Wednesday, 21 October 2015

Morons of the Internet: Samuel Tyler

This is the segment where I scour my favorite forums around the internet and find some particularly interesting articles about current affairs told in the words of my favorite human beings.

In this edition we have the author of a student newspaper who thinks issues that are simply trivial will cause an almighty scandal inside his own Student's Union, claiming it's their egos that prevent him from using the library for 24 hour periods. Oh no.
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http://thetab.com/uk/soton/2015/10/19/susu-are-serving-their-own-egos-before-students-61896
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Oh the humanity. Imagine not being allowed into a university library because it closes at determined hours every evening. I couldn't imagine such an atrocity since I chose to attend a university that has a 24 hour library system operating every weekday, although when it closes at a specified time at the weekend I'm often inundated with an outpouring of emotion from the poor souls who have been mentally tormented by such a barbaric policy. The people of course that are often in the library at stupid hours are the ones who couldn't fit their sexual love of reading Jeremy Paxman's latest tome on how Margaret Thatcher influenced the fish economy of South-East Namibian trade routes into the hours of the day, and so hope that returning at quieter hours will minimise the shame. Opening later just means that those students can masturbate over these books without a large number of students judging them for being pretty weird, and so for sane people like me I have to wonder what all this fuss is over. I get that a 24 hour library service is a benefit that a select few universities get, and if that was such a big issue then you should have chosen a university that had a 24 hour library service. That's the beauty of the UCAS application process, so honestly you can fuck off if you think you're an oppressed student solely because the library doesn't stay open for a few more hours.

Wait, are we now having a go at the Student's Union for doing essentially what their job is? Surely as representatives of the student population they have every right to get annoyed if a decision that directly affects student life is made without their consultation. I'm sure if the university decided to fund a statue of a homosexual being beaten to death by a cardboard cutout of Margaret Thatcher then you would have a go at them for not intervening, so whatever the scenario the Student's Union will always be the enemy in your eyes. I'd say this slander is very harsh considering they haven't done anything drastically wrong, only delaying a decision over your beloved library, which as far as I'm concerned has nothing to do with massaging their egos. Your article on the other hand does appear to be massaging your ego, and the result is a piece of so called journalism that makes you sound like an entitled bellend.

All through the article you moan at the Student's Union, when in reality they probably have a far better insight into the workings of the university than you ever will. Unlike you there may be other students that don't feel the need to extend the library opening hours as they understand that's a costly process that will divert money away from other vital areas of the university, diminishing it's status as a top university; which may I add is also debatable. It's evidently clear that the demand for work outside of examination periods does not exceed that of the costs required for the 24 hour operation, so why would the student union support a policy that only catered for the minority of students who feel it necessary to masturbate over historical papers at stupid hours? You can hide your lack of insight through weak satire all you want, and I'm sure that light whimsy greatly impressed the conservative population of Southampton who read ill informed shit in student newspapers, but the irony is that just like the Student's Union you keep moaning about, your argument fails to go into any detail either, showing you too have a lack of knowledge about the workings of a library.

Yeah if I was you I would of tactically forgotten about how Dominoes Pizza boxes were left in vast quantities around the library. I've often heard Southampton referred to as a place that stores a lot of rubbish, but if there was any evidence that opening the library for 24 hours would make a positive impact on the university then this isn't it. The issues about cleaning that you clearly stated were non-existent are obviously horseshit, as even by your own admission there were a 'countless' number of leftover pizza boxes that hadn't been cleaned away. If I had control over a prestigious library, which obviously wouldn't be the one in Southampton as it looks like a Victorian cotton mill, then I wouldn't like the idea of it being turned into a glorified seating area for a classless takeaway joint. For this reason I can understand why the university has an issue over this supposed 'lack of adequate food and drink facilities' because it's become apparent that the students of Southampton are vermin attracted to cheap pizza.

And now we finally hit the big issue, which of course is money. The 'Safety Bus', which sounds like something out of a children's TV show and not a university funded scheme, does indeed cost a lot of money to operate. I'd say that a large investment that directly affects students would be of a concern to the Student's Union, and their intervention should hardly be something to cry for attention about over the internet. I know the author of this article might be a bit insecure, but maybe they can cure that by posting constantly pointless selfies all over Facebook, or maybe going clubbing on their own. Just anything so I don't have to read them whinging about a Student's Union doing their bloody jobs. Maybe the Student's Union should readdress 'our' problem as just yours, although of course like the library nobody would vote on telling you to 'fuck off ' as nobody cares about your worthless opinion. It's just a referendum, so stop having a tantrum about not being allowed to vigorously masturbate over literature in the library for certain hours.

As a student you should be concerned about drinking and safe sex, not what time the fucking library is open. It's obvious that the Student's Union cannot cater to everyone, so why should it bother with costly processes that will benefit a select few? If this library issue really is so important then I'm sure the Student's Union will happily pass the proposal, but until then they should be telling workaholics like you to 'fuck off'. Stop crying about pointless issues in the local paper, as it makes you look like an internet twat.


Monday, 19 October 2015

Top 10 Worst Box Office Bombs

It's no secret that the world of Hollywood means big business, but that doesn't necessarily mean that every film produced is going to start rolling in the cash. Some of the time a box office failure is nothing to do with the quality of the actual film, although in this list we'll be looking at those films that weren't even any good before becoming financial flops. Remember, this isn't a list for the films that have lost the most money, rather the films that deserved to lose a large amount.

#10 John Carter (2012) (4/10)

So one day Disney decided they were going to make a high value sci-fi adventure that would be based on a retro franchise. That's great, however it's name is 'John Carter'. How is that supposed to signal to people that this is an epic adventure into an alternate reality? John Carter is the bloke you meet every week down the pub, not a blockbuster journey into the vast realms of space. That feeling of this film not being anything special at any stage is a recurring theme throughout this whole 350 million dollar production, and not surprisingly this film aimed at kids becomes boring very quickly. Aside from the visuals I have absolutely no idea where any of the budget went. The money certainly didn't go towards the generic characters, the inconsistent plot or the woeful script. For some reason 'Disney' thought an amateurish performance on such a high budget film was acceptable if they made the thing look nice, which it does, but if you start paying stupid amounts for things that are merely trivial then the likelihood is always a box office bomb.

I still can't comprehend how 'Disney' thought this film would be marketable to children. As an adult I struggled to follow the lack of direction in the plot, so how children were supposed to absorb this mess is beyond me. I feel like the production team tried to achieve everything they could out of the visual effects rather than trying to achieve the best piece of art they could, and for a blockbuster as expensive as this one to be as shallow as it is annoys me greatly. The final results were a gross sales of 284 million dollars, as opposed to the 600 million that experts predicted the film would need to make for it to even break even. With a disappointing film that had no big name stars or a positive public image to bring in the crowds the results were never going to be 600 million dollar amazing, and it was thanks to the positive reception in countries such as Russia that this film even got over the nine figure mark. A prime example of why good films on paper can so easily be retracted from the public eye for such simple mistakes that now mean this film will rot in the graveyard of forgotten films for eternity.


#9 Speed Racer (2008) (4/10)

Don't get me wrong, I love 'Speed Racer' as a franchise. For me it gets the right balance of quirky and awesome antics, which unfortunately for the series didn't translate itself into a good film. Instead of fun antics we got a trippy insight into a five year old's wet dream, which is great if you're five years old, but not so much if you're middle aged and likely paying for those tickets. It turns out a lengthy narcotic trip for people who obviously don't value their sanity isn't a big seller at the box office, which isn't great news for a production that needlessly relies on high impact special effects to dazzle the viewer into submission. This tactic not only had the effect of keeping mainstream audiences away from the cinema, but also hiked the production costs up as well; not exactly sound business practice is it.

I'd like to say that 'Speed Racer' had something other than those special effects, but it just didn't. There was no substance under this brightly coloured racer, leaving audiences with a basic storyline and a lack of characters they could ever consider caring about. I know it's primarily a racing franchise at heart, but that doesn't excuse a film where the only element is just pure and simple racing with the occasional lecture on how capitalism ruins everything. It's rather ironic that this film takes an anti-capitalist stance, as it's that very principle that ended up ruining this big budget production. Out of the 120 million dollars it cost to make 'Speed Racer', it made back just 93. That's both a big disappointment and a shame from a film that should have been really enjoyable.


#8 Stealth (2005) (4/10)

'Stealth' was a film that tried to merge the high flying action of the highly rated 'Top Gun' with the sci-fi sleekness of films such as 'The Terminator'. Usually that kind of ethos goes down a hit with crowds, but unfortunately this film wasted a load of money on nice visuals and nothing else. 'Stealth' has no substance, nothing to make it stand out to cinema goers. Just look at that image; it looks like they're heading for a sleepover, not about to blow some shit up. For 135 million dollars we get some awesome planes, which almost look 135 million just by themselves, although that did little to persuade moviegoers to part with their cash. In the end 'Stealth' made back just 75 million dollars, which statistically makes it one of the biggest flops in cinema history.

It's easy to see why the film failed so badly. Both me and the critics hated the stupid and predictable plot, although I found there was more charm to be felt underneath what is an expensive excuse to blow things up in cool looking planes. The results aren't exactly on par with 'Top Gun', and I will admit that it feels like a commercial whore rather than anything desirable or fanciful, but as a high flying adventure this is an acceptable film for the majority of people. The love of explosions and frail script are however not acceptable, and as a result 'Stealth' will be remembered by precisely zero people in years to come, when in reality we could be discussing a classic.


#7 Final Fantasy: The Spirits Within (2001) (3/10)

The most expensive film ever that's originally based on a video game. 'Final Fantasy' also happens to be one of the poorer attempts at making video games work on the big screen, and there have been many similarly terrible tries over the last few decades. The thing is that this time a film based on a video game had a huge budget, like somebody actually wanted to make a respectable piece of art, and I appreciate the effort, just not the result. The reason why 'Final Fantasy' cost so much is instantly obvious. This was the first film to ever use photorealistic computer animations, and although the results look dreadful to audiences today, back in 2001 this would have blown minds of the few people that actually bothered to watch it, which wasn't many. The only publicity this film did get was when protagonist Aki made it onto 'Maxim's Hot 100' for 2001. Says a lot about the quality of the film when the best publicity it gets is from men getting erections over a virtual girl.

The reason why a film like this had never been attempted before is because of the effort required to pull it off, and yet alone make that effort successful. Each frame of this film had to be individually rendered, and so not surprisingly this mammoth task took over four years to complete, with some days only a single second of footage being produced. Not surprisingly that raised the costs; 135 million dollars to be exact, of which 85 million were made back. This is another example of how looking nice is one thing, but actually creating a film that mainstream audiences will love is another. Unfortunately for 'Final Fantasy' mainstream audiences were alienated by characters that felt like the very computer models the film was designed in, coupled with a conservative story that isn't acceptable in such a high budget film. It's a shame that a film that took this long to create ended up being such a disaster, that unfortunately meant producers 'Square Pictures' had to shut down shortly after the release. What an expensive mistake to make.


#6 The Lone Ranger (2013) (3/10)

When will Hollywood learn that people don't like to watch films that ruin beloved franchises? 'The Lone Ranger' is another example, although why it's named after a character who isn't even the protagonist is a little misleading. No in fact the beloved 'Lone Ranger' character is actually given a supporting role to Tonto, who is played by Johnny Depp, and so one would assume that his presence would at least draw in some sort of revenue. Nobody else has the star studded record in this high budget western, and so it's a massive shame that Depp ballsed up the role of Tonto, diverting the sense of adventure only onto himself. Okay, Depp can't really be blamed for the jumbled mess of a plot, that can't help but try to painfully explain every bloody plot point even if it isn't relevant to the main storyline.

The results are a film with a mixed tone that feels like it lasts for hours; and that's not just because of the lengthy runtime. Inconsistency is placed to the fore, and soon you realise the film is more to do with massaging Johnny Depp's ego than creating a meritable piece of art that celebrates the rich history of 'The Lone Ranger' franchise and the American West. The film is an insult to the genre really; an adventure that makes John Wayne turn in his grave. I honestly don't know who the target market was supposed to be, but it probably wasn't anything human. Not having a preset target market to sell the film to is suicidal business practice when the damn thing cost 375 million dollars to make, which might be in part due to the film requiring a whole new fucking railroad to be built for no other purpose than one scene. Yeah that seems reasonable for one fucking scene; it's no surprise that at one stage the whole film was called off due to the huge amount of financial resources being thrown at it. The reward for this determination was 260 million dollars made back at the box office. Turns out 'Disney' didn't learn their lesson from 'John Carter'. 


#5 Cutthroat Island (1995) (3/10)

According to the 'Guinness World Records', but surprisingly not 'Wikipedia', this is the biggest box office bomb of all time. One of the reasons is because the film was total dog shit, and only succeeded in not making the world of female pirates seem remotely interesting. The second, and bigger reason, was because of the huge production costs that arose because of constant recasting and rewrites that took the total up to 98 million dollars. Embarrassingly the film made back ten million of those dollars, which on paper is absolutely pathetic. It didn't help that director Renny Harlin insisted that two huge galleons had to be made from scratch, and these had to be transported 5000 miles across the globe to the two shooting locations of Malta and Thailand. They do say that money can pay for a lot of things, but common sense isn't one of those things. Acting lessons and a decent script however can be, so why the fuck these weren't polished is a bit of a piss take. I guess you could say the script is at least entertaining, but that's not a reason to celebrate.

However the rest of 'Cutthroat Island' is not entertaining; far from it in fact. If there was ever an adrenaline filled pirate adventure it can't be found in anything this film does. I suppose the score and the action sequences are worthy of some praise, and even at times feel like they were worth the huge costs, but that's overshadowed by the huge problem that none of the cast could ever be considered pirates. How the fuck Geena Davis was meant to pass as a pirate captain is absurd. I almost feel like the production company wanted this mess to be a bomb to put them out of their misery. So much hatred must have been generated through the constant re-shoots that most of the dialogue is probably just them playing a prank on the cast that they now must have an irrational hatred for. The deserved losses were so bad that 'Carolco Pictures', who at one time had masterminded films such as 'Terminator II', actually filed for bankruptcy six weeks before the film was even released. Wow, that's quite embarrassing.


#4 Green Lantern (2011) (2/10)

This is the result of giving a lump of cash to people who have no idea how to make a film of at least some quality. I'm not quite sure which part of the huge budget was wasted most, but my vote would go to hiring Ryan Reynolds to play 'The Green Lantern', as he's a guy that should never be allowed into a role that requires any sort of screen presence and likable charisma. Reynolds is a woeful actor, and ends up creating a film about super twats rather than superheroes. I'll admit he's not the only thing about the film I detest, as the script and supporting cast are both equally terrible, but a plain superhero in a rubbish plot is the biggest sin for a film that had so much money to spare.

The plot in particular is something that should be so much better with the financial resources available. At this level there isn't any excuse for an almost nonsensical and dumbed down plot that would only please the idiots in the audience. It's lazy work from a lazy director that produced lazy results; and that was the final nail in the coffin for critics and viewers alike. Moviegoers shouldn't be forced into paying top money for a half assed job, and so they didn't in the end. Eventually the film did turnover a profit on the original budget, but when the marketing costs are taken into account the film only made back 220 million dollars of the 300 million that was spent on it. Not the biggest flop on this list, but one of the more deserving.


#3 The Adventures of Pluto Nash (2002) (1/10)

Oh god, I can't even write a paragraph about this atrocity without cringing. It's a film I have such bad memories about, and that's because I couldn't help but grimace throughout the whole thing. This 'comedy' is never even amusing, with the budget being spent on lavish sets and Eddie Murphy, only so he can try and carry a horrific script that will actually make you feel sorry for everyone involved in making this horror show. I would like to compare this disaster to the varied world of sci-fi films, but that's not fair on a genre that doesn't usually rely on bawdy and piss poor jokes just to get by. Honestly, this film gets tiring after about five minutes, which isn't encouraging from a production that cost 100 million dollars. The production company were so ashamed they didn't even release the film until two years after filming finished. If they knew how bad the thing was why the hell did they even bother releasing it? Surely they must be aware that turds cannot be polished; and this film is a massive turd. The only joke in the whole film that's actually funny is that this made back only seven million dollars. Not even a tenth of what the costs were. Pathetic, and rightfully so.


#2 Town and Country (2001) (1/10)

How the fuck does a romantic comedy lose so much money? Just like 'The Adventures of Pluto Nash' this film cost 90 million dollars to make and made back only ten. 90 million dollars by the way is a similar budget to that of 'Lord of the Rings', and the difference will blow your fucking mind. Compared to films of similar budgets this ensemble comedy was unbelievably shit, only costing so much because of the ridiculous number of re-shoots the director insisted on. The film took so long to complete that it was finished two years after principal photography even began. The difference made by these re-shoots must have been minimal as I honestly can't imagine an end product much worse than this, with dull jokes and characters that aren't particularly funny or amusing in any way. For some reason it took an all star cast to produce a film that isn't exciting or engaging for any human being, and so it comes as no surprise that nobody bought a ticket for this crap.

Not even legendary stars such as Diane Keaton could draw people into the cinema. Keaton's once bright career has been ruined once again by dreary rubbish like this, which even she couldn't save thanks to a woeful plot that introduced the viewer to hateful characters at every available opportunity. Surely the production must have had some idea that their end product was a pile of shit, and even they must have realised there was a lack of chemistry between anyone involved, leading to clunky acting and a message that doesn't have any direction or purpose. Nothing this film does ever hits the target, and as such I can't think of one thing it does well. I guess the fact that the original shooting wasn't released is a plus point. How bad must that have been for the 'improved' re-shoot to be shown to audiences instead?


#1 Mars Needs Moms (2011) (0/10)

If you saw my list of the worst Disney films of all time then you might well have seen this one coming. 'Mars Need Moms' is such an unlikable film that I genuinely question why Disney thought kids would enjoy a creepy tale based on absolutely nothing of any interest to anyone. There were many fantasies I wanted to see in the cinema when I was a kid, but learning manners and realising how important my mother was in an alternative universe filled with talking scrotums was not what I, or any sane child, had in mind. Not only would this have fucked up my life, but it would have also bored me to tears considering how dull the end product is. Never in my life have I ever felt more patronised than watching this pile of steaming shit, and I do believe that children in the audience would feel the same way, assuming they haven't already fallen asleep. I nearly fell asleep, and I'm technically an adult.

I can understand why nobody wanted to see this film. A Disney film without charm or excitement is just worthless. There was no imagination or passion involved in making any of this film, so much so that I believe I stated last time it was trying to achieve the task of making Middlesborough look like Las Vegas. That's quite difficult when you have characters as interesting as my actual mother, and the costly effects are just fucking weird. In short this is not an acceptable feature film for anyone alive in the year 2011, and for the cost of 150 million dollars that's beyond a joke. 'Mars Need Moms' only made back 39 million dollars at the box office, and hopefully after hearing that result the bloke responsible was taken away and executed. What idiot thought that learning the value of mothers would be a box office draw? Was it the same guy that got a hard nob watching those crappy infomercials? Still the damage had been done to not just Disney but a whole generation of impressionable children, proving why something like this should never be touched again. EVER.

Wednesday, 14 October 2015

Morons of the Internet: Rense.com

This is the segment where I scour my favorite forums around the internet and find some particularly interesting articles about current affairs told in the words of my favorite human beings.

In this edition we have the inclusion of a popular chain mail 'lesson' set up to educate the people of America why they should keep their sacred guns. I say educate, really it's slanted bullshit, but unfortunately this is genuinely the logic used by gun fanatics in America.
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http://rense.com/general81/ligun.htm
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1. What the fuck has starvation got to do with gun control? It's already clear that the message of this history lesson is 'people died in a country where gun laws were in place so obviously those two events are always connected'. Since when can a lack of food be solved by giving people guns? Not unless you want the murder rate to shoot up anyway. Secondly the Soviets tried to ban firearms in 1920 because of a revolution, which is quite a big wake up call in reality, but what you fail to mention is that in rural areas guns were still plentiful due to peasants needing hunting rifles to survive; ergo your point about banning guns is incorrect. Furthermore the Soviets did distribute weapons to Russians in Nazi controlled areas, and that had precisely zero effect on these dissidents being murdered. It's interesting to note that some of these dissidents were officers in the army. If men that have special training in firearms couldn't survive the slaughter then how could a random civilian with no experience?

2. It's physically impossible for Turkey to have established gun controls in 1911 considering that it didn't even exist. In 1911 modern day Turkey was part of the Ottoman Empire, which is a simple historical fact, and one that not knowing shows a clear lack of knowledge in these so called 'history lessons'. A little research would have been nice, especially when that research would have been imperative to your whole argument's legitimacy. Secondly the Armenians who were rounded up on death marches were predominantly women and children. Yeah I'm sure giving them guns would certainly have worked against a highly trained army, and not at all just exacerbated the situation.

3. 'Hundreds of thousands'. Oh what a fantastic amount of research you've done; it's almost like that vague statistic isn't even remotely close to being true. I also like that the statistics used so far are from countries at a time of global warfare. I don't believe America is currently in a global war, so you still haven't proved why America should be allowed to have ownership of personal firearms in a modern age. Even so I'm quite confident that the Jewish persecution would still have happened even if the Jews had firearms considering how they were treated at the time. It's just this absurd logic that Hitler oppressed his population solely because they had no right to own firearms, where as any respected historian will tell you that Hitler persecuted many people for a variety of reason.

Spotted a pattern yet? All three of these examples are not only irrelevant to the modern age, but also based on vague periods of history. Not only are these points totally hypothetical, but also irrelevant considering that the difference between an armed population and one that isn't cannot be applied to these examples, yet alone a modern America. But don't worry, in case you were in any doubt the website comes up with more ancient examples to prove their point.

4. Isn't it strange that there's such a large gap between when gun restrictions were brought into China and when their supposed impact was. It's almost like the two events are completely unconnected. Actually this example is quite ironic considering that Chairman Mao, who was in power at the time of these atrocities, actually began his campaign by arming rural peasants. So actually all this history lesson does when put into context is prove that allowing the general public to carry firearms leads to negative effects. When you look at it that way this example actually becomes the most logical piece of evidence in the entire article.

5. Guatemala still has one of the world's highest homicide rates to this day at 82%, but that's due to the poor restrictions of firearms thanks to illegal arms trading. All you've done here is highlighted another country that suffered, and still is, thanks to the poor restrictions of firearms.

6. Guess what, 5,000 of those murdered by Idi Amin in Uganda were trained soldiers. Seems they couldn't prevent the massacre, so how could the general public, many of whom were in poverty? If 2-3 million people really did die then that would make living in 1979 Uganda, which had a population of 12.18 million, more dangerous than fighting at the battle of the Somme. Somehow I find that hard to believe.

7. Actually the Cambodian genocides were primarily caused by Pol Pot claiming he was moving people out of the cities for their own wellbeing. I'm not sure how guns would have helped the population there. Also worth mentioning that the gun laws were in place for a number of years before the Khmer Rouge took power, so how these two events can be related is inconclusive, as are all your other examples.

No examples from the 21st century? Okay well I've got one for you. How about the 15,000 Americans that die every year because of relaxed gun laws? Explain that one with your historical case studies. I think it's pretty damn disrespectful to start shitting on the graves of millions of innocent civilians claiming that 'it would have been fine for you if you were allowed to own a firearm'. Yeah, I'm sure that's going to help the families of those affected sleep at night, including the families of those involved in the high school massacres over the recent years. So thanks for the lack of any causative evidence, it's a shame you decided to continue with the bullshit.

Oh what a surprise, the official statistics provided by the Australian government state that this is all bollocks (http://www.aic.gov.au/statistics/homicide.html). Look at that nice steady decrease in homicides over the last few years. Gun crime has gone down from 24% to 11% since the law was introduced, as have the assaults, as have the armed robberies. Admittedly the statistics do show that gun crime increased for a few years following the ban, but using these statistics to try and prove that gun laws don't work without looking at them from a longitudinal perspective is a poor use of statistics to say the least. However I do suspect that the reason you didn't use more up to date figures is because it proves the inverse.

Hmm, I wonder if you have the same view on the citizens of Vietnam. I do accept that you might feel like a subject without a boomstick to protect yourself with, but with them it's statistically proven that there will be less of your fellow 'citizens'. America has one of the highest gun crime rates in the developed world; I just wished you'd bother considering that before writing this slander.

Wow, it turns out we're now onto rewriting history. I do believe the reason Japan didn't invade the US in 1941 was because that would have been effectively suicidal from a tactical perspective. The whole purpose of the attack on Pearl Harbor was to cripple the American navy by surprise, and that doesn't work if you send a whole invasion force. Why Japan attacked the Americans was to halt the American progress towards the Dutch East Indies, and so a full scale invasion was in no way due to America's lack of gun policy. I find your hypothesis rather hard to believe considering that you haven't even put the remark in quotation marks, and have provided zero sources to back it up. I also find it unlikely that a Harvard educated admiral would use the primitive language of internet chainmail, but I think we've learnt by now that none of your arguments stand up to even basic logic.

As a reader we cannot seriously consider this propaganda as a reliable article, and so instead we need to consider whether regulating an industry primarily designed to kill people is really a negative thing. The statistics show us that gun control has dramatic effects on the native population, so why are there still arguments like this that claim the more widespread distribution of killing instruments somehow decreases the homicide rate. The logic of that argument is just absurd, and all this for a false notion of so called 'freedom'. This from a country where the legal drinking age is 21, and the nation that came up with the NSA. The gun crime rate in America is not a statistical anomaly, it's only proof that gun supporters have had their heads shoved up their own asses for too long.