#10 The King and I (1999) (3/10)
The biggest sin about this film however is that Warner Bros. got it into their heads that they could try and copy some of that iconic 'Disney magic' and put that into a lifeless film. They couldn't, and as a result the serious plot becomes overrun with stupid little animals that in my opinion would have performed better if the scenes were set in a woodchipper. But even the stupid animal sidekicks were nothing compared to the hideous romantic subplot that makes 'Titanic' seem like a great romantic novel for the ages in comparison. When you're not vomiting at the woeful plot you can at least enjoy some polished visuals, and some of the songs aren't too bad for a musical, although I still would never describe this as a decent animated flick. This film is certainly not the worst film in the world, just one without any joy or excitement. Not surprisingly the consequences of this dismal film was a box office bomb, only making back 11 million dollars from an original budget of 25 million. Turns out children can work out when a musical is shit.
#9 Glitter (2001) (1/10)
I know I bang on a lot about films full of cliches, but this film puts the rest to shame. The plot and script are essentially one big cliche, even making the life changing event of death not seem meaningful in any way. Even the seasoned musician that is Mariah Carey couldn't sing her way out of some of the worst acting I've ever come across and also one of the most generic and bland plots in recent memory. Unfortunately Mariah couldn't even manage the singing part, screeching her way through multiple terrible musical numbers, only providing comic relief with how awful her whole performance is. Thanks Mariah Carey; thanks for ruining musicals for everyone. I never much liked them to begin with, but now even the lifelong fans of musicals will hate you. In terms of 'Glitters' this is the most harmful to young girls I know of; even worse than Gary Glitter.
#8 Grease 2 (1982) (3/10)
Maybe this film would be more memorable if it wasn't for the barrage of mediocrity launched at the audience, ditching genuine quality for a love of songs that you would only find free in a newspaper and the quality of acting that you could find at your local theater. 'Grease 2' makes the cardinal sin for musicals in that the songs don't compliment the narrative, and any excuse to break into song is taken like it was some afterthought that only came about because the original did it, so they just copy that blueprint and ignore any sort of creative integrity. The above song is an example of the musical genius at work in this film, although when I say 'genius' I really mean ineptitude. There's no chemistry in that song, no passion on display. Nobody making this film ever seemed to care, only wanting to make a quick buck on a winning formula.
#7 Rent (2005) (3/10)
The main plot of the film, which is terribly executed, is based around pressing issues like sexuality and AIDS, although at no point do they ever feel important to the narrative. In all honesty I'm glad the characters in the film have AIDS. With the shoddy performances they come up with I can only assume that karma does exist after all; it's the least they deserve for contributing to such utter crap. Aside from the performances of the actors the rest of the film suffers from the usual cliches that plague many a musical. The whole thing feels pretentious, the story is crap and feels synthetic, and nobody apart from militant homosexuals could ever be moved by themes explored so badly, but then homosexuals like all musicals. Unfortunately this is a musical that annoys me, despite being technically nowhere near as bad as the rest on this list.
#6 A Chorus Line (1985) (2/10)
The problems stem from the choice of director. It's Richard Attenborough, a man who with the right film can show off his gifts, but in a musical I don't want the man behind the excruciatingly boring 'Gandhi' to give me a camp, high energy musical. Attenborough and silly musicals were never going to work as a concept, and the results are bright and colourful sequences being shredded into every shade of brown and grey imaginable. The energy of the cast is pointlessly wasted on a hopeless premise, but even the cast's passion seems to wane by the end. Hard to imagine that the original stage show was once the longest running musical in the history of Broadway.
#5 Burlesque (2010) (2/10)
As a technical musical this film has zero quality. The dialogue is painful just to listen to, as are the songs, as is watching the quality of acting. If for some people this constitutes some sort of innocent charm then those people need their heads examined. There's no substance to this film, nothing to make it stand out from any other average production. Admittedly this film has Cher in it, who's mannequin like appearance at least make her standout, but not her lackluster performance that should be of little interest to anyone with eyes. At no point during watching this did I think it was ever worth making; it's not entertaining, and it only succeeds at being of some comic value due to how poorly some of the technical aspects are executed. But then again I'm not a menopausal woman who might on occasion be the only demographic to get a kick of this shitheap.
#4 Phantom of the Opera (2004) (3/10)
I have admitted in the past that stage musicals are not my favorite thing in the world, but I would prefer watching 'Phantom of the Opera' in the theater where you don't get soppy romances and shallow characters that have zero presence in any scenes. This film is so one dimensional that iconic characters such as The Phantom of the Opera himself become just average characters, and that's amazing since his defining characteristic is meant to be that he's disfigured, which you would of thought would make the character at least a little bit different. In this film there is no fun and quirky world that the viewer can enjoy. Instead there's a world filled with dubbed vocals, boring performances, lackluster songs and just a lifeless feeling to everything. Gerard Butler and Emmy Rossum in the lead roles are just hopeless, and Schumacher managed to drill the final nail in the coffin with his abysmal directing.
#3 The Wiz (1978) (1/10)
I don't know what idiot decided that instead of Oz, this film should be set in New York, but I want to find out why that person thought that New York could even compare to any fantasy realm. Even worse is when you populate New York with not Judy Garland, but Diana Ross, famous for not being an actor. Not surprisingly Ross can sing perfectly fine, but the iconic role of Dorothy is now transformed into some annoying and stereotypical crazy black lady, and nobody wants that. I never thought I would see the day when Dorothy would become annoying as a character, but Diana Ross managed it mere decades after the original film's initial release. The rest of the cast aren't much more talented, and there's even an appearance from Michael Jackson as 'Scarecrow'. Of course now he's known as the 'Scarechild', which might be why the above clip shows him being crucified by bad dancers dressed in terrible costumes that you might find in a primary school nativity play, but that would be disrespecting both amateur nativity plays and arguably the best scene in the entire film. 'The Wiz' ended up losing 10 million dollars at the box office, which at least restores some of my faith in humanity. It will at least make Hollywood think twice before spending stupid amounts of money on crappy musicals with expensive costumes and terrible dancers.
#2 Sgt. Pepper's Lonely Hearts Club Band (1978) (-5/10)
The only thing that the two entities do match up on is that they're both revolutionary pieces of art. However this film is revolutionary because of just how embarrassing the whole thing is. The results are a disgusting atrocity that recycles tired old cliches, shits on musical heritage, embarrasses a whole generation of music lovers, produces some truly unbearable songs, makes a less coherent plot than the actual album and completely miss the point and tone of any songs in the album. What fucking idiots thought they could rewrite a legend when they couldn't even get the basics right? Listening to The Bee Gees covering 'A Day in the Life' has to go down as one of the worst moments in my life, and as for Steve Martin's take on 'Maxwell's Silver Hammer', well that has to be seen to be believed. Actually don't watch it, all it will do is make you doubt humanity as a whole.
#1 Mamma Mia (2008) (-15,000/10)
You won't hear me say this often, but for once I beg of the director to just dub the songs. Not even in the dodgiest karaoke bars in the country have I heard some amateurs murdering a musical that wasn't even any good to begin with on quite this scale. If I ever witnessed a film as terrible as this in real life it would be that pile of vomit outside the karaoke club, containing the murdered and mangled lyrics that show an utter disdain for the concept of musical theater. 'Mamma Mia' couldn't even get the dancing part right either, and it appears to have been lifted from a children's cartoon. The pacing and the plot are also cataclysmically poor, but the acting is the worst; there's no charisma or charm on display. To say anything this film did was charming would be the biggest lie ever told as in reality it's about as charming as a spreading tumor on a child. Somehow this atrocity managed to be successful; and that fact alone is enough evidence that population control would be a beneficial purge on society. I honestly don't understand how people can voluntarily be put through this kind of inhumane torture. Personally I would much rather have malaria injected into eyeballs than watch a single second of this soul-crushing horror.
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