Styx - Come Sail Away
I still wished we lived in a time where releases like this weren't endlessly mocked. It's cheesy, there's questionable lyrics about aliens, but the pacing is just exceptional. The beginning segments are introspective and atmospheric, but it slowly builds up into this karaoke singalong with just a quick riff. It could only have been successful when stadium rock was still a thing, but I for one am a happy man it was.
#353: Funkadelic - Maggot Brain
Funkadelic were known for being an unusual band, but this is off the fucking charts. Seriously, I've listened to this numerous times and I'm still baffled by the end. I enjoy it a lot, but what strong drugs were they smoking to produce this? The guitar is fucking incredible. It's ten minutes of the most intense and anthemic guitar work possible to produce, still sounding as otherworldy today as it did back in the early 70s. Just mindblowing.
#352: Bill Haley & His Comets - Rock Around the Clock
One of the most famous songs in rock and roll history. Not only was this the first rock record to top the charts, but it also signalled the arrival of the genre that still plays a key role in the musical landscape to this very day. At the time of release it was the symbol of rebellious youth, and whilst that ship has long sailed it's still a great track that could get the toes of anyone instantly tapping.
#351: Bee Gees - Stayin' Alive
Whilst I admit the screeching vocals of this British band are not for everyone, there's no denying what a huge influence this song had on popular music at the time. I still want to have a dance when this one ends up being played ironically. Its reputation as one of the defining disco tracks is justified, and I cant think of another track released at the time with as much groove and excitement as this one. Nowadays it's still seen as a disco classic, but now also associated with successful acts of CPR.
An audibly angry Mick Jagger lays down one of the finest political statements of a generation. As usual he's full of energy, all of which he directs at societal injustices. It's not a punk track by any means, and although there's a strong feeling of sheer volume the track also has a very rustic feel to it.
#449: Deep Purple - Smoke on the Water
Is there any guitar player in the world who doesn't know that opening riff off by heart? No nonsense, just a simple and catchy riff that perfectly sets the tone. It's not all jolly, and in fact the song was written about a deadly fire in Switzerland, and naturally upon seeing a blaze a true hard rocker would pen a song to mark the occasion instead of running away. I doubt anyone cares about the lyrics, and why would you with that riff?
#448: Dave Edmunds - I Hear You Knocking
It's not very British to compose a rock track that just assaults your ears, but here that ferocity works an absolute treat. Listeners must have jumped a mile when this blues inspired track leapt out the stereo during the chorus. The style is simplistic and the noise is raw and unadulterated, sounding at home in a previous decade. It made such a loud disturbance that it topped the British charts for weeks, even keeping Jimi Hendrix off the top spot.
#447: The Rolling Stones - Start Me Up
I think Mick Jagger's dancing and attire are more at home in a Brighton bar rather than a rock band, but you can't fault the man for not being charismatic. The track is full of energy and enthusiasm, easily winning you over with its simplistic riffs and hooks. It was originally recorded as a reggae track and subsequently binned, although hearing it now you wonder how this song could be anything other than a hard rock classic.
#446: Pixies - Here Comes Your Man
Fuck me, the bass on this one is just incredible. Pixies were mostly renowned for hard rock tracks that would eventually form the basis for many 90s groups, but here we have a catchy track inspired by rock releases of the past. Not only does the song not ruin the reputation of an underground band, but it brings their great sound to the masses.
#445: The Band - The Weight
You might imagine a band called 'The Band' would produce the most generic and boring tracks possible, and so you might be pleasantly surprised that this country rock release is full of character. Whether you want to chill out or smoke a joint this group having a good time is the perfect mood setter. It may not have been a big seller, but it's now seen as a classic of the genre.
#444: Santana - Smooth
Instead of dying a slow and painful death like most rock artists Santana decided to bring his Latin rock parties to the 90s. Not everyone was amused, and I'm sure those people are inherently miserable. Whack in a cracking riff and a catchy hook and you have the perfect record to start a cracking fiesta. Smooth stayed at the top of American charts for twelve whole weeks and is considered the most successful rock song in US chart history.
#443: The Smashing Pumpkins - 1979
The video for this song perfectly sums up its carefree attitude. Aside from a simple guitar riff there's not a whole lot going on, but that riff is both fun and exciting, setting the laid back tone of the track perfectly. It's a track that makes me nostalgic for a time I've never even experienced.
#442: Elvis Presley - Love Me Tender
Elvis may have been a king of rock and roll, but he could also slow it down whenever he wanted. When you have a voice like that you only need a faint guitar in the backdrop to accompany your heartfelt track.
#441: The Beatles - Got to Get You into My Life
As The Beatles are from the North of England they decided a brass band would sound good when attached to anything. It turns out that when done correctly you can improve a pop song with a brass section. The real highlight is the one line chorus, which is repetitively teased, becoming even more satisfying when it finally hits halfway through the track.
#440: Eric B. & Rakim - Paid in Full
A masterclass in sampling and composition. The rapping flows effortlessly and the lyrics appear to have been thoughtfully laid out. Amazingly this 1987 release still sounds fresh to this day, highlighting the stellar production of this revolutionary track. The single has been chopped up on multiple occasions by various remixes, but it's the original that really gives the best hip hop flavour.
#439: Mary Hopkin - Those Were the Days
A delightful ode to the power of nostalgia. The track itself is a reworked version of a traditional Russian folk song, which is why there's an intriguing use of instrumentation. The production was overseen by Paul McCartney, who as per usual does a stellar job, elevating a unique folk song into a worldwide hit.
#438: The Police - Message in a Bottle
A great new wave single with some of the best percussive sound to be found around that era. The Police could always manage to stand out with fairly standard pop melodies, even making them sound rather sophisticated in the process.
#437: Sam Cooke - Cupid
A rather standard soul ballad elevated to legendary status by that amazing voice. Nobody else could manage to fit so much emotion into lyrics that many would describe as cliched. In the hands of Sam Cooke this becomes one of the most romantic and heartwarming numbers in soul history.
#436: The Beach Boys - California Girls
I too wish they all could be from California if they sound like this. This is the moment we see The Beach Boys release a pop masterpiece that likes to experiment around the boundaries of the genre. Here we see the trigger being pulled on the creative side of the band, but they couldn't do that without one more symphonic ode to the Californian coast.
#435: Chicago - 25 or 6 to 4
A legendary guitar track. The guitar work in this song changes from simple riffs to some of the finest solos ever heard in rock music. The intro is often one of the first songs learned by any aspiring guitarist who loves themselves some classic rock.
#434: Bill Withers - Lean on Me
Beautifully wholesome. Bill Withers sounds like the best helpline in existence, delivering a heartfelt performance of soul mastery. Many have tried to cover the track, but none have ever sounded as great as Bill.
#433: Metallica - Nothing Else Matters
A touching hard rock track with no hint of satanism or any other metal cliches. This one is subdued, symphonic, and incredibly well paced. The thought of a soft Metallica ballad could terrify some, but give it a chance and it may well raise a few hairs.
#432: Bob Dylan - Knockin' on Heaven's Door
The above version is unfortunately an inferior acoustic version, as the original is not on YouTube due to Sony being a bunch of greedy money grabbing cunts. The original is a downbeat folk classic with a surprising amount of class and sophistication. Many have covered the track, but none are able to express the melancholy of the track quite like Dylan.
#431: The Rolling Stones - Honky Tonk Woman
I'm sure a song blatantly about prostitution went down really well in the late 60s. We Brits loved the suggestive lyrics so much we sent it straight to number one. The track does a brilliant job of creating a dingy atmosphere that you would absolutely associate with a rundown whorehouse. At the time of release this was one of the hardest rock tracks out there.
#430: Culture Club - Karma Chameleon
Only the 80s could produce a song so garish and camp. It's a symphony of cheesiness and lace. You don't have to come out to admit that this is a great pop track, and embracing the charm will instantly leave you feeling incredible. Many people did embrace the track, and as such it became the biggest selling single of 1983.
#429: Gene Chandler - Duke of Earl
One of the finest examples of doo-wop. Gene Chandler has such a great voice, blasting out that incredible chorus before toning it down for the smooth verses. I don't know who the 'Duke of Earl' is, but he sounds damn stylish. Even being the 'Duchess of Earl' sounds fucking great if you ask me.
#428: Martha and the Vandellas - Nowhere to Run
The concept of having nowhere to run or hide sounds terrifying in theory, yet here it's part of an upbeat girl group track. This is even more shocking when you realise the song is synonymous with the Vietnam War. It's the energy and infectious hook that make the track so attractive to the ears. It's interesting to note that the percussion of this song is actually the noise of snow chains. See, aren't you better off for knowing that?
#427: Led Zeppelin - Ramble On
Ramble On is very much a leisurely stroll through the world of Tolkien with the odd aggressive break thrown in for good measure. Add in a bit of psychedelic and blues-inspired rock at the end and you have a complex mix that melds together like an absolute treat.
#426: The Beatles - With a Little Help from My Friends
Yes, we all know this innocent sounding song is actually about taking drugs and not a simple tale of friendship. The track flows effortlessly from the opening track on the album, introducing a simple conversation that allows Ringo Starr one of the few opportunities to showcase his talent.
#425: Prince - Sign o' the Times
The simple music video sums up the whole song perfectly. Instead of focusing on the complex composition the listener is directed towards the lyrics. The themes of the song are pretty damn serious, and Prince himself sounds stern and concerned. The minimalistic production allows these lyrics to take centre stage, which go through more topics than the majority of artists manage in their whole careers.
#424: Foo Fighters - Everlong
The swansong of the grunge era. Everlong is full of depression and angst, but rather poetically put. Dave Grohl not only has the talent on the drums but shows his vocal prowess as well, combining the two like a treat. An absolute anthem for alternative rock.
#423: Ramones - Sheena Is a Punk Rocker
The closest Americans ever got to understanding punk was with the Ramones. There's no angst or political statements in this one, and the lyrics themselves are actually remarkably cheerful. It still goes at a million miles an hour with indecipherable lyrics to boot, releasing this style into the mainstream for the first time.
#422: The Impressions - People Get Ready
What a beacon of hope this must have been at the height of the Civil Rights Movement. Curtis Mayfield writes a poignant and meaningful soul record with heavy gospel based elements that see social change as a graceful and smooth event.
#421: The Lovin' Spoonful - Summer in the City
In a time when much of pop music was about love and happiness this track came along and made city living sound like a dream. It has the energy one would expect from a song celebrating a bustling metropolis, and there are also some unique sound effects thrown in for anyone who hadn't got the message yet.
#420: Little Richard - Keep A-Knockin'
From the opening drum roll this song is action packed from start to finish. The lyrics may give you flashbacks to a depressing encounter with some Jehovah's Witnesses, but the energy and charisma of Little Richard get you up and dancing.
#419: AC/DC - Highway to Hell
One of the most famous heavy rock songs ever. It's brutally simplistic, but when you have those heavy riffs blaring out who even cares? The song makes you feel like a laid back biker and is always guaranteed to increase your pressure on the gas pedal. 'Highway to Hell' takes its name from when the band were due to tour in Sunderland, which might be a massive lie as the song actually refers to gruelling tour schedules.
#418: Stevie Wonder - I Just Called to Say I Love You
Those who say this killed the legendary career of Stevie Wonder couldn't be more wrong. Not only is this a brilliant pop track but it's also one of the most heartwarming records of the 80s. The production is classic 80s and Stevie's vocals sound as good as ever. It's no wonder this is his greatest selling hit ever.
#417: Bob Marley & the Wailers - One Love
A real summation of what made Marley so special. A simple reggae beat that gives a fantastic rhythm and fantastic vibe accompanied by Marley and his backing group perfectly. In my humble opinion they should have left the Curtis Mayfield impression out of the final release, as the opening segments are Marley at his unique best. Interestingly this was the song of the millennium according to the WHO. Yes, that's the World Health Organisation claiming the best song for global health is sung by a man who treated cancer with homoeopathy.
#416: The Beatles - From Me to You
Here it is, the first ever Beatles number one single. It's certainly not their most adventurous number or even particularly complex for the Merseybeat genre, but it is an enjoyable classic that first captivated an entire nation.
#415: Nirvana - In Bloom
A big message to those that frowned at the grunge explosion of the 90s. From the get-go it's heavy riffing and vocals blatantly meant to ruffle feathers. It's angry, it's ferocious, and even incredibly infectious.
#414: The Beach Boys - Help Me, Rhonda
Proof that excessive repetition can be a force for good in a pop track. To say this song is catchy is an understatement of the century. The smooth harmonies work nicely with the lively melody, and as per usual there's a constant sense of the California beach. A quick public service announcement that the album version is nowhere near as good. #413: Jackie Wilson - (Your Love Keeps Lifting Me) Higher and Higher
Fuck me, what a voice. Jackie Wilson's voice exploded onto the music scene with this classic. The man is aided in his upbeat efforts with one of the liveliest beats on record, and seemingly a whole orchestra as well. There's a lot of noise in general, but all of it sounds angelic.
#412: Elvis Presley - All Shook Up
A simple Elvis classic that relies on the catchy beat and Presley's charming vocals to worm its way into your head. Released at a time when any catchy Elvis song was an instant hit this track topped the American charts for a whole eight weeks and similarly the British charts for a full seven.
#411: Eels - Novocaine for the Soul
A timestamp for mid 90s alternative rock. The track centres on a painkilling drug for depressing lyrics that rely on self-hatred. The repetition is what really hooks you in, but on closer inspection there's some brilliant production as well. Also, the B side is called 'Fucker', so if the track isn't for you then you can always chuckle at the reverse side.
#410: Creedence Clearwater Revival - Up Around the Bend
Half the time CCR were condemning wars, but the rest of the time they were composing anthems that just make you want to turn the volume all the way up. If that opening riff doesn't knock you off your feet then I don't know what will. This is always criminally overlooked when discussing the best classic rock tracks ever. #409: Eagles - Desperado
Sappy, cheesy, but absolutely brilliant. If there's ever a song for screaming out when you're trying to find happiness in a few pints then this is your perfect bet. Beautifully written, beautifully paced, and most importantly beautifully performed.
#408: The Rolling Stones - Miss You
One of the band's most ambitious singles that seems to cover just about every popular genre of the 70s. The fantastic blues-based groove is the real star of the show, but there's also a faint hint of disco, which really adds another unique element into the mix. Mick Jagger surprisingly adapts himself to this radically new genre, but then he is a natural born performer.
#407: Black Sabbath - Iron Man
That opening chord is like the mating call of Godzilla. Even past that the iconic riff just pounds away repeatedly like a sledgehammer. The iron man in question is painted as some merciless killer in a terrifying tale of impending destruction. Black Sabbath had many heavy tracks, but this was the one that really epitomised the genesis of metal.
#406: The Smiths - There Is a Light That Never Goes Out
Only Morrisey could turn one of the most romantic and touching rock tracks of all time into a melancholic tale of lovers dying for each other. Here we find some of the most meaningful lyrics ever penned, with bittersweet themes scattered throughout.
#405: Van Halen - Hot for Teacher
This one is fucking crazy. The erratic opening drums give way to a riff that's all over the place. The lyrics and vocals are hardly any more subtle, with constant sexual themes screamed into your ears. It's hardly the most mature record ever, but I love how it laughs in the face of seriousness. Kudos to the drummer, who probably got arthritis after just a single run through.
#404: The Cranberries - Zombie
Those who are maybe not familiar with The Troubles might not understand how powerful a statement this track is, but this is about as passionate and poignant as a protest song can possibly be. The hook and vocals are as aggressive as the subject matter and you can physically hear the anger. The pop-inspired verses give way to this raucous chorus very out of character for the band, but fitting for a song of this much aggression.
#403: David Bowie - Let's Dance
I would happily dance with Bowie to this jolly little tune. Even if you don't fancy a dance you can still enjoy the pleasantries this track has to offer with its funky tone and Bowie's iconic lyricisms. Today the song is one of Bowie's most commercially successful, ushering in a new style for the glam rock icon.
#402: Blondie - Rapture
Can you assign a genre to this one? It has the atmosphere of a classic new wave track, the beat of a disco track, and there are even some rap elements thrown in as well. The white girl rapping you would assume to be terrible, but it actually fits the song really nicely, even if it becomes clear that Debbie Harry isn't a rapper. The highlight is however the slow and sultry verses that scream classic Blondie.
#401: The Moody Blues - Go Now
An early outing from this Birmingham beat group who wouldn't find major success for another few years. The layering in this one is just epic, with the pianos and vocal harmonies all coming together to produce these huge hooks. The structure of the track is a very primitive form of prog rock, yet is still simple enough for a catchy pop-rock number.
A girl group smash hit that epitomises everything great about 60s pop singles. Diana Ross has never sounded so good, and she has one hell of a voice, perfectly fitting the sexual frustrations of the track. The lyrics go straight to the point, especially during the hook, delivering some hard-hitting attitude. This song is an all-time classic. Kim Wilde's cover version can just fuck right off.
#499: The Beatles - Eight Days a Week
A showcase of The Beatles endearing charm. There's something so positive about these four men claiming to love you for eight days a week that you almost get the sense it's true at the height of this songs euphoria. There's certainly a lot of energy to be found throughout, reminding fans of how The Beatles became such huge stars.
#498: The Four Seasons - Walk Like a Man
Frankie Valli's voice is so pleasantly high pitched in this he must have been squeezing his testicles throughout the whole recording. It might be humorous to emulate as a man, but behind the playful tone the song has a really serious message that could almost be considered wholesome.
#497: Aretha Franklin - I Say a Little Prayer
There's such great chemistry between Aretha and her backing singers that they really ought to be included in the artist description. That's not to say Aretha Franklin doesn't sound amazing, but it's the call and response elements that ultimately carry this one. Dionne Warwick's version is also a good track, but it comes alive when given to Aretha.
#496: Eddy Grant - Gimme Hope Jo'anna
Eddy Grant decided that being a pop reggae artist his next career step should be to tackle the apartheid regime. That's a bold strategy. Unfortunately, South Africa didn't see it as an upbeat party and instead banned the song outright, but not before it had left a lasting impact on the political landscape.
#495: Fats Domino - Ain't That a Shame
If you can manage to prevent your toes from tapping to this classic then you're a massive liar. The piano changes tempo enough to keep everything interesting, and if that doesn't keep you amused you have the charisma of Fats Domino to make you happy. This was one of the first rock and roll singles to hit the mainstream charts, and made Fats Domino a legend in the process.
#494: Johnny Nash - I Can See Clearly Now
One of the most pleasantly optimistic tracks you will ever find. If this doesn't make you happy then a lobotomy might be the only solution. There's an interesting beat going on under the positive lyrics and amazing vocals, so it may surprise you that Johnny Nash is from Texas, and not Jamaica. Still, if that upsets you then the song will no doubt cheer you up.
#493: The Beatles - I Should Have Known Better
The Beatles were so good they could always make the simple harmonica the highlight of the song. Well, that and John Lennon's vocals. Despite featuring in the tremendously popular film 'A Hard Day's Night' this song never had any impact on the charts, only becoming a number one hit in Norway of all places.
#492: Wings - Silly Love Songs
This charming track was written in response to John Lennon claiming Paul only wrote silly love songs for the Beatles. That from a man who wrote the offensively stupid 'I am the Walrus'. This song is very much a simple little track about romance, with great production and lyrics, and a loving relationship between Paul and Linda that really adds to the charm.
#491: Roy Orbison - Only the Lonely
An anthem for the sexually frustrated teenagers of the 1960s. Well, until The Beatles came along and made American pop sound cheesier than a lump of strong cheddar. Roy Orbison was one of the few vocal performers at the time who sounded genuine, and it was this depressing track that saw him into the mainstream.
#490: Eric Clapton - Cocaine
I don't know if Eric Clapton has shares in an underground drug ring, but here he decides to cover a song advertising the positive effects of a highly illegal substance. The man himself often performed the track with a crippling addiction, giving the song a unique personality. As this is an Eric Clapton song I shouldn't need to mention that the guitar work is brilliant, but it deserves a mention anyway.
#489: George Harrison - My Sweet Lord
We could sit here and debate over the religious themes found throughout this one, but really that would be detracting from the quality of this classic. You can argue the song is a ripoff of 'She's So Fine', and you would have a very strong case, but both tracks have solid compositions. The song became a huge commercial success, becoming the biggest British single of 1971, along with playing a key role in relief work for the recent war in Bangladesh.
#488: Big Star - September Gurls
Take a guess when this was released. No, you're way out, the answer was 1974. Maybe the forward-thinking nature of the song is why it remained obscure for decades, but its catchy guitar-based pop sound made it hugely appealing for other bands to copy. It's just a shame Big Star can't spell the simple word 'girls'.
#487: R.E.M. - Everybody Hurts
A beautiful song that has probably been a big friend to a whole number of people at desperate times. The isolated vocals and sense of melodrama work together brilliantly, with an iconic string section written by Led Zeppelin bassist John Paul Jones. It might not be the most artistic description of what depression feels like, but it gets the optimistic and relatable points across damn effectively.
#486: Simon & Garfunkel - Cecilia
Not many pop tracks open with what sounds like an acoustic guitar falling down the stairs. I'm glad this one does, as the folk feel to the track gives it a sense of charm and energy. What may seem a simple song about relationship issues could actually be seen as a plea to the patron saint of music, who must have heard this cry and worked some of her magic. A quick mention should be given to the Suggs cover, which Chris Eubank hilariously had to try and pronounce when it hit number six in the charts.
#485: The Beatles - We Can Work It Out
A laid back single that emphasises the boyish charms of Paul McCartney. The harmonies found within the chorus are just incredible, quickly flipping back to the drastically different verses. It was the first time we saw real creativity from the duo of McCartney and Lennon, with their separate writing styles melding perfectly for this hit.
#484: T. Rex - Get It On
Marc Bolan's most iconic track is also one of his best. The stylish glam rocker knew how to ramp up the intensity even on a slow-paced song like this one with his unmatched charisma and gaudy set pieces. Nothing on the charts at the time sounded anything like what T. Rex were releasing, and even today the track is as shocking as its ever been.
#483: The Move - Blackberry Way
An unusual and creative single from a time when psychedelic music was flourishing. The Move decided all this flowery nonsense was too cheerful and instead created a far darker atmosphere. The vocals may sound like a stereotypical old English newsreader, but they standout by a mile over the plodding guitar riffs. The chorus is just begging to be screamed out at full volume, even if the overall tone is melancholic.
#482: Blondie - Call Me
Too many men in the 1980s the prospect of calling Debbie Harry was enough to give them a wet dream. I always associate the track with Richard Gere whacking his cock out for the cameras, but the track became a huge commercial hit in its own right. Call Me is a great pop rock track, with high energy and catchy hooks found everywhere.
#481: Bob Marley and the Wailers - No Woman, No Cry
It's really when played live that this reggae classic is at its best, and in fact the live version is surprisingly the better-known recording. The seven-minute track feeds off the energy of both Marley and the crowd. The lyrics are both meaningful and introspective, telling an interesting tale of heartbreak in the words of a great songwriter.
#480: The Doors - Break On Through (To the Other Side)
With this track The Doors very much broke into the rock scene with one loud bang. This aggressive garage rock track blares out the speakers with the focus on Jim Morrison's loud vocals. If there was any track to sum up everything great about the band it would be this one.
#479: Bruce Springsteen - Born in the U.S.A.
Often seen as a patriotic track despite the fact the lyrics are rather blatant in their discussion on how society treats combat veterans. Maybe it doesn't function as a protest song, but it certainly works as a stadium rocker, having an incredible ability to get a crowd shouting their lungs out with that iconic chorus. In this sense the song does an incredible job at highlighting the hypocrisy of patriotism.
#478: The Beatles - Here, There and Everywhere
A classic Paul McCartney written gooey ballad that never manages to fall into the category of corny. The lyrics are about the most touching you will find on any ballad ever, and the vocals are soft and gentle throughout. As simple ballads go this is about as good as it gets.
#477: Hank Williams - I'm So Lonesome I Could Cry
Country music is such an apt genre for expressing heartbreak. Hank Williams not only sounds like a broken man, but also has the ability to pen his feelings into one depressing tune. The lonely guitar and vocals tells one of the best stories ever heard in music. Quite simply this is of the best-loved country tracks ever released.
#476: Scorpions - Still Loving You
German rock bands don't seem to understand romantic ballads. They had a good try here, but in the end they create some overblown rock opera with excellent pacing. The riffs gradually increase in intensity, as do the powerful vocals, releasing it all in some huge hooks. It was actually the French who enjoyed this the most, and the record is certified platinum across the Channel.
#475: Queen - I Want to Break Free
It should be required that all gay men come out like this. The track never takes itself seriously, but underneath the cheesy facade is a seriously good bassline and some mature lyrics. The music video has now become iconic, with Freddie Mercury pulling off the role of a typical woman better than most actual women.
#474: The Beatles - The Night Before
Realising mistakes have been made after a night out is a theme universally relatable. The excellent harmonies in this one are a pleasant surprise, as is the unique sound of an electric piano. I seem to recall the music video saw The Beatles getting blown up at Stonehenge. I have no idea what any of that has to do with this very solid pop outing.
#473: Sting - Shape of My Heart
Sting and his acoustic guitar work very well together, carrying this minimalistic song from start to finish. The lyrics do have a sentimental value, even if they're very flowery and describe very little. The song is now famous for being the soundtrack of a young Natalie Portman learning to murder people, fitting the serious nature of that film like a glove.
#472: Van Halen - Runnin' With the Devil
All you need is that amazing riff. Yeah the lyrics encourage a raucous singalong, but those powerful chords carry the song and instantly make you take notice. You know that when a band opens with this track on their debut album that they're going to become major hard rockers in the future. What a way to make a statement.
#471: The Drifters - On Broadway
A great lyrical interpretation on the business of showbusiness. The career of the band is one that can accurately paint a very realistic view of the music world, and their delivery shows both optimism and cynicism in equal measure. You certainly won't last long on Broadway if you have a convicted murderer playing lead guitar, even if you do have some of the best harmonies the music industry has to offer.
#470: Booker T. & the M.G.'s - Green Onions
This legendary group of session musicians finally got their big break with this iconic instrumental. The track is largely improvised, taking the form of a polished jam. The groove is infectious, yet never overcomplicates itself, with all members of the group complimenting each other perfectly, never hogging the spotlight.
#469: Bee Gees - Night Fever
The rise of commercial disco in the late 70s is a musical trend you either love or loathe. I personally love fun and energetic tracks like this one. Night Fever was the song that spearheaded the disco movement, getting millions on to garish dancefloors with its funky beat and high pitched squealing. Let's be honest, we all wanted to be walking down the avenues walking stylishly in time to this banger.
#468: Morrissey - Everyday Is Like Sunday
A perfect anthem for the almost permanent state of depression British society found itself in throughout the 20th century. You can't help but agree with Morrissey that life isn't so great in your rundown seaside town that reeks of yesteryear in the pouring rain of early January. I know the setting of Southend fairly well, and as such feel for the man on a personal level. Christ, where's the Samaritans when you need them?
#467: The Crickets - Oh, Boy!
A swift guitar focused track with some classic Buddy Holly performed pop based lyrics. Arguably it's the much better known 'Not Fade Away' that steals the show on the reverse side, but for me the simplicity and energy of the main event is a far better summation of Buddy's talent.
#466: Michael Jackson - Leave Me Alone
Has there ever been a better and more direct attempt at telling critics and cynics to piss off? One could argue that Michael wouldn't warrant some much attention if he wasn't a creepy paedophile, and as such this song was swiftly ignored. The track is ridiculously over the top, with a crashing beat and Michael's high pitched vocals roaring through the hook. It's a classic Jackson pop hit, with a large added serving of attitude.
#465: The Stone Roses - Waterfall
An anthem for any Manchester native. Its style is that of a Britpop classic despite being released half a decade too early. The riff is infectious, and the hook is enough to make you want to transport yourself back to the early 90s. That, or take some hard drugs.
#464: James Brown - It's a Man's Man's Man's World
Voted the greatest feminist anthem of all time. Maybe not, but it is James Brown at his best, and no whinging adolescent could ever change that. Brown's powerful voice is just a joy to admire, and here he gives it everything, even when describing cars on the road. You don't need anything else in a song when you have a voice like that man.
#463: Thin Lizzy - Whiskey in the Jar
'Whiskey in the Jar' has become a popular record for various popular rock, metal, and folk artists over the years. The traditional Irish song has best been covered by Thin Lizzy, who as well as bringing those high pitched guitar riffs also brought a sense of tradition back to the track. The story told by the lyrics is always an interesting listen, but it's the riffs that will have you coming back for more.
#462: The Beatles - Don't Let Me Down
Released almost fifty years ago to the day this track is still the best thing to happen on any London rooftop. It was the last time the band would ever perform together, but thankfully they saved one of their most rousing performances for this passionate number. It's a love song that really hits you where it matters, sounding miles away from where the band started. The culmination of an epic journey ended in just the right way. Let's ignore the final album.
#461: The Verve - The Drugs Don't Work
Don't listen to this after a tough day, it's enough to send anyone into crippling depression. If any song has sounded so melancholy then I for one would not want to hear it. The violins and guitars give an incredibly moody feel, but it's the damn lyrics that cut you down every single time.
#460: Bob Marley & The Wailers - Stir It Up
Before Marley became an international hit maker he was performing some cracking roots reggae tracks back in his native Jamaica. The Johnny Nash cover became the more famous version of the track, but the Marley original is the one with the soul and the style. That intro is just hypnotic.
#459: The Jackson 5 - I'll Be There
The track that would demonstrate Michael's superstar credentials. Michael Jackson is young enough here to fancy himself, sounding like a sweet and innocent kid that couldn't possibly grow up to be bat shit insane. When you've stopped admiring Michael's child like innocence you find a charming track that became Motown's most successful ever release.
#458: The La's - There She Goes
One of the most Northern songs of all time from a band with one of the shittest names of all time. There's a certain rough-edged charm about this one, as it manages to be both pleasant and gritty at the same time. The main selling point is its catchy tune that takes inspiration from classic pop-rock tracks, only this one repackages them for an edgier audience.
#457: Sly and the Family Stone - Family Affair
A seven-minute funk epic. Every single element of this track, and there's a lot, is geared towards pure funk. Family Affair is such a drastic change of tune from Sly Stone's pop hits of the late 60s, with this one full of political messages, and the man himself sounding both serious and frustrated. A landmark hit, and one that would shape the direction of the funk genre.
#456: The Beatles - I've Just Seen a Face
A fantastic little guitar track from the middle portion of The Beatles' career. It's fast-paced, dynamic, but most importantly has a lyrical flow unmatched by any other Beatles track. The folk-rock influence allows the track to standout on the stellar album 'Help', injecting yet more energy into the piece when you thought things were getting stale.
#455: Fats Domino - Blueberry Hill
The very definition of a 50s classic that's so definitive it was written in the 40s. The song itself might have been recorded by numerous artists before, but this version is stylish, classy, and totally laid back. The piano segments are simple, yet coupled with a few vocal hooks become incredibly infectious. It should be noted that Vladimir Putin covered the song, and I'm not for a moment going to dare mock his version.
#454: The Hollies - He Ain't Heavy, He's My Brother
Wow, this is a powerful song for so many reasons. It's also extremely depressing from the opening harmonica and never cheers up for a second. The lyrics actually refer to helping orphans, although I'm sure many people have personal anecdotes on why this song means so much to them.
#453: Oasis - Don't Look Back in Anger
Arguably the ultimate Britpop anthem, but undoubtedly one of the most popular. I dare you to try and find a British pub that doesn't erupt in song when this banger gets a play. There's a reason why Oasis had the best selling album of a whole decade, and that's largely due to the appeal of this legendary track.
#452: Frankie Valli - Can't Take My Eyes Off You
If I ever got serenaded with this my cock might just explode. Unfortunately, it's usually performed in karaoke bars by drunk idiots such as myself, and even professional covers have never got close to the original. The track goes from soulful verses into the drastically different hook with great fanfare, knocking back whoever the lucky recipient is.
#451: Blondie - Sunday Girl
Sunday Girl is new wave music at its most relaxed and cool. It's a track with a certain charm to it that doesn't rely on heavy riffs and aggressive vocals to grab your attention. The simplistic structure certainly doesn't mean the song is dull, and in fact the song benefits from both a nice amount of energy and excellent pacing.
